Rediffusion Television: Early Cable TV Delivered Like Telephone

Recently I spent an enjoyable weekend in Canterbury, staying in my friend’s flat with a superb view across the rooftops to the city’s mediaeval cathedral. Bleary-eyed and in search of a coffee on the Sunday morning, my attention was immediately drawn to one of her abode’s original built-in features. There on the wall in the corner of the room was a mysterious switch.

Housed on a standard-sized British electrical fascia was a 12-position rotary switch, marked with letters A through L. An unexpected thing to see in the 21st century and one probably unfamiliar to most people under about 40, I’d found something I’d not seen since my university days in the early 1990s: a Rediffusion selector switch.

If you have cable TV, there is probably a co-axial cable coming into your home. It is likely to carry a VHF signal, either a series of traditional analogue channels or a set of digital multiplexes. “Cable ready” analogue TVs had wideband VHF tuners to allow the channels to be viewed, and on encrypted systems there would have been a set-top box with its own analogue tuner and decoder circuitry.

Your digital cable TV set-top box will do a similar thing, giving you the channels you have subscribed to as it decodes the multiplex. At the dawn of television transmission though, none of this would have been possible. Co-axial cable was expensive and not particularly high quality, and transistorised wideband VHF tuners were still a very long way away. Engineers designing the earliest cable TV systems were left with the technology of the day derived from that of the telephone networks, and in Britain at least that manifested itself in the Rediffusion system whose relics I’d found.

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The VU Meter And How It Got That Way

Given its appearance in one form or another in all but the cheapest audio gear produced in the last 70 years or so, you’d be forgiven for thinking that the ubiquitous VU meter is just one of those electronic add-ons that’s more a result of marketing than engineering. After all, the seemingly arbitrary scale and the vague “volume units” label makes it seem like something a manufacturer would slap on a device just to make it look good. And while that no doubt happens, it turns out that the concept of a VU meter and its execution has some serious engineering behind that belies the really simple question it seeks to answer: How loud is this audio signal?

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Recorded Programming — Thanks To Bing Crosby

If you look up Bing Crosby in Wikipedia, the first thing you’ll notice is his real name was Harry. The second thing you’ll read, though, is that he is considered the first “multimedia star.” In 1948, half of the recorded music played on the air was by Bing Crosby. He also was a major motion picture star and a top-selling recording artist. However, while you might remember Bing for his songs like White Christmas, or for his orange juice commercials, or for accusations of poor treatment from his children, you probably don’t associate him with the use of magnetic tape.

In a way, Bing might have been akin to the Steve Jobs of the day. He didn’t power the technology for tape recording. But he did see the value of it, invested in it, and brought it to the market. Turns out Bing was quite the businessman. Want to know why he did all those Minute Maid commercials? He was a large shareholder in the company and was the west coast distributor for their products. He also owned part of the Pittsburgh Pirate baseball team and other businesses.

So how did Bing become instrumental in introducing magnetic tape recording? Because he was tired of doing live shows. You see, in 1936, Crosby became the host of a radio variety show, The Kraft Music Hall. This very popular program was live. That means you have to show up on time. If you go off on a tangent, you’ll run out of time. And if you make a mistake, there is no editing. Oh and one other thing. You have to do a nationwide live show twice: once for the east coast and another for the west. This was cutting into Bing’s “family time” which, as far as we can ascertain was a code phrase for golf.

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Hackaday guide to Lathes

Lathe Headstock Alignment: Cutting A Test Bar

Let’s say you’ve recently bought a lathe and set it up in your shop. Maybe you’ve even gone and leveled it like a boss. You’re ready to make chips, right? Well, not so fast. As real machinists will tell you, you can use all the levels and lasers and whatever that you want, but the proof is in the cut. Precision leveling gets your machine in the ballpark (machinists have very small ballparks) but the final step to getting a machine to truly perform well is to cut a test bar. This is a surefire way to eliminate any last traces of twist in the bed.

There are two types of test bars. One is for checking headstock-to-ways alignment, which is what we’re doing here. There’s another type used for checking tailstock alignment, but that’s a subject for another day.

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Feeling The Heat Of High-Frequency Trading

It’s high summer here in North America, and for a lot of us, this one has been a scorcher. Media reports have been filled with coverage of heat wave after heat wave, with temperature records falling like dominoes.

But as they say, it’s not the heat, it’s the humidity, and that was painfully true in the first week of July as a slug of tropical air settled into the northeast United States. With dewpoints well into the 70s (25°C plus) and air temperatures pushing the century-mark (38°C), people suffered and systems from transportation to the electrical grid strained under the load. But as punishing as such soupy conditions are for people, there are other effects that are less well known but of critical importance to financial markets, where increased humidity can lead to billion-dollar losses for markets. Welcome to the weird world of high-frequency trading.

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When Is Wrought Iron Not Wrought Iron?

I grew up with a blacksmith for a parent, and thus almost every metalworking processes seems entirely normal to have as part of everyday life throughout my childhood. There seemed to be nothing we owned that couldn’t be either made or repaired with the application of a bit of welded steel. Children of blacksmiths grow up with a set of innate heavy hardware hacker or maker skills that few other young people acquire at that age. You know almost from birth that you should always look away from the arc when dad is welding, and you also probably have a couple of dictionary definitions ready to roll off the tongue.

The first is easy enough, farrier. A farrier makes and fits horseshoes. Some blacksmiths are farriers, many aren’t. Sorry, my dad made architectural ironwork for upmarket houses in London when he wasn’t making improvised toys for me and my sisters, he didn’t shoe horses. Next question.

The second is a bit surprising. Wrought iron. My dad didn’t make wrought iron.

But… Hang on, you say, don’t blacksmiths make wrought iron? At which point the floodgates open if you are talking to a blacksmith, and you receive the Wrought Iron Lecture.

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The Photo Lab That Flew To The Moon

When planning a trip by car these days, it’s pretty much standard practice to spin up an image of your destination in Google Maps and get an idea of what you’re in for when you get there. What kind of parking do they have? Are the streets narrow or twisty? Will I be able to drive right up, or will I be walking a bit when I get there? It’s good to know what’s waiting for you, especially if you’re headed someplace you’ve never been before.

NASA was very much of this mind in the 1960s, except the trip they were planning for was 238,000 miles each way and would involve parking two humans on the surface of another world that we had only seen through telescopes. As good as Earth-based astronomy may be, nothing beats an up close and personal look, and so NASA decided to send a series of satellites to our nearest neighbor to look for the best places to land the Apollo missions. And while most of the feats NASA pulled off in the heyday of the Space Race were surprising, the Lunar Orbiter missions were especially so because of how they chose to acquire the images: using a film camera and a flying photo lab.

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