We shouldn’t say iCub — the humanoid robot from Italy — is creepy. After all, human-like robots are in their infancy and an early computer or automobile would hardly be indicative of where those industries would take us. You can see the little guy in the video below.
The effort is open source and was part of an EU project that has been adopted by 20 labs around the world. The video just shows a guy in VR gear operating the robot, but the website has a lot of technical information if you want to know more.
The first thing to notice about [Bijuo]’s cat-sized quadruped robot designs (link is in Korean, Google translation here) is how slim and sleek the legs are. That’s because unlike most legged robots, the limbs themselves don’t contain any motors. Instead, the motors are in the main body, with one driving a half-circle pulley while another moves the limb as a whole. Power is transferred by a cable acting as a tendon and is offset by spring tension in the joints. The result is light, slim legs that lift and move in a remarkable gait.
[Bijuo] credits the Cheetah_Cub project as their original inspiration, and names their own variation Mini Serval, on account of the ears and in keeping with the feline nomenclature. Embedded below are two videos, the first showing leg and gait detail, and the second demonstrating the robot in motion.
In the depths of Etsy and Pinterest is a fascinating, if tedious, artform. String art, the process of nailing pins in a board and wrapping thread around the perimeter to create shapes and shading, The most popular project in this vein is something like putting the outline of a heart, in string, in the shape of your home state. Something like that, at least.
While this artform involves about as much effort as pallet wood furniture, there is an interesting computational aspect of it: you can create images with string art, and doing this is a very, very hard problem to solve with an algorithm. Researchers at TU Wien have brought out the best that string art has to offer. They’ve programmed an industrial robot to create portraits out of string.
The experimental setup for this is about as simple as it gets. It’s a circular frame studded with 256 hooks around the perimeter. An industrial robot arm takes a few kilometers of thread winds a piece of string around one of these hooks, then travels to another hook. Repeat that thousands and thousands of times, and you get a portrait of Ada Lovelace or Albert Einstein.
The wire wrapped backplane of a DEC PDP-11. This was assembled by a robot that was programmed with an autorouter. It’s also string art.
The real trick here is the algorithm that takes an image and translates it into the paths the string will take. This is an NP-hard problem, but it is a surprisingly well-studied problem. The first autorouters — the things you should never trust to route traces between the packages on your PCB — we created for wire wrapped computers. Here, computers would find the shortest path between whatever pins had to be connected together. There were, of course, limitations: pins could only have so many connections on them thanks to the nature of wire wrapping, and you couldn’t have one gigantic mass of wires for a parallel bus. The first autorouters were string art algorithms, only in reverse.
[igarrido] has shared a project that’s been in the works for a long time now; a wooden desktop robotic arm, named Virk I. The wood is Australian Blackwood and looks gorgeous. [igarrido] is clear that it is a side project, but has decided to try producing a small run of eight units to try to gauge interest in the design. He has been busy cutting the parts and assembling in his spare time.
Besides the beautifully finished wood, some of the interesting elements include hollow rotary joints, which mean less cable clutter and a much tidier assembly. 3D printer drivers are a common go-to for CNC designs, and the Virk I is no different. The prototype is driven by a RAMPS 1.4 board, but [igarrido] explains that while this does the job for moving the joints, it’s not ideal. To be truly useful, a driver would need to have SCARA kinematic support, which he says that to his knowledge is something no open source 3D printer driver offers. Without such a driver, the software has no concept of how the joints physically relate to one another, which is needed to make unified and coherent movements. As a result, users must control motors and joints individually, instead of being able to direct the arm as a whole to move to specific coordinates. Still, Virk I might be what’s needed to get that development going. A video of some test movements is embedded below, showing how everything works so far.
If you have ever had to complete a task such as building a LEGO model over a remote connection, you will know that the challenges are like an absurd grade school group project. The person giving directions often has trouble describing what they are thinking, and the person doing the work has trouble interpreting what the instructor wants. “Turn the blue block over. No, only half way. Go back. Now turn it. No, the other way. NO! Not clockwise, downward. That’s Upward! Geez. Are you even listening‽” Good times.
While you may not be in this situation every day, the Keio University of Japan has an intuitive way to give instructors a way to physically interact with an instructee through a Moore/Swayze experience. The instructor has a camera in typical pirate parrot placement over the shoulder. Two arms are controlled by the instructor who can see through stereoscopic cameras to have a first-person view from across the globe. This natural way to interact with the user’s environment allows muscle memory to pass from the instructor to the wearer.
For some of the other styles of telepresence, see this deep-sea bot and a cylindrical screen that looks like someone is beaming up directly from the holodeck.
We’ve written about a lot of DIY robotic arms. Some of them are high-performance, some are inexpensive, and some are just uniquely fun. This one certainly falls into the last category; whilst watching an episode of Black Mirror, [Gear Down For What] was struck by inspiration for a thin robotic limb. After some iterations he has a final prototype, and it’s quite something to see in action.
To make a robotic arm as slender as possible, the actuators can’t be mounted on the arm itself but must instead drive the arm remotely. There are a number of ways of doing this, and though [Gear Down For What] considered using pneumatics or hydraulics, he opted to keep it simple with RC servos which produced a nifty solution that we really like.
The arm is made out of a series of 3D printed ball joints, allowing rotation in any direction. The tricky bit is transferring the force from the servos to each joint. Initially bare fishing line was considered, but this made the remote joints difficult to control when lower joints were moving. The solution was to use the fishing line inside of tubing, similar to the way that bike brakes operate. This allows the force to be carried to the appropriate joint regardless of lower movement. Each joint needs an x and y tension to allow it to rotate in any direction, which means an army of sixteen servos is needed to operate the eight segment arm.
Who among us doesn’t procrastinate from time to time? We can’t count the number of times that we’ve taken advantage of the Post Office staying open until midnight on April 15th. And when the 15th falls on a weekend? Two glorious additional days to put off the inevitable!
The Hackaday Superconference is a singularity of hardware hackers: more of the best people in the same space at the same time than anywhere else. And that means that your ideas and experiences will be shared with the people most likely to appreciate them. From heroic hacks to creative robotics or untold hardware histories, if there’s a crowd who’ll appreciate how a serial console saved your bacon, it’s this one.
And if you give a talk or workshop, you get in free. But it’s more than that — there’s a different experience of a convention, even a tight-knit and friendly one like Hackaday’s Supercon, when you’re on the other side of the curtain. Come join us! We’d love to hear what you’ve got to say. And now you’ve got a little more time to tell us.
(If you want to get in the old-fashioned way, tickets are still available, but they won’t be once we announce the slate of speakers. You’ve been warned.)
