There’s an old joke where you ask someone what’s the most important thing about comedy. When they get to about the word “important,” you interrupt them and say, “Timing!” Perhaps the same thing can be said for photography. [Ted Kinsman’s] students at the Rochester Institute of Technology would probably agree. They built an Arduino-based rig to do inexpensive stop action photography.
As Arduino projects go, it isn’t very sophisticated. The circuit contains a sound detection module and an optoisolator. The code would easily fit on a piece of notebook paper. When a loud sound occurs, the Arduino triggers the flash. Simple enough, but the resulting pictures are amazing. It also looks like a lot of fun to destroy perfectly good things in the name of art.
Photography is all about light. It’s literally right there in the name – stemming from the Greek word, photos. This is why photographers obsess over the time of day of a shoot, why Instagrammers coalesce around landmarks at sunset, and why a flash helps you take photos in darkness. Historically, flashes have worked in all manner of ways – using burning magnesium or xenon lamps for example. For this Hackaday Prize entry, [Yann Guidon] is developing a portable flash using LEDs instead.
By this point in time, you might be familiar with LEDs as flash units from your cellphone. However, [Yann] is taking this up a notch. The build is based around 100W LED modules, which obviously can pump out a lot of light. The interesting part of the build is its dual nature. The LEDs are intended to operate in one of two ways. The first is in a continuous lighting mode, running the modules well below their rated power to reduce the stress on the LEDs and power supply, and to enable the flash to run on the order of an hour. In this mode, temperature feedback will be used to control the LEDs to manage power use. The other is a pulsed mode, where the LED will be overvolted for a period of milliseconds to create a much more powerful flash.
It’s this dual nature which gives the LED-based flash a potential advantage over less versatile xenon-based units, which are limited to pulsed operation only. We can see the continuous lighting mode being particularly useful for videographers needing a compact, cheap lighting solution that can also work as a pulsed unit as well.We’re excited to see how [Yann] tackles the packaging, thermal and control issues as this project develops!
New to astrophotography, [Jason Bowling] had heard that the Raspberry Pi’s camera module could be used as a low-cost entry into the hobby. Having a Raspberry Pi B+ and camera module on hand from an old project, he dove right in, detailing the process for any other newcomers.
Gingerly removing the camera’s lens, the module fit snugly into a 3D printed case — courtesy of a friend — and connected it to a separate case for the Pi. [Bowling] then mounted he camera directly on the telescope — a technique known as prime-focus photography, which treats the telescope like an oversized camera lens. A USB battery pack is perfect for powering the Pi for several hours.
When away from home, [Bowling] has set up his Pi to act as a wireless access point; this allows the Pi to send a preview to his phone or tablet to make adjustments before taking a picture. [Bowling] admits that the camera is not ideal, so a little post-processing is necessary to flesh out a quality picture, but you work with what you have. Continue reading “Budget Astrophotography With A Raspberry Pi”→
Whether you’re selling a product or just showing off your latest project, a photo turntable makes video shots a lot easier. 360° turntables allow the viewer to see every side of the object being photographed, while the camera stays locked down. Motorized turntables are available as commercial products costing anywhere from $30 to $150 or so. Rather than shell out cash, [NotionSunday] decided to create his own turntable using a few parts he had on hand and 3D printing everything else.
The motor for the turntable came from the eject mechanism of an old DVD-ROM drive. An Arduino Pro Mini controls the motor’s speed using an MX1508 H-bridge chip. Power comes from an 18650 Li-Ion battery. The whole assembly spins on the head assembly from a VCR.
Before you jump in on the comments, yes, VCR heads have motors. However, they’re typically brushless motors rated for 1,800 RPM. Running a motor like that at low-speed would mean rewinding the coils. In this case, using a DC motor and gear drive was the easier option.
[NotionSunday] 3D printed the turntable base and mount. The mount uses a magnet arrangement that makes it easy to switch between freewheeling or belt driven operation. The turntable itself is posterboard, with 3D printed edges.
If you’re looking for the technology here, you won’t find much. There’s no lens, no shutter, and no electronics of any kind in [Mick Farrell] and [Cliff Haynes]’ Straw Camera. This is literally a box full of drinking straws standing on end, with a sheet of photo paper behind it. Each straw sends a spot of light that represents the average hue and luminance of its limited view of the subject directly to the film. The process of making an exposure consists of composing the scene, turning out the lights, loading the camera, and setting off a flash.
The resulting images are defocused but recognizable, like seeing familiar sights through a heavy fog. The straws make a strong texture over the ghostly image of the subject – indeed, the straws are the only thing in focus. The fact that the straws don’t form a perfect honeycomb due to settling and imperfections in the bundles is jarring at first, but as you see the images you get used to the extra texture.
When we first saw this, we wondered about the possibility of putting a simple photosensor at the bottom of each straw to capture similar images digitally. The TCS3200 would be about the right size, but given that there are about 32,000 straws in the bundle, the BOM might get a little out of hand. Still, a scaled down digital straw camera might yield some interesting images.
Proper documentation is important, and when traveling it is commonly achieved via photography. Redundant documentation is often inefficient, and the Camera Restricta — in a commentary on the saturation of photographed landmarks and a recent debate on photographic censorship in the EU — aims to challenge the photographer into taking unique photographs.
Camera Restricta has a 3D-printed body, housing a smartphone for gps data, display and audio output, while an ATTiny85 serves to control the interdicting function of the camera. When the user sets up to take a picture using Camera Restricta, an app running on the phone queries a node.js server that trawls Flikr and Panoramio for geotagged photos of the local area. From that information, the camera outputs a clicking audio relative to the number of photos taken and — if there are over a certain number of pictures of the area — the screen trips a photocell connected to the ATTiny 85 board, retracting the shutter button and locking down the viewfinder until you find a more original subject to photograph.
It’s 2017 and even GoPro cameras now come with voice activation. Budding videographers, rest assured, nothing will look more professional than repeatedly yelling at your camera on a big shoot. Hackaday alumnus [Jeremy Cook] heard about this and instead of seeing an annoying gimmick, saw possibilities. Could they automate their GoPro using Arduino-spoken voice commands?
It’s an original way to do automation, for sure. In many ways, it makes sense – rather than mucking around with trying to make your own version of the GoPro mobile app (software written by surfers; horribly buggy) or official WiFi remote, stick with what you know. [Jeremy] decided to pair an Arduino Nano with the ISD1820 voice playback module. This was then combined with a servo-based panning fixture – [Jeremy] wants the GoPro to pan, take a photo, and repeat. The Arduino sets the servo position, then commands the ISD1820 to playback the voice command to take a picture, before rotating again.
[Jeremy] reports that it’s just a prototype at this stage, and works only inconsistently. This could perhaps be an issue of intelligibility of the recorded speech, or perhaps a volume issue. It’s hard to argue that a voice control system will ever be as robust as remote controlling a camera over WiFi, but it just goes to show – there’s never just one way to get the job done. We’ve seen people go deeper into GoPro hacking though – check out this comprehensive guide on how to pwn your GoPro.