We’ve got to admit, we don’t have any idea what to call this hack. Artist [Graham Dunning] refers to it somewhat dryly as the “Mechanical Techno method”, but that doesn’t quite do it justice. We’re thinking “Turntable-sequencer-synthesizer-beat-box-dub-stepper thingy. With cowbell.”
Call it what you will, but [Graham] has really gone the distance in extracting as much sound as possible from the humble turntable, which is used as more of a synchronizer than a sound source. Although it does play records too – at least part of them; [Graham] masks the grooves and anchors the tone arm so that only part of a track is played. Other records are masked with conductive film over which wiper contacts are placed, providing triggers for various synthesizers. Particularly clever is the mechanical percussion section; a record is cut radially to form cams that mechanical followers trip over periodically to hit either the cone of a woofer for bass notes, or a cowbell for – well, cowbell.
It may not appeal to everyone, but you’ve got to admit there’s something mesmerizing about watching this rig in action. The beat is pretty catchy, and as you can see in the live performance video after the break, there’s a lot of room for [Graham] to express himself with this instrument. We wouldn’t mind seeing how Compressorhead would put this rig to work in their performances either.
Continue reading “Turntable Sequencer Keeps the Techno Beat”
Imagine if you played all the keys on a piano at once. What would it sound like? Now imagine that you’d like to transcribe that music. What would it look like? So many notes that you could hardly see the paper underneath.
Which is why the people making such “impossible music” are calling themselves the Black MIDI Crew: if you wrote the music down, it’d look like a big black blob. Or at least, that’s the joke. Amazingly, though, it doesn’t sound like a big mess. Check out “Pi, The Song With 3.1415 Million Notes” below the break to see what we mean.
Continue reading “Black MIDI: There Is No Denser Music”
Anyone with a record player is familiar with the concept of translating irregularities on a surface into sound. And, anyone who has ever cracked open a CD player or DVD player has seen how a laser can be used to reproduce sound digitally. Combining the two would be an interesting project in its own right, but [Dimitry Morozov] took this a couple of steps further with his pyrite disc sound object project.
Pyrite discs, also known as pyrite suns or pyrite dollars, are a form of pyrite in which the crystallization structure forms a disc with radial striations. Pyrite discs are unique to the area around Sparta, Illinois, and are generally found in coal mines there. They have no real practical use, but are a favorite of mineral collectors because of their interesting aesthetics.
[Dmitry] received his pyrite disc from one such mineral collector in Boulder, CO, with the request that he use it for an interesting project. [Dmitry] himself specializes in art installations and unique instruments, and combined those passions in his pyrite disc sound object called Ra.
The concept itself is straightforward: spin the pyrite disc and use a laser to convert the surface striations into audio. But, as you can see in the photos and video, the execution was far from straightforward. From what we can gather, [Dimitry] used an Arduino Nano and a DIY laser pickup on a servo arm to scan the pyrite disc as it’s being spun by a stepper motor. That data is then sent to a Raspberry Pi where it’s synthesized (with various modulation and effects controls), to produce sound that is output through the single speaker attached to the object. Generating sound from unusual sources is certainly nothing new to regular readers, but the beauty of this part project is definitely something to be applauded.
Continue reading “Spinning a Pyrite Record for Art”
We don’t really get out much, but we have noticed that there are brightly painted upright pianos in public places these days. Research indicates that these pianos are being placed by small, independent local organizations, most of which aim to spread the joy of music and encourage a sense of community.
[Sean and Mike] took this idea a couple of steps further with Quaver, their analog looping piano. Both of them are maker/musicians based in Lancaster, Pennsylvania, which happens to be a hot spot for public pianos. [Sean and Mike] often stop to play them and wanted a good way to capture their impromptu masterpieces. Quaver is an antique upright that has been modified to record, save, loop, and upload music to the internet. It does all of this through a simple and intuitive user interface and a Raspi 2. Quaver works a lot like a 4-track recorder, so up to four people can potentially contribute to a song.
The player sits down, cracks their knuckles, and presses our personal favorite part of the interface: the giant, irresistible record button. A friendly scrolling LED matrix display tells them to start playing. Once they are satisfied, they press the button again to stop the recording, and the notes they played immediately play back in a loop through a pair of salvaged Bose speakers from the 1980s. This is just the beginning of the fun as you play along with your looping recording, building up several voices worth of song!
Continue reading “It’s an Upright Piano, It’s a Looper, It’s a Pi Project”
Piezoelectric sensors are great for monitoring mechanical impacts with a microcontroller. Whether you’re monitoring knocks on a door or watching a heartbeat, they are a cheap way to get the job done. They do have their downsides, though, so when [Jeremy] wanted to build an electronic drum set, he decided to use more expensive accelerometers to measure the percussive impacts instead.
Even though piezo sensors are cheap, they require a lot of work to get them working properly. The ADXL377 3-axis accelerometer that [Jeremy] found requires much less work, plus provides more reliable data due to a 1kHz low-pass filter at the output. In his setup, a Raspberry Pi handles all of the heavy lifting. An ADC on each drum sends data about each impact of the drum, and the Raspberry Pi outputs sound via the native Alsa driver and a USB sound card.
This project goes a long way to show how much simpler a project like this is once you find the right hardware for the job. [Jeremy]’s new electronic drums are very well documented as well if you are curious about using accelerometers on your newest project rather than piezo sensors. And, if you’re into drums be sure to see how you can have drums anywhere, or how you can build your own logic drums.
Continue reading “RaspiDrums Uses Expensive Sensors”
Purple Haze all in my brain,
lately guitars they don’t seem the same,
[Josh] is playin’ funny but I don’t know why
‘scuse me while he electrifies.
[Josh] wanted to experiment with playing a guitar by different means. We’ve seen a few guitar hacks that use servos to play, and Arduino-based guitars that replace the strings with membrane potentiometers, but he decided to try a different approach. He’s using a permanent magnet and the electromagnetic effect to play the string.
Purple Haze all around,
all those amps are runnin’ up or down.
Are my strings all goin’ left or right?
Whatever it is, electromagnetism is pushin’ me outta sight.
To do this, he put a large permanent magnet next to the string and ran an alternating current through the string itself. When the current and the magnetic field interact, the string is pushed, like the bearing of a motor. When the current goes the other way, the string is pushed in the opposite direction. Because he is using an alternating current (driven through a MOSFET tied into a frequency generator), he was able to control the frequency of this, and find the frequencies that made the string resonate, including the harmonics that give guitars their unique sound. It’s a pretty neat hack, but don’t forget that he is dealing with quite a lot of juice: if you were to inadvertantly touch the string and ground it to earth, there is enough current in the circuit to kill you.
Yeah, [Josh’s] hack is all about the right hand rule,
I know that he’s no hacking fool,
you’ve got my E string resonating, resonating so fine
just don’t touch it, or you’ll end your time
Help me, yeah, Purple Haze!
(with apologies to the ghost of [Jimi Hendrix], guitar hacker supreme)
Continue reading “Ghost Guitar Plays Hendrix”
What do you do when you want to rock out on your keytar without the constraints of cables and wires? You make your own wireless keytar of course! In order to get the job done, [kr1st0f] built a logic translator circuit. This allows him to transmit MIDI signals directly from a MIDI keyboard to a remote system using XBEE.
[kr1st0f] started with a MIDI keyboard that had the old style MIDI interface with a 5 pin DIN connector. Many new keyboards only have a USB interface, and that would have complicated things. The main circuit uses an optoisolator and a logic converter to get the job done. The MIDI signals are converted from the standard 5V logic to 3.3V in order to work with the XBEE.
The XBEE itself also needed to be configured in order for this circuit to work properly. MIDI signals operate at a rate of 31,250 bits per second. The XBEE, on the other hand, works by default at 9,600 bps. [kr1st0f] first had to reconfigure the XBEE to run at the MIDI bit rate. He did this by connecting to the XBEE over a Serial interface and using a series of AT commands. He also had to configure proper ID numbers into the XBEE modules. When all is said and done, his new transmitter circuit can transmit the MIDI signals wirelessly to a receiver circuit which is hooked up to a computer.