Haptic Clock Lets You Keep Your Eyes Shut At Night

September 27, 2019 by Erin Pinheiro 37 Comments

Picture this: You’re in your bed in the middle of the night, and you want to know what time it is. Bedside alarm clocks are a thing of the past and now you rely on your smartphone to tell the time. Only, if you turned the screen on, you’d find that looking at it in the dark is tantamount to staring at the sun without eye protection. [Michael] pictured the same thing and his solution for this scenario is a clever haptic-feedback clock.

The idea behind it is simple, a clock from which you can tell the time without having to use your eyes. This one gives you two options for that, the first one being a series of haptic pulses that let you tell the time simply by touching the device. The second, audibly telling the time with voice samples stored in a flash chip, was added in the second revision as [Michael] continues to refine his design. In addition to helping us assess the time in the dark, it’s also worth noting that this could be useful for those with visual impairments as well.

Until we can see the final product, you can help him out looking over the designs and sending pull requests over at the project’s GitHub page, or just watch his progress in the Hackaday.io page. We’ve seen some interesting ways to tell the time before, from a game of Tetris to a clock housed inside the shell of an old-school camera flash, but we’ve never seen one that uses haptic feedback before. We hope for the sake of our eyes that it catches on!

How Many Commodores Does It Take To Crack A Nut?

September 7, 2019 by Erin Pinheiro 19 Comments

It’s brilliant enough when composers make use of the “2SID” technique to double the channels in a Commodore 64 with two sound chips, but even then some people like to kick things up a notch. Say, five times more. [David Youd], [David Knapp] and [Joeri van Haren] worked together to bring us just that, ten Commodore computers synchronously playing a beautiful rendition of the Dance of the Sugar Plum Fairy at this year’s Commodore Retro eXpo.

The feat is composed of nine Commodore 64 computers and one Commodore 128, all fitted with the SID chip. It is a notorious synthesizer chip for utilizing both analog and digital circuitry, making each and every one of its revisions unique to a trained ear, not to mention impossible to faithfully reproduce in emulation. The SID was designed by Bob Yannes at MOS Technology, who later went on to co-found Ensoniq with his experience in making digital synthesizers.

How this orchestra of retro computers came to be, including details on how everything is pieced together can be found on this slideshow prepared by the authors of the exhibition. It’s interesting to note that because of timing differences in each computer’s crystal clock and how only the start of the song is synchronized between them, they can’t play long music tracks accurately yet, but a 90-second piece works just fine for this demonstration.

These synthesizer chips are slowly going extinct since they’re no longer being manufactured, so if you need a new replacement solution, FPGAs can fill that SID-shaped hole in your heart. If you need the whole computer though, the newer Teensy 3.6 will do just fine emulating it all. Check out this beast of a display in action after the break. While we’re at it, this isn’t the only time multiple 8-bit computers have been combined as an orchestra, though these Commodores sound a lot better than a table full of ZX Spectrums.

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A Car Phone — No, Not That Kind

August 27, 2019 by Erin Pinheiro 5 Comments

Autonomous vehicle development is a field of technology that remains relatively elusive to the average hacker, what with the needing a whole car and all. Instead of having to deal with such a large scale challenge, [Piotr Sokólski] has instead turned to implementing the same principles on the scale of a small radio-controlled car.

Wanting to lower the barrier of entry for developing software for self-driving cars, he based his design off of something you’re likely to have lying around already: a smartphone. He cites the Google Cardboard project for his inspiration, with how it made VR more accessible without needing expensive hardware. The phone is able to control the actuators and wheel motors through a custom board, which it talks to via a Bluetooth connection. And since the camera points up in the way the phone is mounted in the frame, [Piotr] came up with a really clever solution of using a mirror as a periscope so the car can see in front of itself.

The software here has two parts, though the phone app one does little more than just serve as an interface by sending off a video feed to be processed. The whole computer vision processing is done on the desktop part, and it allows [Piotr] to do some fun things like using reinforcement learning to keep the car driving as long as possible without crashing. This is achieved by making the algorithm observe the images coming from the phone and giving it negative reward whenever an accelerometer detects a collision. Another experiment he’s done is use a QR tag on top of the car, visible to a fixed overhead camera, to determine the car’s position in the room.

This might not be the first time someone’s made a scaled down model of a self-driving vehicle, though it’s one of the most cleverly-designed ones, and it’s certainly much simpler than trying to do it on a full-sized car in your garage.

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Circuit Art Brings Out The Lifelike Qualities Of Electricity

August 22, 2019 by Erin Pinheiro 2 Comments

Functional circuit sculptures have been gaining popularity with adventuring electronic artists who dare attempt the finicky art form of balancing structure and wire routing. [Kelly Heaton’s] sculptures however are on a whole other creative level.

Not only does she use the circuits powering her works as part of their physical component, there are no controllers or firmware to be seen anywhere; everything is discrete and analog. In her own words, she tries to balance the “logical planning” of the engineering side with the “unfettered expression” of artworks. The way she does this is by giving her circuits a lifelike quality, with disorganized circuit structures and trills and chirps that mimic those of wildlife.

One of her works, “Birds at My Feeder”, builds up on another previous work, the analog “pretty bird”. On their own, each one of the birds uses a photoresistor to affect its analog-generated chirps, providing both realistic and synthetic qualities to their calls. What the full work expands on is a sizable breadboard-mounted sequencer using only discrete components, controlling how each of the connected birds sing in a pleasing chorus. Additionally, the messy nature of the wires gives off the impression of the sequencer doubling as the birds’ nest.

There are other works as well in this project, such as the “Moth Electrolier”, in which she takes great care to keep structural integrity in mind in the design of the flexible board used there. Suffice to say, her work is nothing short of brilliant engineering and artistic prowess, and you can check one more example of it after the break. However, if you’re looking for something more methodical and clean, you can check out the entries on the circuit sculpture contest we ran last year.

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Adding A Co-Processor To Help SNES Games With Slowdown

August 18, 2019 by Erin Pinheiro 3 Comments

The Super Nintendo port of Gradius III is notable for being close to the arcade original, with its large, bright and colorful graphics. However, due to the limitation of the console’s hardware, the port is also well known for having constant slowdowns during gameplay, particularly during later sections. [Vitor] hacked away at the game and made a patched version of the ROM use a co-processor to eliminate those issues.

The slowdown seen here in Gradius is not uncommon to SNES players, many games of that era suffer from it when several sprites appear on the screen at once. This is partially due to the aging CPU Nintendo chose, supposedly in order to maintain NES backwards compatibility before the idea got scrapped. Unable to complete its tasks by the time the next frame needs to be shown, the hardware skips frames to let the processor catch up before it can continue. This is perceived as the aforementioned slowdown.

Around the later stage of the SNES’s life, games started using additional chips inside the cartridges in order to enhance the console’s performance. One of them is the SA1, which is a co-processor with the same core as the main CPU, only with a higher clock rate. By using it, games had more time to run through the logic and graphics manipulation before the next frame. What [Vitor] did was port those parts of Gradius III to the SA1, essentially making it just like any other enhanced cartridge from back in the day.

Unlike previous efforts we’ve seen to overclock the SNES by giving it a longer blanking time, this method works perfectly on real unmodified hardware. You can see the results of his efforts after the break, particularly around stage 2 where several bubbles fill the screen on the second video.

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New Life For Old Nintendo Handhelds With ESP32

August 14, 2019 by Erin Pinheiro 17 Comments

The Game Boy Pocket was Nintendo’s 1996 redesign of the classic 1989 handheld, giving it a smaller form factor, better screen and less power consumption. While it didn’t become as iconic as its predecessor, it still had enough popularity for modders such as [Eugene] to create new hardware for it. His Retro ESP32 board is a drop-in replacement for the console’s motherboard and screen, giving it a whole new life.

[Eugene] is no stranger to making this kind of mod, his previous Gaboze Pocaio project did the exact same thing with this form factor, only with a Raspberry Pi instead of the ESP32-WROVER used here. His choice of integrated SoC was based on the ODROID-GO, which is a similar portable console but with its own custom shell instead.

This project doesn’t stop at the hardware though, the Retro ESP32 (previously dubbed Gaboze Express) also offers a user-friendly interface to launch emulators. This GUI code can be used with the ODROID as well since they share the same hardware platform, so if you have one of those you can try it out right now from the software branch of their repository.

If the idea of replacing retro tech innards with more modern hardware is something that interests you, look at what they did to this unassuming Osborne 1, or this unwitting TRS-80 Model 100. Poor thing didn’t even see it coming.

Giving The Amstrad CPC A Voice And A Drum Kit

August 12, 2019 by Erin Pinheiro 7 Comments

Back in the ’80s, home computers weren’t capable of much in terms of audio or multimedia as a whole. Arguably, it wasn’t until the advent of 16-bit computers such as the Amiga that musicians could make soundtrack-quality music without having to plug actual studio gear up to their machines. [Michael Wessel] is trying to bring some of that and many more features to the Amstrad CPC with his ambitious LambdaSpeak 3 project, an expansion card built completely up from scratch and jam-packed with features.

First, and likely giving it its name, is the speech synthesizer. [Michael] has made an emulation mode where his card can act just like the original SSA-1 expansion, being able to be controlled by the same software as back then. By default, the card offers this mode with an Epson S1V30120 daughterboard (which is based on DECTalk synthesis), however for further authenticity you also have the option of fitting it with an SP0256-AL2 chip, the same one used in the original Amstrad hardware in 1985.

As for the more musical part of the project, the board supports 4-channel PCM playback, much like the Amiga’s sound offering. This can be used for a drum machine sequencer program, and it has an Amdrum mode, emulating another expansion from the original Amstrad days. Sample playback can also be used alongside the speech synthesis as shown here, with random allophone beats that wouldn’t sound out of place in a Kraftwerk recording. Finally, by using the UART interface included on the LambdaSpeak, you can also turn the CPC itself into a synth by giving it MIDI in/out and interfacing a controller in real time with the computer’s AY-3-8912 sound chip.

If you like modern expansions giving old computers new life, did you know that you can get just about any retro computer online, perhaps a TRS-80, an Amiga and even a Psion Organizer? And if you’re interested in just using old systems’ sound chips with modern USB MIDI controllers, it’s easy to make a microcontroller do all the heavy lifting.

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