To “pipe in” the new year, [John] decided to build a bagpipe-playing robot. Unlike other instrument-playing robots that we’ve seen before, this one is somewhat anatomically correct as well. John went the extra mile and 3D printed fingers and hands to play his set of pipes.
The brains of the robot are handled by an Arduino Mega 2560, which drives a set of solenoids through a driver board. The hands themselves are printed from the open source Enabling the Future project which is an organization that 3D prints prosthetic hands for matched recipients, especially people who can’t otherwise afford prosthetics. He had to scale up his hands by 171% to get them to play the pipes correctly, but from there it was a fairly straightforward matter of providing air to the bag (via a human being) and programming the Arduino to play a few songs.
The bagpipe isn’t a particularly common instrument (at least in parts of the world that aren’t Scottish) so it’s interesting to see a robot built to play one. Of course, your music-playing robot might be able to make music with something that’s not generally considered a musical instrument at all. And if none of these suit your needs, you can always build your own purpose-built semi-robotic instrument as well.
Continue reading “Ardu McDuino Plays the Bagpipes”
A lot of classic synthesizers rely on analog control voltages to vary parameters; this is a problem for the modern musician who may want to integrate such hardware with a MIDI setup. For just this problem, [little-scale] has built a MIDI-controllable DAC for generating control voltages.
It’s a simple enough build – a Teensy 2 is used to speak USB MIDI to a laptop. This allows the DAC to be used with just about any modern MIDI capable software. The Teensy then controls a Microchip MCP4922 over SPI to generate the requisite control voltages. [little-scale]’s video covers the basic assembly of the hardware on a breadboard, and goes on to demonstrate its use with a performance using the MIDI DAC to control a Moog Mother 32 synth. [little-scale] has also made the code available, making it easy to spin up your own.
We can see this project being indispensable to electronic musicians working with banks of modular synths, making it much easier to tie them in with automation in their DAW of choice. This isn’t the first MIDI interfacing hack we’ve seen either – check out this setup to interface an iPad to guitar pedals.
Continue reading “MIDI DAC for Vintage Synth Hacks”
If you take an object and turn it into something else, does that constitute a hack? Can a musical robot call to question the ethics of firearms exports? If you take a disabled shotgun and turn it into a flute, does it become an art piece? Deep questions indeed — and deliberately posed by [Constantine Zlatev] along with his collaborators [Kostadin Ilov] and [Velina Ruseva].
The Last Gun — a mechano-robotic flute, as [Zlatev] calls it — is built from recovered industrial parts, played using compressed air, and controlled by an Arduino and Raspberry Pi. After graphing the annual arms exports from the United States, the installation plays a mournful tune for each year that they rise, and a jubilant theme for each year they fall.
Continue reading “Mechano-Robotic Flute Made From An Old Shotgun”
Sometimes Hackaday runs in closed-loop mode: one hacker makes something, we post it, another hacker sees it and makes something else, and we post it, spiraling upward to cooler and cooler hacks. This is one of those times.
One of our favorite junk-sound-artists and musical magicians, [Gijs Gieskes], made this magnetic-levitation, rubber-band, percussive zither thing after seeing our coverage of another magnetic levitation trick. Both of them simply have a Hall sensor controlling a coil, which suspends a magnet in mid-air. It’s a dead-simple circuit that we’ll probably try out as soon as we stop typing.
But [Gijs] took the idea and ran with it. What looks like a paperclip dangles off the magnets, and flails wildly around with its tiny steel arms. These hit a zither made of rubber bands with a bamboo skewer as a bridge, pressing down on a piezo. The rest is cardboard, copper-clad, and some ingenuity. Watch it work in the video embedded below.
Continue reading “Maglev Drummer Needs to Be Seen and Heard”
First there were vinyl records, then came cassettes, CDs, those failed audio-on-DVD formats, and then downloads. To quote the band, [Bateleur], “you can’t pay someone to take a CD these days.” So how do you release your new album? By hiding a Raspberry Pi in a semi-transparent fake rock on a mountainous cliff, and requiring a secret whistle to enable it, naturally.
Once activated, you’ll be able to plug into the USB port and download the album, or sit there on a remote hillside cliff overlooking the ocean and enjoy the new tunes. Because there’s a headphone jack in the rock, naturally. Besides being a cool hack, we think that putting people in the right physical and mental space for a serious listening is brilliant. Watch the video embedded below for an idea of the making of and a view from the site.
Continue reading “The Nest: Album Release Hidden In A Rock”
In large churches that still use real bells in their bell towers, a large number of them ring bells using a method called full circle ringing. In order to get the bells to sound at exactly the right time, the bells are rung by swinging the entire bell in an almost complete 360-degree arc. This helps to mitigate the fact that often times, the bells weigh more than the person ringing the bells. However, if you don’t have access to a belfry, you can practice ringing bells using this method with your own full circle bell simulator.
The frame for the bell was built from some leftover aluminum extrusion and allows the bell to easily swing on some old skateboard bearings. The mechanism is electrically controlled, too, using a hall effect sensor and a USB adapter so that it can be interfaced with a computer running a virtual bell ringing suite. Once some timing issues are worked out, the bell is all set up and ready to practice ringing changes.
If you’re as fascinated as we are to find that there are entire software suites available to simulate bell ringing, and an entire culture built around something that most of us, perhaps, wouldn’t have given a second thought to outside of walking past a church on a Sunday, there have been a surprising number of other bell-related projects over the years. Bells have been given MIDI interfaces and robotified, and other church instruments like a pipe organ have been created almost from scratch.
Due largely to the overwhelming dominance of mobile phones, payphones are a sometimes overlooked relic from the 90’s and earlier eras. While seldom seen out in the wild these days, they can however still be acquired for a moderate fee — how many of you knew that? Setting out to prove the lasting usefulness of the payphone, Instructables user [Fuzzy-Wobble] has dialed the retro spirit way past eleven to his ’90 from the ’90s’ payphone boombox.
Conspicuously mounted in the corner of his office, a rangefinder sets the phone to ringing when somebody walks by — a fantastic trap for luring the curious into a nostalgia trip. Anyone who picks up will be prompted to punch in a code from the attached mini-phone book and those who do will be treated to one of ninety hits from — well — the 1990’s. All of the songs have been specifically downgraded to 128kbps for that authentic 90’s sound — complete with audio artifacts. There’s even a little easter egg wherein hitting the coin-return lever triggers the payphone to shout “Get a job!”
Continue reading “Payphone Boombox Straight Out of the 1990’s.”