Finely powdered aluminium can make almost anything more pyrotechnically interesting, from fireworks to machine shop cleanups – even ceramics, as [Degree of Freedom] discovered. He was experimenting with mixing aluminium powder with various other substances to see whether they could make a thermite-like combination, and found that he could shape a paste of aluminium powder and clay into a form, dry it, and ignite it. After burning, it left behind a hard ceramic material.
[Degree of Freedom] was naturally interested in the possibilities of self-firing clay, so he ran a series of experiments to optimize the composition, and found that a mixture of three parts of aluminium to five parts clay by volume worked best. However, he noticed that bubbles of hydrogen were forming under the surface of the clay, which could cause cracks during the firing. The aluminium was reacting with water to form the bubbles, somewhat like a unwanted form of aerated concrete, and for some reason the kaolinite in clay seemed to accelerate the reaction. Trying to passivate the aluminium by heating it in air or water didn’t prevent the reaction, but [Degree of Freedom] did find that clay extracted from the dirt in his back yard didn’t accelerate it as kaolinite did, and the mixture could dry out without forming bubbles.
This mixture wasn’t totally reliable, so to make it a bit more consistent [Degree of Freedom] added some iron oxide to accelerate the burn through an actual thermite reaction – some mixtures burned hot enough to start to melt the clay. After many tests, he found that sixteen parts clay, seven parts aluminium, and five parts iron oxide gave the best results. He fired two cups made of the mixture, a thin rod, and a cube, with mixed results. The clay expanded a bit during firing, which sometimes produced a rough finish, cracking, and fragility, but in some cases it was surprisingly strong.
The actual chemistry at work in the clay-aluminium mixtures is a bit obscure, but not all thermite reactions need to involve iron oxide, so there might have been some thermite component even in the earlier mixtures. If you need heat rather than ceramic, we’ve also seen a moldable thermite paste extruded from a 3D printer.
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The Subtle Art Of Letterform Design
Typeface (such as Times New Roman) refers to the design that gives a set of letters, numbers, and symbols their signature “look”. Font, on the other hand, is a specific implementation of a typeface, for example, Times New Roman Italic 12 pt.

Right about this point, some of you are nodding along and perhaps thinking “oh, that’s interesting,” while the rest of you are already hovering over your browser’s Back button. If you’re one of the former, you may be interested in checking out the (sort of) interactive tour of typography design elements by the Ohno Type School, a small group that loves design.
On one hand, letters are simple and readily recognizable symbols. But at the same time, their simplicity puts a lot of weight on seemingly minor elements. Small changes can have a big visual impact. The tour lays bare answers to questions such as: What is the optimal parting of the cheeks of a capital ‘B’? At what height should the crossbar on an ‘A’ sit, and why does it look so weird if done incorrectly? And yet, the tail of a ‘Q’ can be just about anything? How and why does an ‘H’ define the spacing of the entire typeface? All these (and more) are laid bare.
TekaSketch: Where Etch A Sketch Meets Graph Theory
The Etch A Sketch was never supposed to meet a Raspberry Pi, a camera, or a mathematical algorithm, but here we are. [Tekavou]’s Teka-Cam and TekaSketch are a two-part hack that transforms real photos into quite stunning, line-drawn Etch A Sketch art. Where turning the knobs only results in wobbly doodles, this machine plots out every curve and contour better than your fingertips ever could.
Essentially, this is a software hack mixed with hardware: an RPi Zero W 2, a camera module, Inkplate 6, and rotary encoders. Snap a picture, and the image is conveyed to a Mac Mini M4 Pro, where Python takes over. It’s stripped to black and white, and the software creates a skeleton of all black areas. It identifies corner bridges, and unleashes a modified Chinese Postman Algorithm to stitch everything into one continuous SVG path. That file then drives the encoders, producing a drawing that looks like a human with infinite patience and zero caffeine jitters. Originally, the RPi did all the work, but it was getting too slow so the Mac was brought in.
It’s graph theory turned to art, playful and serious at the same time, and it delivers quite unique pieces. [Tekavou] is planning on improving with video support. A bit of love for his efforts might accellerate his endeavours. Let us know in the comments below!
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Steamboat Willie Still Tests Copyright
If you know anything about Mickey Mouse, you’ll be able to tell us that his first outing was in 1928’s Steamboat Willie — an animated short that sees our hero as the hapless pilot of a riverboat battling an assortment of animals and his captain. It entered the public domain last year, meaning that it and the 1928 incarnation of Mickey are now free of any copyright obligation to the media giant.
There’s an interesting development from Florida on that front though as it seems Disney may have been testing this through legal means, and now a law firm wants to see them in court over their proposed use of the film in an advert.
Of course here at Hackaday we don’t cover the dry subject of Florida legal news as a rule, but we are interested in the world of copyright as it applies to many other things that do come under our eye. As we understand it the law firm is requesting the judge assert their protection from trademark claims over the use of Disney’s 1928 Willie, given that there have been claims from the entertainment giant against others doing the same thing.
It’s hardly surprising that a large corporation might seek to use legal muscle and trademark law to de facto extend the term of Mickey’s protection beyond the defined copyright expiration date, so for once it’s refreshing to see them come up against someone unafraid of a courtroom.
We hope that common sense will prevail, and this undermining of a cherished right (not to mention prior case law) is not allowed to succeed. Meanwhile if you’d like a 1928 Mickey that Disney have shied away from coming after, look no further than the EFF.
Trapped Soul In Time For Halloween
While it is sort of disturbing, it is one of the best uses for a round LCD we’ve seen lately. What is it? Just [vishalsoniindia]’s SoulCage — a pendant that appears to have a poor soul trapped inside of it. Just in time for the upcoming spooky holiday. You can see the device in operation in the short video below.
The heart (sorry, unintentional pun) of the device is an ESP32-S3 round display. That means the rest of it is software, a battery, and a 3D printed case. There’s a switch, too, to select a male or female image as well as shut the device off when not in use.
3D Printed “Book” Demonstrates Mechanical Actions
A book of mechanical actions is a wondrous thing — mechanically inclined children have lost collective decades pouring over them over the generations. What could possibly be better? Why, if the mechanisms in the book were present, and moved! That’s exactly what [AxelMadeIt] produced for a recent video.
Being just four pages, you might argue this is but a pamphlet. But since it takes up a couple inches of shelf space, it certainly looks like a book from the outside, which is exactly what [AxelMadeIt] was going for. To get a more book-like spine, his hinge design sacrificed opening flat, but since the pages are single-sided, that’s no great sacrifice.
At only 6 mm (1/4″) thick, finding printable mechanisms that could actually fit inside was quite a challenge. If he was machining everything out of brass, that would be room for oodles of layers. But [Axel] wanted to print the parts for this book, so the mechanisms need to be fairly thick. One page has a Roberts linkage and a vault-locking mechanism, another has planetary gears, with angled teeth to keep them from falling out. Finally, the first page has a geneva mechanism, and an escapement, both driven by a TPU belt drive.
All pages are driven from an electric motor that is buried in the last page of the “book”, along with its motor, battery, and a couple of micro-switches to turn it on when you open the book and off again when you reach the last page. Rather than a description of the mechanisms, like most books of mechanical actions, [Axel] used multi-material printing to put lovely poems on each page. A nice pro-tip is that “Futura”, a font made famous by flying to the moon, works very well when printed this way. If you just want to watch him flip through, jump to 8:00 in the video.
This reminds us of another project we once featured, which animated 2100 mechanical mechanisms. While this book can’t offer near that variety, it makes up for it in tactility.
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PCBs The Prehistoric Way
When we see an extremely DIY project, you always get someone who jokes “well, you didn’t collect sand and grow your own silicon”. [Patrícia J. Reis] and [Stefanie Wuschitz] did the next best thing: they collected local soil, sieved it down, and fired their own clay PCB substrates over a campfire. They even built up a portable lab-in-a-backpack so they could go from dirt to blinky in the woods with just what they carried on their back.
This project is half art, half extreme DIY practice, and half environmental consciousness. (There’s overlap.) And the clay PCB is just part of the equation. In an effort to approach zero-impact electronics, they pulled ATmega328s out of broken Arduino boards, and otherwise “urban mined” everything else they could: desoldering components from the junk bin along the way.
The traces themselves turned out to be the tricky bit. They are embossed with a 3D print into the clay and then filled with silver before firing. The pair experimented with a variety of the obvious metals, and silver was the only candidate that was both conductive and could be soldered to after firing. Where did they get the silver dust? They bought silver paint from a local supplier who makes it out of waste dust from a jewelry factory. We suppose they could have sat around the campfire with some old silver spoons and a file, but you have to draw the line somewhere. These are clay PCBs, people!
Is this practical? Nope! It’s an experiment to see how far they can take the idea of the pre-industrial, or maybe post-apocalyptic, Arduino. [Patrícia] mentions that the firing is particularly unreliable, and variations in thickness and firing temperature lead to many cracks. It’s an art that takes experience to master.
We actually got to see the working demos in the flesh, and can confirm that they did indeed blink! Plus, they look super cool. The video from their talk is heavy on theory, but we love the practice.
DIY clay PCBs make our own toner transfer techniques look like something out of the Jetsons.






