sound

83 Articles

Listening To Mains Power, Part 2

January 14, 2019 by 26 Comments

The electricity on the power grid wherever you live in the world will now universally come to you as AC. That is to say that it will oscillate between positive and negative polarity many times every second. The frequency of 50 or 60Hz just happens to be within the frequency range for human hearing. There’s a lot more than this fundamental frequency in the spectrum on the power lines though, and to hear those additional frequencies better you’ll have to do a little bit of signal processing.

We first featured this build back when it was still in its prototyping phase, but since then it’s been completed and used successfully to find a number of anomalies on the local power grid. It takes inputs from the line, isolates them, and feeds them into MATLAB via a sound card where they can be analyzed for frequency content. It’s been completed, including a case, and there are now waterfall diagrams of “mystery” switching harmonics found with the device, plus plots of waveform variation over time. There’s also a video below that has these harmonics converted to audio so you can hear the electricity.

Since we featured it last, [David] also took some feedback from the comments on the first article and improved isolation distances on his PCB, as well as making further PCB enhancements before making the final version. If you’ve ever been curious as to what you might find on the power lines, be sure to take a look at the updates on the project’s page.

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Build Your Own Anechoic Chamber

December 14, 2018 by 16 Comments

For professional-level sound recording, you’ll need professional-level equipment. Microphones and mixing gear are the obvious necessities, as well as a good computer with the right software on it. But once you have those things covered, you’ll also need a place to record. Without a good acoustic space, you’ll have all kinds of reflections and artefacts in your sound recordings, and if you can’t rent a studio you can always build your anechoic chamber.

While it is possible to carpet the walls of a room or randomly glue egg crate foam to your walls, [Tech Ingredients] tests some homemade panels of various shapes, sizes, and materials against commercially available solutions. To do this he uses a special enclosed speaker pointed at the material, and a microphone to measure the sound reflections. The tests show promising results for the homemade acoustic-absorbing panels, at a fraction of the cost of ready-made panels.

From there, we are shown how to make and assemble these panels in order to get the best performance from them. When dealing with acoustics, even the glue used to hold everything together can change the properties of the materials. We also see a few other cost saving methods in construction that can help when building the panels themselves as well. And, while this build focuses on acoustic anechoic chambers, don’t forget that there are anechoic chambers for electromagnetic radiation that use the same principles as well.

Thanks to [jafinch78] for the tip!

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My Oscilloscope Uses Fire

December 12, 2018 by 16 Comments

If you want to visualize sound waves, you reach for your oscilloscope, right? That wasn’t an option in 1905 so physicist [Heinrich Rubens] came up with another way involving flames. [Luke Guigliano] and [Will Peterson] built one of these tubes — known as a Rubens’ tube — and will show you how you can, too. You can see a video of their results, below. Just in case a flame oscilloscope isn’t enough to attract your interest, they are driving the thing with a theremin for extra nerd points.

The guys show a short flame run and one with tall flames. The results are surprising, especially with the short flames. Of course, the time base is the length of the tube, so that limits your measurements. The tube has many gas jets along the length and with a sound source, the height of the flames correspond to the air pressure from the sound inside the tube.

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Superdeep Borehole Samples Create Non-boring Music

October 19, 2018 by 14 Comments

In the 1970s, the Soviet Union decided to dig a hole for science. Not just any hole, the Kola Superdeep Borehole reached a depth of over 12 kilometers, the deepest at the time and the second deepest today by just a few meters. Since this was one of the few holes dug this deep that wasn’t being drilled for oil, the project was eventually abandoned. [Dmitry] was able to find some core samples from the project though, and he headed up to the ruins of the scientific site with his latest project which produces musical sounds from the core samples.

The musical instrument uses punched tape, found at the borehole site, as a sort of “seed” for generating the sounds. Around the outside of the device are five miniature drilling rigs, each holding a piece of a core sample from the hole. The instrument uses the punched tape in order to control the drilling rigs, and the sound that is created is processed by the instrument and amplified, which creates some interesting and rather spooky sounds. The whole thing is controlled by an Arduino Mega.

Not only does the project make interesting sounds from a historically and scientifically significant research station and its findings, but the project has a unique and clean design that really fits its environment at the abandoned facility. The other interesting thing about this project is that, if you want to make the trek, anyone can go explore the building and see the hole for themselves. If you’re wondering about the tools that could be used to make a hole like this, take a look at this boring project.

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Modular Violin Takes A Bow

October 16, 2018 by 10 Comments

They say the only difference between a violin and a fiddle is the way you play it. If that’s so, this modular violin will need a new name, since it can be broken apart and changed in ways that make it sound completely different, all within a few minutes.

The fiddle is the work of [David Perry] and has 3D printed body, neck, pegbox, and bridge. While it might seem useful on the surface as a way to get less expensive instruments out in the world where virtually anyone has access to them, the real interesting qualities are shown when [David] starts playing all of the different versions he’s created. The sound changes in noticeable ways depending on the style of print, type of plastic used, and many other qualities.

Of course you will need a bow, strings, pegs, and a fingerboard, but the rest is all available if you have a 3D printer around. If you’re already a skilled violinist this could be a very affordable way to experiment with new sounds. It’s not the first time we’ve seen 3D printed violins, but it is the first time we’ve seen them designed specifically to alter the way they sound rather than their physical characteristics. If you want to make your own, all of the .stl files are available on the project’s site.

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Submarine To Plane: Can You Hear Me Now? The Hydrophone Radar Connection

September 23, 2018 by 34 Comments

How does a submarine talk to an airplane? It sounds like a bad joke but it’s actually a difficult engineering challenge.

Traditionally the submarine must surface or get shallow enough to deploy a communication buoy. That communication buoy uses the same type of radio technology as planes. But submarines often rely on acoustic transmissions via hydrophones which is fancy-talk for putting speakers and microphones in the water as transmitters and receivers. This is because water is no friend to radio signals, especially high frequencies. MIT is developing a system which bridges this watery gap and it relies on acoustic transmissions pointed at the water’s surface (PDF warning) and an airplane with high-precision radar which detects the oscillations of the water.

The complexity of the described setup is mind-boggling. Right now the proof of concept is over short distances and was tested in a water tank and a swimming pool but not in open water. The first thing that comes to mind is the interference caused by waves and by aerosols from wind/wave interactions. Those challenges are already in the minds of the research team. The system has been tested to work with waves of 8 cm (16 cm measured peak to trough) caused by swimmers in the pool. That may not sound like much, but it’s about 100,000 times the surface variations being measured by the millimeter wave radar in order to detect the hydrophone transmissions. Add to that the effects of Doppler shift from the movement of the plane and the sub and you have a signal processing challenge just waiting to be solved.

This setup is very interesting when pitched as a tool for researching aquatic life. The video below envisions that transmitters on the backs of sea turtles could send communications to aircraft overhead. We love seeing these kinds of forward-thinking ocean research projects, like our 2017 Hackaday prize winner which is an open source underwater glider. Oceanic studies over long distances have been very difficult but we’re beginning to see a lot of projects chipping away at that inaccessibility.

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The VU Meter And How It Got That Way

August 9, 2018 by 44 Comments

Given its appearance in one form or another in all but the cheapest audio gear produced in the last 70 years or so, you’d be forgiven for thinking that the ubiquitous VU meter is just one of those electronic add-ons that’s more a result of marketing than engineering. After all, the seemingly arbitrary scale and the vague “volume units” label makes it seem like something a manufacturer would slap on a device just to make it look good. And while that no doubt happens, it turns out that the concept of a VU meter and its execution has some serious engineering behind that belies the really simple question it seeks to answer: How loud is this audio signal?

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