DIY Photo Backup In The Field

They say a file isn’t backed up if it isn’t backed up twice. This is easy enough to do if you have access to your computer and a network, but if you’re a photographer you might end up in a place without either of these things and need a way to back up the files you just created. For that you’ll need a specialized photo backup tool which you can easily build yourself.

While commercial offerings are available which back up files locally from a camera’s SD card to another medium, they suffer from a high price. [André]’s solution can be had for a fraction of that cost. Using a Raspberry Pi Zero, a tiny USB hub, and a high capacity jump drive, a photographer can simply plug in an SD card and the Pi will handle the backups with varying levels of automation. The software that [André] made use of is called Little Backup Box written by [Dmitri Popov] and can be used typically as an automatic backup for any other device as well.

This is a great solution to backing up files on the go, whether they’re from a camera or any device that uses an SD card. Removable storage is tiny and easily lost, so it’s good to have a few backups in case the inevitable happens. Raspberry Pis are an ideal solution to data backup, and can even be battery powered if you’re really roughing it for a few days.

Open Source Kitchen Helps You Watch What You Eat

Every appliance business wants to be the one that invents the patented, license-able, and profitable standard that all the other companies have to use. Open Source Kitchen wants to beat them to it. 

Every beginning standard needs a test case, and OSK’s is a simple one. A bowl that tracks what you eat. While a simple concept, the way in which the data is shared, tracked, logged, and communicated is the real goal.

The current demo uses a Nvidia Jetson Nano as its processing center. This $100 US board packs a bit of a punch in its weight class. It processes the video from a camera held above the bowl of fruit, suspended by a scale in a squirrel shaped hangar, determining the calories in and calories out.

It’s an interesting idea. One wonders how the IoT boom might have played out if there had been a widespread standard ready to go before people started walling their gardens.

A Mechanical Shutter Release For A Digital Camera

Most digital cameras these days come with some kind of electronic remote shutter release. Various solutions exist, using USB cables, smartphone apps, or dedicated remotes. [Steloherd] wasn’t happy with the options available for his Ricoh GRII, though, so built a rig to do things the old fashioned way.

The spring plate helps protect the shutter button from damage.

[Steloherd] wanted to use an old-school mechanical release cable, so devised a way to use it to trigger the Ricoh’s standard shutter button. A small aluminium bracket was created, attached to the hot shoe on top of the camera via a mounting foot from a standard flash accessory. A spring plate was then created to help spread the load from the mechanical release pin, ensuring it triggers the camera effectively without damaging anything.

Installing the mechanical release proved difficult, as the DIN standard calls for an obscure M3.4 conical tapped thread. Rather than muck about finding rare tooling, [Steloherd] simply recut the thread on the release cable to a straight M3x0.5, and did the same for the bracket.

Overall, it’s a tidy hack, and one that could be adapted to other cameras fairly easily. Other methods we’ve seen involve such odd choices as linear actuators harvested from air fresheners, if you’d believe it. As always, if it works, it works!

Quick And Dirty Digital Conversion For Analog SLR

The unarguable benefits of digital photography has rendered the analog SLR obsolete for most purposes. This means that a wide selection of cameras and lenses are available on the second hand market for pennies on the dollar, making them ripe targets for hacking. [drtonis] decided to experiment with a quick and easy digital conversion to an old Canon A-1, and it’s got us excited about the possibilities.

Who needs Instagram filters? Just distort in-camera!

It’s a simple hack, but a fun one. The SLR is opened up, and the spring plate for holding the film is removed. A Raspberry Pi camera then has its original lens removed, and is placed inside the film compartment. It’s held in with electrical tape, upon a 3mm shim to space it correctly to work with the original optics.

[drtonis] notes that the build isn’t perfect, with some aberration likely caused by the reflective electrical tape in the film cavity. However, we think it’s a nice proof of concept that could go so much further. A Raspberry Pi Zero could be easily squeezed inside along with the camera, and everything glued in place to make things more robust. A specialist paint such as Stuart Semple’s Black 2.0 could also help cut down on light leaks inside. Plus, there’s plenty of small screens that can be used with the Raspberry Pi that would provide a useful preview function.

We’d love to see more conversions like this one. While it’s unlikely they’ll compete with commercial DSLRs on outright performance, everyone loves a little bit of charming distortion here and there, and all manner of fancy lenses can be had for cheap for analog platforms. We’ll be keeping a close eye on the tipline for further This fundevelopments – you know what to do!

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[Ben Krasnow] Looks Inside Film Camera Date Stamping

Honestly, we never wondered how those old film cameras used to put the date stamp in the lower right-hand corner of the frame. Luckily, [Ben Krasnow] does not suffer from this deplorable lack of curiosity, and his video teardown of a date-stamping film camera back (embedded below) not only answers the question, but provides a useful lesson in value engineering.

For the likely fair fraction of the audience who has never taken a photo on film before, cheap 35-mm cameras were once a big thing. They were really all one had for family snapshots and the like unless you wanted to invest in single-lens reflex cameras and all the lenses and accessories. They were miles better than earlier cartridge cameras like the 110 or – shudder – Disc film, and the cameras started getting some neat electronic features too. One was the little red-orange date stamp, which from the color we – and [Ben] assumed was some sort of LED pressed up against the film, but it ends up being much cooler than that.

Digging into the back of an old camera, [Ben] found that there’s actually a tiny projector that uses a mirror to fold the optical path between the film and a grain-of-wheat incandescent bulb. An LCD filter sits in the optical path, but because it’s not exactly on the plane of the film, it actually has to project the image onto the film. The incandescent bulb acts as a point source and the mirror makes the optical path long enough that the date stamp image appears sharp on the film. It’s cheap, readily adapted to other cameras, and reliable.

Teardowns like this aren’t fodder for [Ben]’s usual video fare, which tends more toward homemade CT scanners and Apollo-grade electroluminescent displays, but this was informative and interesting, too.

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Modular Camera Remote Is Highly Capable

Many cameras these days have optional remotes that allow the shutter release to be triggered wirelessly. Despite this, [Foaly] desired more range, and more options for dealing with several cameras at once. As you’d expect, hacking ensued.

[Foaly] uses Silver modules to photograph rocket launches safely.
The system goes by the name of Silver, and is modular in nature. Each Silver module packs a transmitter and receiver, and can send and receive trigger orders to any other module in range. This allows a module to be used to trigger a camera, or be used as a remote to control other modules. There’s even a PC interface program that controls modules over USB.

Modules are also capable of sharing configuration changes with other modules in the field, making it easy to control a large battery of cameras without having to manually run around changing settings on each one. Oh, and it can run as a basic intervalometer too.

LoRa is used for wireless communications between modules, giving them excellent range. [Foaly] successfully used the remotes at ranges over 500 meters without any dropouts, capturing some great model rocket takeoffs in the process.

Silver is a highly robust project that should do everything the average photographer could ever possibly need, and probably a good deal more. Firmware and board files are available for those eager to make their own.

We’ve seen several very impressive camera augmentations entered into the 2019 Hackaday Prize, from ultra high-speed LED flash modules to highly flexible automatic trigger systems.

Alternative Photography Hack Chat

Join us on Wednesday, October 2 at noon Pacific for the Alternative Photography Hack Chat with Pierre-Loup Martin!

It seems like the physics of silicon long ago replaced the chemistry of silver as the primary means of creating photographs, to the point where few of us even have film cameras anymore, and home darkrooms are a relic of the deep past. Nobody doubts that the ability to snap a quick photo or even to create a work of photographic genius with a tiny device that fits in your pocket is a wonder of the world, but still, digital photographs can lack some of the soul of film photography.

Recapturing the look of old school photography is a passion for a relatively small group of dedicated photographers, who ply their craft with equipment and chemistries that haven’t been in widespread use for a hundred years. The tools of this specialty trade are hard to come by commercially, so practitioners of alternate photographic processes are by definition hackers, making current equipment bend to the old ways. Pierre-Loup is one such artist, working with collodion plateshacked large-format cameras, pinholes camera, and chemicals and processes galore –  anything that lets him capture a unique image. His photographs are eerie, with analog imperfections that Photoshop would have a hard time creating.

Join us as Pierre-Loup takes us on a tour through the world of alternative photography. We’ll look at the different chemistries used in alternative photography, the reasons why anyone would want to try it, and the equipment needed to pull it off. Photography was always a hack, until it wasn’t; Pierre-Loup will show us how he’s trying to put some soul back into it.

join-hack-chatOur Hack Chats are live community events in the Hackaday.io Hack Chat group messaging. This week we’ll be sitting down on Wednesday, October 2 at 12:00 PM Pacific time. If time zones have got you down, we have a handy time zone converter.

Click that speech bubble to the right, and you’ll be taken directly to the Hack Chat group on Hackaday.io. You don’t have to wait until Wednesday; join whenever you want and you can see what the community is talking about.