Multispectral Imaging Shows Erased Evidence Of Ancient Star Catalogue

Ancient Greek astronomer Hipparchus worked to accurately catalog and record the coordinates of celestial objects. But while Hipparchus’ Star Catalogue is known to have existed, the document itself is lost to history. Even so, new evidence has come to light thanks to patient work and multispectral imaging.

Hipparchus’ Star Catalogue is the earliest known attempt to record the positions of celestial bodies (predating Claudius Ptolemy’s work in the second century, which scholars believe was probably substantially based on Hipparchus) but direct evidence of the document is slim. Continue reading “Multispectral Imaging Shows Erased Evidence Of Ancient Star Catalogue”

A brass-and-wood replica of Faraday's motor

Replicating Faraday’s 200-Year-Old Electric Motor

Although new electric motor types are still being invented, the basic principle of an electric motor has changed little in the past century-and-a-half: a stator and a rotor built of magnetic materials plus a bunch of strategically-placed loops of wire. But getting even those basic ingredients right took a lot of experimentation by some of the greatest names in physics. Michael Faraday was one of them, and in the process became the first person to turn electricity into motion. [Markus Bindhammer] has recreated Faraday’s experiment in proper 19th century style.

Back in 1821, the very nature of electricity and its relation to magnetism were active areas of research. Tasked with writing an article about the new science of eletromagnetics, Faraday decided to test out the interaction between a current-carrying wire and a permanent magnet, in a setup very similar to [Markus]’s design. A brass wire is hanging freely from a horizontal rod and makes contact with a conductive liquid, inside of which a magnet is standing vertically. As an electric current is passed through the wire, it begins to rotate around the magnet, as if to stir the liquid.

[Markus]’s video, embedded after the break, shows the entire construction process. Starting from rods and sheet metal, [Markus] uses mostly hand tools to create all basic parts that implement the motor, including a neat knife switch. Where Faraday used mercury as the conductive liquid, [Markus] uses salt water – cheaper and less toxic, although it does eventually eat up the brass wire through electrolysis.

While not particularly useful in itself, Faraday’s motor proved for the first time that electric energy could be converted into motion through magnetism, leading to a whole class of ultra-simple motors called homopolar motors. It would be a while before experiments by the likes of Tesla and Ferraris led to modern AC motors. If you don’t like your motors magnetic, you can use electrostatics instead.

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Two nearly-identical black and white images of a solar installation on top of a roof in NYC. The left image purports to be from 1909 while the other says it is from 1884. Both show the same ornate building architecture in the background and angle of the panels.

The Mysterious Case Of The Disappearing Inventor

When combing through the history of technological innovation, we often find that pinning down a given inventor of something can be tricky. [Foeke Postma] at Bellingcat shows us that even the Smithsonian can get it wrong when given faulty information.

The mystery in question is the disappearance of inventor [George Cove] from a photograph of his solar panel system from 1909 and its reuse as evidence of the first photovoltaic solar panel by another inventor, [Charles Fritts], around 1884. Questions first arose about this image in 2021, but whether this was an example of photo manipulation was merely speculation at the time.

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Clipper Windpower: Solutions In Search Of Problems

The first modern wind turbines designed for bulk electricity generation came online gradually throughout the 80s and early 90s. By today’s standards these turbines are barely recognizable. They were small, had low power ratings often in the range of tens to hundreds of kilowatts, and had tiny blades that had to rotate extremely quickly.

When comparing one of these tiny machines next to a modern turbine with a power rating of 10 or more megawatts with blades with lengths on the order of a hundred meters, one might wonder if there is anything in common at all. In fact, plenty of turbines across the decades share fundamental similarities including a three-blade design, a fairly simple gearbox, and a single electric generator. While more modern turbines are increasingly using direct-drive systems that eliminate the need for a gearbox and the maintenance associated with them, in the early 2000s an American wind turbine manufacturer named Clipper Windpower went in the opposite direction, manufacturing wind turbines with an elaborate, expensive, and heavy gearbox that supported four generators in each turbine. This ended up sealing the company’s fate only a few years after the turbines were delivered to wind farms.

Some history: the largest terrestrial wind turbines were approaching the neighborhood of 2 megawatts, but some manufacturers were getting to these milestones essentially by slapping on larger blades and generators to existing designs rather than re-designing their turbines from the ground up to host these larger components. This was leading to diminishing returns, as well as an increased amount of mechanical issues in the turbines themselves, and it was only a matter of time before the existing designs wouldn’t support this trend further. Besides increased weight and other mechanical stresses on the structure itself, another major concern was finding (and paying for) cranes with enough capacity to hoist these larger components to ever-increasing heights, especially in the remote locations that wind farms are typically located. And cranes aren’t needed just for construction; they are also used whenever a large component like a generator or blade needs to be repaired or replaced. Continue reading “Clipper Windpower: Solutions In Search Of Problems”

How Duck Tape Became Famous

If you hack things in the real world, you probably have one or more rolls of duck tape. Outside of the cute brand name, many people think that duck tape is a malapropism, but in truth it is the type of cloth traditionally used in our favorite tape: cotton duck. However, as we’ll see, it’s not entirely wrong to call it duct tape either. Whatever you call it, a cloth material has an adhesive backing and is coated with something like polyethylene.

Actually, the original duck tape wasn’t adhesive at all. It was simply strips of cotton duck used for several purposes, including making shoes and wrapping steel cables like the ones placed in 1902 at the Manhattan Bridge. By 1910, the tape was made with adhesive on one side and soaked in rubber, found use in hospitals for binding wounds. In May 1930, Popular Mechanics advised melting rubber from an old tire and adding rosin to create a compound to coat cotton tape, among other things.

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a modern car dipped into a chemical bath for electrodeposition adding a phosphate layer

Watching Paint Dry For Over 100 Years

A Model T Ford customer could famously get their car “in any color he wants, so long as it’s black.” Thus begins [edconway]’s recounting of the incremental improvements in car paint and its surprising role in mass production, marketing, and longevity of automobiles.

In it, we learn that the aforementioned black paint from Ford had so much asphalt in it that black was the only color that would work. Not to go down a This Is Spinal Tap rabbit hole, but there were several kinds of black on those Model Ts. Over 30 of them were used for various purposes. The paints also dried in different ways. While the assembly only took 12 hours, the paint drying time took days, even weeks backing up production and begging for innovation. [edconway] then fast-forwards to an era of “conspicuous consumption and ‘planned obsolescence’” with DuPont’s invention of Duco that brought color to the world of automobiles.

edconway graph of paint drying time by year

See the article for the real story of advances in paint technology and drying time. Paint application technology has also steadily improved over the years, so we recommend diving in to get the century’s long story.

Oscillon by Ben F. Laposky

Early Computer Art From The 1950s And 1960s

Modern day computer artist, [Amy Goodchild] surveys a history of Early Computer Art from the 1950s and 1960s. With so much attention presently focused on AI-generated artwork, we should remember that computers have been used to created art for many decades.

Our story begins in 1950 when Ben Laposky started using long exposure photography of cathode ray oscilloscopes to record moving signals generated by electronic circuits. In 1953, Gordon Pask developed the electromechanical MusiColor system. MusiColor empowered musicians to control visual elements including lights, patterns, and motorized color wheels using sound from their instruments. The musicians could interact with the system in real-time, audio-visual jam sessions.

In the early 1960s, BEFLIX (derived form Bell Flix) was developed by Ken Knowlton at Bell Labs as a programming language for generating video animations. The Graphic 1 computer featuring a light pen input device was also developed at Bell Labs. Around the same timeframe, IBM introduced novel visualization technology in the IBM 2250 graphics display for its System/360 computer. The 1967 IBM promotional film Frontiers in Computer Graphics demonstrates the capabilities of the system.

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