If you’re looking for the technology here, you won’t find much. There’s no lens, no shutter, and no electronics of any kind in [Mick Farrell] and [Cliff Haynes]’ Straw Camera. This is literally a box full of drinking straws standing on end, with a sheet of photo paper behind it. Each straw sends a spot of light that represents the average hue and luminance of its limited view of the subject directly to the film. The process of making an exposure consists of composing the scene, turning out the lights, loading the camera, and setting off a flash.
The resulting images are defocused but recognizable, like seeing familiar sights through a heavy fog. The straws make a strong texture over the ghostly image of the subject – indeed, the straws are the only thing in focus. The fact that the straws don’t form a perfect honeycomb due to settling and imperfections in the bundles is jarring at first, but as you see the images you get used to the extra texture.
When we first saw this, we wondered about the possibility of putting a simple photosensor at the bottom of each straw to capture similar images digitally. The TCS3200 would be about the right size, but given that there are about 32,000 straws in the bundle, the BOM might get a little out of hand. Still, a scaled down digital straw camera might yield some interesting images.
Proper documentation is important, and when traveling it is commonly achieved via photography. Redundant documentation is often inefficient, and the Camera Restricta — in a commentary on the saturation of photographed landmarks and a recent debate on photographic censorship in the EU — aims to challenge the photographer into taking unique photographs.
Camera Restricta has a 3D-printed body, housing a smartphone for gps data, display and audio output, while an ATTiny85 serves to control the interdicting function of the camera. When the user sets up to take a picture using Camera Restricta, an app running on the phone queries a node.js server that trawls Flikr and Panoramio for geotagged photos of the local area. From that information, the camera outputs a clicking audio relative to the number of photos taken and — if there are over a certain number of pictures of the area — the screen trips a photocell connected to the ATTiny 85 board, retracting the shutter button and locking down the viewfinder until you find a more original subject to photograph.
It’s 2017 and even GoPro cameras now come with voice activation. Budding videographers, rest assured, nothing will look more professional than repeatedly yelling at your camera on a big shoot. Hackaday alumnus [Jeremy Cook] heard about this and instead of seeing an annoying gimmick, saw possibilities. Could they automate their GoPro using Arduino-spoken voice commands?
It’s an original way to do automation, for sure. In many ways, it makes sense – rather than mucking around with trying to make your own version of the GoPro mobile app (software written by surfers; horribly buggy) or official WiFi remote, stick with what you know. [Jeremy] decided to pair an Arduino Nano with the ISD1820 voice playback module. This was then combined with a servo-based panning fixture – [Jeremy] wants the GoPro to pan, take a photo, and repeat. The Arduino sets the servo position, then commands the ISD1820 to playback the voice command to take a picture, before rotating again.
[Jeremy] reports that it’s just a prototype at this stage, and works only inconsistently. This could perhaps be an issue of intelligibility of the recorded speech, or perhaps a volume issue. It’s hard to argue that a voice control system will ever be as robust as remote controlling a camera over WiFi, but it just goes to show – there’s never just one way to get the job done. We’ve seen people go deeper into GoPro hacking though – check out this comprehensive guide on how to pwn your GoPro.
Taking a stroll through the woods in the midst of autumn is a stunning visual experience. It does, however, require one to live nearby a forest. If you are one of those who does not, [Koen Hufkens] has recently launched the Virtual Forest project — a VR experience that takes you though a day in a deciduous forest.
First off, you don’t need a VR apparatus to view the scenery. Web-browsers and most smart phones are capable of displaying the 360 degree images. The Raspberry Pi 2-controlled Ricoh Theta S camera is enclosed in a glass lamp cover and — with the help of some PVC pipe — mounted on a standard fence post. Power is delivered ingeniously via a Cat5e cable, and a surge protector has also been included in case of lightning strikes. Depending on when you view the website, you could be confronted with a black screen, or a kaleidoscope of color.
The next giant leap for mankind is to the stars. While we are mostly earthbound — for now — that shouldn’t stop us from gazing upwards to marvel at the night sky. In saying that, if you’re an amateur astrophotographer looking to take long-exposure photos of the Milky Way and other stellar scenes, [Anthony Urbano] has devised a portable tracking setup to keep your photos on point.
When taking pictures of the night sky, the earth’s rotation will cause light trails during long exposures. Designed for ultra-portability, [Urbano’s] rig uses an Arduino UNO controlled Sanryusha P43G geared stepper motor coupled to a camera mounting plate on a small tripod. The setup isn’t designed for anything larger than a DSLR, but is still capable of taking some stellar pictures.
[Ivan] likes to take time lapse videos. Using his 3D printer and a stepper motor he fashioned a rig that allows him to control the camera moving any direction on a smooth floor.
The dolly has a tripod-compatible mounting plate and scooter wheels. An Arduino runs the thing and a cell phone battery provides power. A pot sets the speed and [Ivan] provides code for both a linear pot, which he suggests, and for a logarithmic pot, which he had on hand. You can see a video of the results below.
Film photography began with a mercury-silver amalgam, and ended with strips of nitrocellulose, silver iodide, and dyes. Along the way, there were some very odd chemistries going on in the world of photography, from ferric and silver salts to the prussian blue found in Cyanotypes and blueprints.
Cyanotypes are made by applying potassium ferricyanide and ferric ammonium citrate to some sort of medium, usually paper or cloth. This is then exposed via UV light (i.e. the sun), and whatever isn’t exposed is washed off. Instead of the sun, [David] is using a common UV laser diode to expose his photographs. he already has the mechanics of this printer designed, and he should be able to reach his goal of 750 dpi resolution and 8-bit monochrome.
Digital photography will never go away, but there will always be a few people experimenting with light sensitive chemicals. We haven’t seen many people experiment with these strange alternative photographic processes, and anything that gets these really cool prints out into the world is great news for us.