While we’ve covered light box builds and other DIY photography solutions, general picture-snapping tips and tricks are a bit out of the purview of what we normally write about. Nevertheless, [Alain] just put up a great tutorial for taking pictures of PCBs. This is a great skill to have — no one cares about what you’ve built unless you have a picture of it — and the same techniques can be applied to other small bits and bobs of electronic equipment.
As with all matters of photography, light is important. [Alain] built a DIY light box using two cheap outdoor square LED panels and some scrap wood. There’s really nothing to this build: just build a box that holds soft, diffused light.
A camera is a little more complicated than a box, and here [Alain] is using an entry-level DSLR with a kit lens. The takeaway here is to set the aperture to the highest number (or smallest hole) possible while still keeping a reasonable shutter speed. This increases the depth of field and produces a picture where the board and the tops of components are in focus.
There are a few more tips for getting the best PCB pics possible including shooting in RAW for Aperture or Lightroom, getting a macro lens, and using a tripod. Like all things, there’s a law of diminishing returns, and even with a smartphone camera and a DIY light box, you can produce some fantastic pics of PCBs.
The image shown is the mineral Hackmanite, which fluoresces under ultraviolet lighting. However, not all UV is created equal, and that makes a difference if you’re into UV imaging. The image for this article is from [David Prutchi] and shows the striking results of using different wavelengths of UV. [David] goes into detail on how to make your own DIY Long, Medium, and Short-wave UV Illuminator complete with part numbers and wiring diagram. The device isn’t particularly complicated; the real work was determining the exact part numbers and models of lamp, filters, and ballasts required to get the correct results. [David] has done that work and shared it for anyone interested in serious UV fluorescence photography, along with a white paper on the process.
We’ve seen [David]’s work before. We featured his DIY short-wave UV imager in the past, and his DOLPi camera project was a 2015 Hackaday Prize finalist. It’s clear he really knows his stuff, and genuinely enjoys sharing his discoveries and work.
There’s an old joke where you ask someone what’s the most important thing about comedy. When they get to about the word “important,” you interrupt them and say, “Timing!” Perhaps the same thing can be said for photography. [Ted Kinsman’s] students at the Rochester Institute of Technology would probably agree. They built an Arduino-based rig to do inexpensive stop action photography.
As Arduino projects go, it isn’t very sophisticated. The circuit contains a sound detection module and an optoisolator. The code would easily fit on a piece of notebook paper. When a loud sound occurs, the Arduino triggers the flash. Simple enough, but the resulting pictures are amazing. It also looks like a lot of fun to destroy perfectly good things in the name of art.
Photography is all about light. It’s literally right there in the name – stemming from the Greek word, photos. This is why photographers obsess over the time of day of a shoot, why Instagrammers coalesce around landmarks at sunset, and why a flash helps you take photos in darkness. Historically, flashes have worked in all manner of ways – using burning magnesium or xenon lamps for example. For this Hackaday Prize entry, [Yann Guidon] is developing a portable flash using LEDs instead.
By this point in time, you might be familiar with LEDs as flash units from your cellphone. However, [Yann] is taking this up a notch. The build is based around 100W LED modules, which obviously can pump out a lot of light. The interesting part of the build is its dual nature. The LEDs are intended to operate in one of two ways. The first is in a continuous lighting mode, running the modules well below their rated power to reduce the stress on the LEDs and power supply, and to enable the flash to run on the order of an hour. In this mode, temperature feedback will be used to control the LEDs to manage power use. The other is a pulsed mode, where the LED will be overvolted for a period of milliseconds to create a much more powerful flash.
It’s this dual nature which gives the LED-based flash a potential advantage over less versatile xenon-based units, which are limited to pulsed operation only. We can see the continuous lighting mode being particularly useful for videographers needing a compact, cheap lighting solution that can also work as a pulsed unit as well.We’re excited to see how [Yann] tackles the packaging, thermal and control issues as this project develops!
New to astrophotography, [Jason Bowling] had heard that the Raspberry Pi’s camera module could be used as a low-cost entry into the hobby. Having a Raspberry Pi B+ and camera module on hand from an old project, he dove right in, detailing the process for any other newcomers.
Gingerly removing the camera’s lens, the module fit snugly into a 3D printed case — courtesy of a friend — and connected it to a separate case for the Pi. [Bowling] then mounted he camera directly on the telescope — a technique known as prime-focus photography, which treats the telescope like an oversized camera lens. A USB battery pack is perfect for powering the Pi for several hours.
When away from home, [Bowling] has set up his Pi to act as a wireless access point; this allows the Pi to send a preview to his phone or tablet to make adjustments before taking a picture. [Bowling] admits that the camera is not ideal, so a little post-processing is necessary to flesh out a quality picture, but you work with what you have. Continue reading “Budget Astrophotography With A Raspberry Pi”→
Whether you’re selling a product or just showing off your latest project, a photo turntable makes video shots a lot easier. 360° turntables allow the viewer to see every side of the object being photographed, while the camera stays locked down. Motorized turntables are available as commercial products costing anywhere from $30 to $150 or so. Rather than shell out cash, [NotionSunday] decided to create his own turntable using a few parts he had on hand and 3D printing everything else.
The motor for the turntable came from the eject mechanism of an old DVD-ROM drive. An Arduino Pro Mini controls the motor’s speed using an MX1508 H-bridge chip. Power comes from an 18650 Li-Ion battery. The whole assembly spins on the head assembly from a VCR.
Before you jump in on the comments, yes, VCR heads have motors. However, they’re typically brushless motors rated for 1,800 RPM. Running a motor like that at low-speed would mean rewinding the coils. In this case, using a DC motor and gear drive was the easier option.
[NotionSunday] 3D printed the turntable base and mount. The mount uses a magnet arrangement that makes it easy to switch between freewheeling or belt driven operation. The turntable itself is posterboard, with 3D printed edges.
If you’re looking for the technology here, you won’t find much. There’s no lens, no shutter, and no electronics of any kind in [Mick Farrell] and [Cliff Haynes]’ Straw Camera. This is literally a box full of drinking straws standing on end, with a sheet of photo paper behind it. Each straw sends a spot of light that represents the average hue and luminance of its limited view of the subject directly to the film. The process of making an exposure consists of composing the scene, turning out the lights, loading the camera, and setting off a flash.
The resulting images are defocused but recognizable, like seeing familiar sights through a heavy fog. The straws make a strong texture over the ghostly image of the subject – indeed, the straws are the only thing in focus. The fact that the straws don’t form a perfect honeycomb due to settling and imperfections in the bundles is jarring at first, but as you see the images you get used to the extra texture.
When we first saw this, we wondered about the possibility of putting a simple photosensor at the bottom of each straw to capture similar images digitally. The TCS3200 would be about the right size, but given that there are about 32,000 straws in the bundle, the BOM might get a little out of hand. Still, a scaled down digital straw camera might yield some interesting images.