When I say “siren” what do you think of? Ambulances? Air raids? Sigh. I was afraid you were going to say that. We’ve got work to do.
You see, the siren played an important role in physics and mathematics about 150 years ago. Through the first half of the 1900s, this fine apparatus was trivialized, used for its pure noise-making abilities. During the World Wars, the siren became associated with air raids and bomb shelters: a far cry from its romantic origins. In this article, we’re going to take the siren back for the Muses. I want you to see the siren in a new light: as a fundamental scientific experiment, a musical instrument, and in the end, as a great DIY project — this is Hackaday after all.
Continue reading “Drawn in by the Siren’s Song”
[Matt and Kaitlin Hova] have created The Hovalin, an open source 3D-printed violin. Yes, there have been 3D-printed instruments before, but [The Hovas] have created something revolutionary – a 3D printed acoustic instrument that sounds surprisingly good. The Hovalin is a full size violin created to be printed on a desktop-sized 3D printer. The Hovas mention the Ultimaker 2, Makerbot Replicator 2 (or one of the many clones) as examples. The neck is one piece, while the body is printed in 3 sections. The Hovalin is also open source, released under the Creative Commons Attribution Non-Commercial Share Alike license.
A pure PLA neck would not be stiff enough counter the tension in the strings, so [The Hovas] added two carbon fiber truss rods. A handful of other components such as tuners, and of course strings, also need to be purchased. The total price is slightly higher than a $60 USD starter violin from Amazon, but we’re betting the Hovalin is a better quality instrument than anything that cheap.
The Hovalin was released back in October. There are already some build logs in the wild, such as this one from [Emulsifide]. Like any good engineering project, the Hovalin is a work in progress. [Matt and Kaitlin] have already released version 1.0.1, and version 2.0 is on the horizon. Hearing is believing though, so click past the break to hear [Kaitlin] play her instrument.
Continue reading “The Hovalin: Open Source 3D Printed Violin Sounds Great”
We’ve got to admit, we don’t have any idea what to call this hack. Artist [Graham Dunning] refers to it somewhat dryly as the “Mechanical Techno method”, but that doesn’t quite do it justice. We’re thinking “Turntable-sequencer-synthesizer-beat-box-dub-stepper thingy. With cowbell.”
Call it what you will, but [Graham] has really gone the distance in extracting as much sound as possible from the humble turntable, which is used as more of a synchronizer than a sound source. Although it does play records too – at least part of them; [Graham] masks the grooves and anchors the tone arm so that only part of a track is played. Other records are masked with conductive film over which wiper contacts are placed, providing triggers for various synthesizers. Particularly clever is the mechanical percussion section; a record is cut radially to form cams that mechanical followers trip over periodically to hit either the cone of a woofer for bass notes, or a cowbell for – well, cowbell.
It may not appeal to everyone, but you’ve got to admit there’s something mesmerizing about watching this rig in action. The beat is pretty catchy, and as you can see in the live performance video after the break, there’s a lot of room for [Graham] to express himself with this instrument. We wouldn’t mind seeing how Compressorhead would put this rig to work in their performances either.
Continue reading “Turntable Sequencer Keeps the Techno Beat”
Imagine if you played all the keys on a piano at once. What would it sound like? Now imagine that you’d like to transcribe that music. What would it look like? So many notes that you could hardly see the paper underneath.
Which is why the people making such “impossible music” are calling themselves the Black MIDI Crew: if you wrote the music down, it’d look like a big black blob. Or at least, that’s the joke. Amazingly, though, it doesn’t sound like a big mess. Check out “Pi, The Song With 3.1415 Million Notes” below the break to see what we mean.
Continue reading “Black MIDI: There Is No Denser Music”
Anyone with a record player is familiar with the concept of translating irregularities on a surface into sound. And, anyone who has ever cracked open a CD player or DVD player has seen how a laser can be used to reproduce sound digitally. Combining the two would be an interesting project in its own right, but [Dimitry Morozov] took this a couple of steps further with his pyrite disc sound object project.
Pyrite discs, also known as pyrite suns or pyrite dollars, are a form of pyrite in which the crystallization structure forms a disc with radial striations. Pyrite discs are unique to the area around Sparta, Illinois, and are generally found in coal mines there. They have no real practical use, but are a favorite of mineral collectors because of their interesting aesthetics.
[Dmitry] received his pyrite disc from one such mineral collector in Boulder, CO, with the request that he use it for an interesting project. [Dmitry] himself specializes in art installations and unique instruments, and combined those passions in his pyrite disc sound object called Ra.
The concept itself is straightforward: spin the pyrite disc and use a laser to convert the surface striations into audio. But, as you can see in the photos and video, the execution was far from straightforward. From what we can gather, [Dimitry] used an Arduino Nano and a DIY laser pickup on a servo arm to scan the pyrite disc as it’s being spun by a stepper motor. That data is then sent to a Raspberry Pi where it’s synthesized (with various modulation and effects controls), to produce sound that is output through the single speaker attached to the object. Generating sound from unusual sources is certainly nothing new to regular readers, but the beauty of this part project is definitely something to be applauded.
Continue reading “Spinning a Pyrite Record for Art”
We don’t really get out much, but we have noticed that there are brightly painted upright pianos in public places these days. Research indicates that these pianos are being placed by small, independent local organizations, most of which aim to spread the joy of music and encourage a sense of community.
[Sean and Mike] took this idea a couple of steps further with Quaver, their analog looping piano. Both of them are maker/musicians based in Lancaster, Pennsylvania, which happens to be a hot spot for public pianos. [Sean and Mike] often stop to play them and wanted a good way to capture their impromptu masterpieces. Quaver is an antique upright that has been modified to record, save, loop, and upload music to the internet. It does all of this through a simple and intuitive user interface and a Raspi 2. Quaver works a lot like a 4-track recorder, so up to four people can potentially contribute to a song.
The player sits down, cracks their knuckles, and presses our personal favorite part of the interface: the giant, irresistible record button. A friendly scrolling LED matrix display tells them to start playing. Once they are satisfied, they press the button again to stop the recording, and the notes they played immediately play back in a loop through a pair of salvaged Bose speakers from the 1980s. This is just the beginning of the fun as you play along with your looping recording, building up several voices worth of song!
Continue reading “It’s an Upright Piano, It’s a Looper, It’s a Pi Project”
Piezoelectric sensors are great for monitoring mechanical impacts with a microcontroller. Whether you’re monitoring knocks on a door or watching a heartbeat, they are a cheap way to get the job done. They do have their downsides, though, so when [Jeremy] wanted to build an electronic drum set, he decided to use more expensive accelerometers to measure the percussive impacts instead.
Even though piezo sensors are cheap, they require a lot of work to get them working properly. The ADXL377 3-axis accelerometer that [Jeremy] found requires much less work, plus provides more reliable data due to a 1kHz low-pass filter at the output. In his setup, a Raspberry Pi handles all of the heavy lifting. An ADC on each drum sends data about each impact of the drum, and the Raspberry Pi outputs sound via the native Alsa driver and a USB sound card.
This project goes a long way to show how much simpler a project like this is once you find the right hardware for the job. [Jeremy]’s new electronic drums are very well documented as well if you are curious about using accelerometers on your newest project rather than piezo sensors. And, if you’re into drums be sure to see how you can have drums anywhere, or how you can build your own logic drums.
Continue reading “RaspiDrums Uses Expensive Sensors”