All About That Bass – Marble Machine X Keeps Growing

We’re okay if you call out Not A Hack™ on this one, because “hack” really doesn’t do justice to the creations of [Martin] from [Wintergatan]. You’re probably familiar with the Marble Machine that went viral a few years ago, and while it was impressive as-is back then, and most people would have declared the project finished at that point, it has turned into a seemingly never-ending work-in-progress project that has certainly come a long way ever since. Its latest addition: the Cyber Capos as upgrade for the bass, and you can find out all about it in its build video — also embedded below.

If you play a string instrument and ever used a capo — the clamping little helper device to smack the pitch up — you may have found yourself wishing that you could use it on any arbitrary fret on each string. Sure, there are partial capos and the spider capo to select individual strings, but you’re still limited to transpose along a single fret. Well, [Martin]’s Cyber Capos, a mechanical construct of four arms sliding along the neck, serve exactly that purpose, which allows him to free up his hands for other things while the marbles keep bouncing.

But you don’t have to be a bass player, or any musician really, to appreciate [Martin]’s build videos. We praised his general attitude and hacker-like spirit already the first time we mentioned the Marble Machine, and just watching him getting excited about his work and the appreciation for people supporting and assisting in the project, while embracing his mistakes, is a genuine delight.

Needless to say that [Martin] likes some uniqueness in music instruments, and the bass with its separate volume control and output for each string qualifies on its own for that. If you’re curious about more on that, there’s another video about it embedded after the break. And for the really impatient ones, you can see the capos in action in the first video around the 12:35 mark.

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Quality Upgrades Give Old Synth New Lease On Life

Technology marches on at a rapid pace, but in many fields much love remains for older hardware. While still highly capable, there’s often room for improvement thanks to components made available in the intervening years. After longing for his SY-77 synthesiser of the 90s, [Mark] sourced a tired SY-99, the next model up in the line – and set to work on some upgrades.

The SY-99 relied on floppy disks for storage, but the mechanical drives are now difficult to maintain, to say nothing of the unreliability of floppy media. [Mark] installed a SD Card HXC floppy emulator instead, using a Sparkfun SD breakout to neatly install the card slot in the synth’s case. The tired LCD was replaced with a newer model using the same controller, with an LED backlight proving a nice upgrade over the original EL unit.

Additionally, [Mark] realised that there was scope to create his own upgrade modules with off-the-shelf SRAM chips. This proves far cheaper than sourcing second-hand Yamaha stock off eBay, and is readily achievable by anyone with a basic understanding of digital logic. The ICs can be had for a few dollars, versus well over $50 for the original cards – if you can even find them. Some labor is involved, but it’s a lot less painful to the wallet.

[Mark]’s work is a great example of how hardware that was once prohibitively expensive can be given greater functionality at a lower cost thanks to new technology. We’ve seen other synths modded too, like this Korg Monotron. If you’ve been tinkering away in a keyboard yourself, be sure to let us know!

[Thanks to CRJEEA] for the tip]

Drumming A Beat On A Hundred-Year-Old Typewriter

We have seen a fair share of unusual items being turned into musical instruments. Luckily, with a little bit of hacking it is possible to turn almost anything into a MIDI controller. [William Sun Petrus] just converted a 1920s typewriter into a drum machine and delivers a hell of a live performance on it.

The build is rather simple, all [William Sun Petrus] needed was an Arduino Mega and lots of wires to convert a hundred-year-old Remington typewriter into a MIDI controller. Whenever a key is pressed the hammer hits a metal plate at the center of the typewriter and closes the contact between one of the Arduino’s IO pins and the 5 V rail like a regular push button. The Arduino code is based on the MIDI library sending commands to a PC which is running Hairless MIDI and Ableton. As sort of a gimmick, [William Sun Petrus] included an LCD screen which shows a line from Green Eggs and Ham by Dr. Seuss every time a key is pressed.

Interestingly, the latency due to the hammer’s travel time does not disturb [William Sun Petrus’] live play. To calm the skeptics in the comments he also released an unedited version of the video to prove that the performance is real and an instructional video on how to play his beat note by note.

Other unusual MIDI controllers include a bandoneon accordion or this English concertina.

Video after the break.

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Some Strings Attached: Electric Tenor Guitar Built From Scratch

It’s no secret that we have a soft spot for musical instruments here at Hackaday, especially for the weird and unusual ones. An instrument that definitely fits the unusual category is the four-string tenor guitar, which — as legend has it — originated back in the 1920s by frankensteining a banjo neck and a guitar body together. Despite being around for almost a century, they’re still rarely found outside some niche genres, which makes them an excellent choice when pursuing a unique sound experience. As someone looking for exactly that, [Ham-made] decided to build an electric tenor guitar entirely from scratch, and documented every step of it at great length.

Built from two random chunks of wood, a dissected single coil pickup, and a leftover piece of elk antlers, the result is even more unique than the sound experience itself. While the rather unorthodox, faceted body shape leaves no doubt that this is a handmade instrument, the real eye-catcher has to be the neck and its oddly spaced frets. Counting the frets, the math doesn’t seem to add up either, as the twelfth fret usually creates the octave, and as such should be at half the scale length (i.e. half the string’s length from the bridge at the body’s end to the nut at the neck’s end). Turns out that [Ham-made] went for a diatonic scale instead of the usual chromatic one, essentially leaving out the notes you anyway wouldn’t play in a standard Pop or Rock setup. Using an all-fifths tuning akin to cellos and mandolins, this will work nicely over all four strings.

Aesthetics are certainly a subjective matter, and [Ham-Made] is fully aware that people might feel downright offended by his creation, but as he also wants to “embrace mistakes and promote experimentation”, he encourages everyone with similar aspiration to simply go for it — and he’s certainly no stranger to unconventional instruments and recording equipment. But before the never-tiring tonewood debate sparks up, check out this scrap metal guitar.

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DJ Scratches Out Club Music With Tape, Not Turntables

It goes without saying that not everyone has the same taste in music, and what sounds amazing to one person will be the next person’s noise. But even if you’re not into hip-hop and the whole DJ scene, it’s hard not to be impressed with what [Jeremy Bell] has done here with his homemade tape loop “scratching” rig.

Most people have probably seen a DJ in a club using dual turntables to scratch or “scrub” a vinyl record back and forth to create effects that add to the music. Part musician and part performance artist, DJs and “turntablists” tend to be real crowd-pleasers. [Jeremy]’s “ScrubBoard” uses a loop of 2″ audiotape, the kind recording studios once used for multitrack recordings. The loop is driven across a wide platen by a motor with a foot pedal control, which he can use to quickly reverse the direction of travel and control the speed of the tape. A pair of playback heads are wired into the amplifier and can be positioned anywhere on the sometimes moving, sometimes stationary tape. The sounds he can create are rhythmic, percussive, and at times frenetic, but they’re always interesting. Check it out in action in the video below.

This version of the ScrubBoard is far from the first [Jeremy] has built. You may recall his first prototype from our coverage in 2014; that one used just a few feet of 1/4″ tape fixed to a board. He was still able to get some great sounds from it, but this version should really change things for him. 

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Pouring Creativity Into Musical Upcycling Of Plastic Bottles

Convenient and inexpensive, plastic beverage bottles are ubiquitous in modern society. Many of us have a collection of empties at home. We are encouraged to reduce, reuse, and recycle such plastic products and [Kaboom Percussion] playing Disney melodies on their Bottlephone 2.0 (video embedded below) showcases an outstanding melodic creation for the “reuse” column.

Details of this project are outlined in a separate “How we made it” video (also embedded below). Caps of empty bottles are fitted with commodity TR414 air valves. The pitch of each bottle is tuned by adjusting pressure. Different beverage brands were evaluated for pleasing tone of their bottles, with the winners listed. Pressure levels going up to 70 psi means changes in temperature and inevitable air leakage makes keeping this instrument in tune a never-ending task. But that is a relatively simple mechanical procedure. What’s even more impressive on display is the musical performance talent of this team, assisted by some creative video editing. Sadly for us, such skill does not come in a bottle. Alcohol only makes us believe we are skilled without improving actual skill.

But that’s OK, this is Hackaday where we thrive on building machines to perform for us. We hope it won’t be long before a MIDI-controlled variant is built by someone, perhaps incorporating an air compressor for self-tuning capabilities. We’ve featured bottles as musical instruments before, but usually as wind instruments like this bottle organ or the fipple. This is a percussion instrument more along the lines of the wine glass organ. It’s great to see different combinations explored, and we are certain there are more yet to come.

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Rock Out With Toilet Paper Rolls

Singing in the shower is such a common phenomenon, rarely anyone ever bats an eye about it. Singing in the toilet on the other hand is probably going to raise an eyebrow or two, and it’s not for nothing that the Germans euphemistically call it “stilles Örtchen”, i.e. the little silent place. But who are we to judge what you do in the privacy of your home? So if you ever felt a lack of instrumental accompaniment, or forgot to bring your guitar, [Max Björverud] has just the perfect installation for you. (Video, embedded below.)

Inspired by the way bicycle computers determine your speed, [Max] took a set of toilet paper holders, extended each roll holding part with a 3D-printed attachment housing a magnet, and installed a Hall-effect sensor to determine the rolling activity. The rolls’ sensor data is then collected with an Arduino Mega and passed on to a Raspberry Pi Zero running Pure Data, creating the actual sounds. The sensor setup is briefly shown in another video.

Before you grab your pitchforks, [Max] started this project a little while back already, long before toilet paper became an object of abysmal desire. Being an artist in the field of interactive media, this also isn’t his first project of this kind, and you can find some more of his work on his website. So why of all things did we pick this one? Well, what can we say, we definitely have a weakness for strange and unusual musical instruments. And maybe there’s potential for some collaboration here?
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