Stylish Business Card With A Stylophone Built In

May 11, 2018 by Dan Maloney 19 Comments

If you’re in the electronics business, PCB business cards seem like a natural fit. They may be impractical and expensive, but they can really set you apart from that boring paper card from Vistaprint crowd. But they need to make sense for what you do, so for a musician and MIDI pro, this MIDI-controller stylophone business card is a real eye- and ear-catcher.

This business card is an idea that [Mitxela] has been kicking around for a while, and he even built a prototype a couple of years ago. The homebrew card, made using the spray paint, laser etching, and ferric chloride method, worked well enough as a proof of concept, but it was a little rough around the edges and needed the professional touch of a PCB fabricator. We’ve got to say that the finished cards are pretty darn sexy, with the black resist contrasting nicely against the gold-immersion pads. He selected a 1-mm thick board and made the USB connector as a separate small board; snapped off of the main board and reflowed back on, it builds up the edge connector to the proper thickness. The parts count is low — just an ATtiny85 and a resistor ladder to encode each key, with a simple jumper used as the stylus. The device itself is just a MIDI controller and makes no music on its own, but we still think this is a pretty creative way to hang out a shingle.

[Mitxela] has quite a few interesting builds, and is no stranger to our pages. Check out his recent servo-plucked MIDI music box, or these amazing miniature LED earrings.

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Stomping On Microcontrollers: Arduino Mega Guitar Effects Pedal

May 8, 2018 by Ben James 18 Comments

Effects pedals: for some an object of overwhelming addiction, but for many, an opportunity to hack. Anyone who plays guitar (or buys presents for someone who does) knows of the infinite choice of pedals available. There are so many pedals because nailing the tone you hear in your head is an addictive quest, an itch that must be scratched. Rising to meet this challenge are a generation of programmable pedals that can tweak effects in clever ways.

With this in mind, [ElectroSmash] are back at it with another open source offering: the pedalSHIELD MEGA. Aimed at musicians and hackers who want to learn more about audio, DSP and programming, this is an open-hardware/open-software shield for the Arduino MEGA which transforms it into an effects pedal.

The hardware consists of an analog input stage which amplifies and filters the incoming signal before passing it to the Arduino, as well as an output stage which does the DAC-ing from the Arduino’s PWM outputs, and some more filtering/amplifying. Two 8-bit PWM outputs are used simultaneously to make pseudo 16-bit resolution — a technique you can read more about in their handy forum guide.

The list of effects currently implemented covers all the basics you’d expect, and provides a good starting point for writing custom effects. Perhaps a library for some of the commonly used config/operations would be useful? Naturally, there are some computational constraints when using an Arduino for DSP, though it’s up to you whether this is a frustrating fact, or an opportunity to write some nicely optimised code.

[ElectroSmash] don’t just do pedals either: here’s their open source guitar amp.

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Synthbike Rolls To The Beat

April 26, 2018 by Lewin Day 11 Comments

Modular synthesizers are some of the ultimate creative tools for the electronic musician. By experimenting with patch leads, knobs and switches, all manner of rhythmic madness can be conjured out of the æther. While they may overflow with creative potential, modular synths tend to fall down in portability. Typically built into studio racks and composed of many disparate modules, it’s not the sort of thing you can just take down the skate park for a jam session. If only there was a solution – enter the madness that is Synth Bike.

Synth Bike, here seen in the 2.0 revision, impresses from the get go, being built upon a sturdy Raleigh Chopper chassis. The way we see it, if you’re going to build a synth into a bicycle, why not do it with some style? From there, the build ratchets up in intensity. There’s a series of sequencer modules, most of which run individual Arduino Nanos. These get their clock from either a master source, an external jack, or from a magnetic sensor which picks up the rotation of the front wheel. Your pace dictates the tempo, so you’ll want to work those calves for extended raves at the park.

The features don’t stop there – there are drums courtesy of a SparkFun WAV Trigger, an arcade button keyboard, and a filter board running the venerable PT2399 digital delay chip. It’s all assembled on a series of panels with wires going everywhere, just like a true modular should be.

The best thing is, despite the perplexing controls and arcane interface, it actually puts out some hot tunes. It’s not the first modular we’ve seen around these parts, either.

Reverse Engineering Nintendo Labo Waveform Cards

April 26, 2018 by Richard Baguley 29 Comments

The Nintendo Switch portable gaming system is heavily locked down to prevent hacking, but the Labo add-on looks like it might be a different matter. The Labo is a series of add-on devices made of cardboard that does things like turn the Switch into a musical keyboard that plays a waveform on a card that you slot in. [Hunter Irving] decided to try a bit of reverse engineering on these cards to see if he could 3D print his own. Spoilers: he could.

[Hunter] started by taking one of the cards that come with the Labo and looking at the layout. These cards are, like the rest of the Labo, very simple: they are just shaped pieces of card that fit into the back of the keyboard add-on. When you press a button, the Switch camera reads the card to create the waveform. So, the process involved figuring out the required dimensions of the card to create a template. [Hunter] then created simple waveforms (square, sine, sawtooth) in Inkscape, and used this to create a 3D printable waveform card. A quick bit of 3D printing later, he had several cards ready, and these worked without problems. As well as the synthetic waveforms, he tried real ones, such as an organ, taking the waveform shape from the zoomed-in sample and using that to print. This post describes the process nicely and offers downloads of 9 sample cards and a template to create your own.

We suspect that this is only scratching the surface of what can be done with the Switch, Labo, and some ingenuity. Unlike the Switch itself, the Labo seems to be built for hacking, using simple, easy to use components to create surprisingly complex mechanisms that could be adapted for any number of purposes.

We’re sure this isn’t the only Labo hack we’ll be covering over the coming year. Not sure what all the fuss is about? Read our reporting on its arrival.

Litar: An Air Guitar Using LiDAR

April 25, 2018 by Steven Dufresne 6 Comments

This year, [Blecky’s] Hackaday Prize Entry is an air guitar which uses multiple LiDAR sensors to create the virtual strings. What’s also neat is that he’s using his own LiDAR sensor, the MappyDot Plus, an enhanced version of his 2017 Prize Entry, the MappyDot.

He uses a very clever arrangement of six sensors to get four virtual strings. Each sensor scans a 25-degree field of view. Three adjacent sensors are used to define a string, with the string being in the overlap of the outer two of those sensors. The middle sensor is used for the distance data.

For the chords, he started out using some commercially made joysticks but ran into some ergonomic issues. Also, the manufacturer was discontinuing the product, a no-no for an open source project. So he abandoned that approach and designed his own buttons. He came up with a PCB with a linear hall effect sensor and some springs on it. The button has a magnet attached to its underside and sits on the springs. That way he gets the press and can do vibrato as well.

He plans to use Bluetooth MIDI so that you can play the sound on a phone or laptop but for now he lights up an LED beside each sensor as you press the strings.

Tracktorino Shields You From Poor Interfaces

April 21, 2018 by Brian McEvoy 8 Comments

On-screen controls in a digital audio workstation expand the power of a DJ or musician, but they are not intuitive for everyone. The tactility of buttons, knobs, sliders and real-world controls feels nothing like using a mouse, trackpad, or even a touchscreen. Unfortunately, devices meant to put control into a DJs hands can be unavailable due to location or cost. [Gustavo Silveira] took charge of the situation so he could help other DJs and musicians take control of their workstations with a customized MIDI interface for Traktor DJ software.

MIDI is a widely used serial protocol which has evolved from a DIN connector to USB, and now it is also wireless. This means that the Traktorino is not locked to Traktor despite the namesake. On the Hackaday.io page, there’s even a list of other workstations it will work with, but since many workstations, all the good ones anyway, accept MIDI hardware like this, the real list is a lot longer.

The custom circuit board is actually a shield. Using an Arduino UNO, the current poster child of the Arduino world, opens up the accessibility for many people who don’t know specialized software. A vector drawing for a lasercut enclosure is also included. This means that even the labeling on the buttons are not locked into English language.

Here’s another project which combined laser cutting and MIDI to make some very clever buttons or turn your DIN MIDI connector into USB.

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Another Reason To Learn Morse Code: Kidnapping

April 13, 2018 by Al Williams 80 Comments

Morse code — that series of dots and dashes — can be useful in the strangest situations. As a kid I remember an original Star Trek episode where an injured [Christopher Pike] could only blink a light once for yes and twice for no. Even as a kid, I remember thinking, “Too bad they didn’t think to teach him Morse code.” Of course odd uses of Morse aren’t just for TV and Movies. Perhaps the strangest real-life use was the case of the Colombian government hiding code in pop music to send messages to hostages.

In 2010, [Jose Espejo] was close to retirement from the Colombian army. But he was bothered by the fact that some of his comrades were hostages of FARC (the Revolutionary Armed Forces of Colombia; the anti-government guerrillas), some for as many as ten years. There was a massive effort to free hostages underway, and they wanted them to know both to boost morale and so they’d be ready to escape. But how do you send a message to people in captivity without alerting their captors?

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