Behind The Pin: Logic Level Outputs

There is one thing that unites almost every computer and logic circuit commonly used in the hardware hacking and experimentation arena. No matter what its age, speed, or internal configuration, electronics speak to the world through logic level I/O. A single conductor which is switched between voltage levels to denote a logic 1 or logic zero. This is an interface standard that has survived the decades from the earliest integrated circuit logic output of the 1960s to the latest microcontroller GPIO in 2018.

The effect of this tried and true arrangement is that we can take a 7400 series I/O port on an 8-bit microcomputer from the 1970s and know with absolute confidence that it will interface without too much drama to a modern single-board computer GPIO. When you think about it, this is rather amazing.

It’s tempting to think then that all logic level outputs are the same, right? And of course they are from a certain viewpoint. Sure, you may need to account for level shifting between for example 5V and 3.3V families but otherwise just plug, and go, right? Of course, the real answer isn’t quite that simple. There are subtle electrical differences between the properties of I/O lines of different logic and microcontroller families. In most cases these will never be a problem at all, but can rear their heads as edge cases which the would-be experimenter needs to know something about.

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Dawn Of The First Digital Camera

Technology vanishes. It either succeeds and becomes ubiquitous or fails. For example, there was a time when networking and multimedia were computer buzzwords. Now they are just how computers work. On the other hand, when was the last time you thought about using a CueCat barcode reader to scan an advertisement? Then there are the things that have their time and vanish, like pagers. It is hard to decide which category digital cameras fall into. They are being absorbed into our phones and disappearing as a separate category for most consumers. But have you ever wondered about the first digital camera? The story isn’t what you would probably guess.

The first digital camera I ever had was a Sony that took a floppy disk. Surely that was the first, right? Turns out, no. There were some very early attempts that didn’t really have the technology to make them work. The Jet Propulsion Laboratory was using analog electronic imaging as early as 1961 (they had been developing film on the moon but certainly need a better way). A TI engineer even patented the basic outline of an electronic camera in 1972, but it wasn’t strictly digital. None of these bore any practical fruit, especially relative to digital technology. It would take Eastman Kodak to create a portable digital camera, even though they were not the first to commercialize the technology.

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Project Orion: Detonating Nuclear Bombs For Thrust

Rockets with nuclear bombs for propulsion sounds like a Wile E. Coyote cartoon, but it has been seriously considered as an option for the space program. Chemical rockets combust a fuel with an oxidizer within themselves and exhaust the result out the back, causing the rocket to move in the opposite direction. What if instead, you used the higher energy density of nuclear fission by detonating nuclear bombs?

Detonating the bombs within a combustion chamber would destroy the vehicle so instead you’d do so from outside and behind. Each bomb would include a little propellant which would be thrown as plasma against the back of the vehicle, giving it a brief, but powerful push.

That’s just what a group of top physicists and engineers at General Atomic worked on between 1958 and 1965 under the name, Project Orion. They came close to doing nuclear testing a few times and did have success with smaller tests, exploding a series of chemical bombs which pushed a 270-pound craft up 185 feet as you’ll see below.

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Tariff Expansion Set To Hit 3D-Printing Right In The Filament

Mere weeks after tariffs were put into place raising the cost of many Chinese-sourced electronics components by 25%, a second round of tariffs is scheduled to begin that will deal yet another blow to hackers. And this time it hits right at the heart of our community: 3D-printing.

A quick scan down the final tariff list posted by the Office of the US Trade Representative doesn’t reveal an obvious cause for concern. In among the hundreds of specific items listed one will not spot “Filaments for additive manufacturing” or anything else that suggests that 3D-printing supplies are being targeted. But hidden in the second list of tariff items, wedged into what looks like a polymer chemist’s shopping list, are a few entries for “Monofilaments with cross-section dimension over 1 mm.” Uh-oh!

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Circuit VR: Starting An Amplifier Design

Sometimes I wish FETs had become practical before bipolar transistors. A FET is a lot more like a tube and amplifies voltages. Bipolar transistors amplify current and that makes them a bit harder to use. Recently, [Jenny List] did a series on transistor amplifiers including the topic of this Circuit VR, the common emitter amplifier. [Jenny] talked about biasing. I’ll start with biasing too, but in the next installment, I want to talk about how to use capacitors in this design and how to blend two amplifiers together and why you’d want to do that.

But before you can dive into capacitors and cascades, we need a good feel for how to get the transistor biased to start with. As always, there’s good news and bad news. The bad news it that transistors vary quite a bit from device to device. The good news is that we’ll use some design tricks to keep that from being a problem and that will also give us a pretty wide tolerance on component values. The resulting amplifier won’t necessarily be precise, but it will be fine for most uses. As usual, you can find all the design files on GitHub, and we’ll be using the LT Spice simulator.

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Rediffusion Television: Early Cable TV Delivered Like Telephone

Recently I spent an enjoyable weekend in Canterbury, staying in my friend’s flat with a superb view across the rooftops to the city’s mediaeval cathedral. Bleary-eyed and in search of a coffee on the Sunday morning, my attention was immediately drawn to one of her abode’s original built-in features. There on the wall in the corner of the room was a mysterious switch.

Housed on a standard-sized British electrical fascia was a 12-position rotary switch, marked with letters A through L. An unexpected thing to see in the 21st century and one probably unfamiliar to most people under about 40, I’d found something I’d not seen since my university days in the early 1990s: a Rediffusion selector switch.

If you have cable TV, there is probably a co-axial cable coming into your home. It is likely to carry a VHF signal, either a series of traditional analogue channels or a set of digital multiplexes. “Cable ready” analogue TVs had wideband VHF tuners to allow the channels to be viewed, and on encrypted systems there would have been a set-top box with its own analogue tuner and decoder circuitry.

Your digital cable TV set-top box will do a similar thing, giving you the channels you have subscribed to as it decodes the multiplex. At the dawn of television transmission though, none of this would have been possible. Co-axial cable was expensive and not particularly high quality, and transistorised wideband VHF tuners were still a very long way away. Engineers designing the earliest cable TV systems were left with the technology of the day derived from that of the telephone networks, and in Britain at least that manifested itself in the Rediffusion system whose relics I’d found.

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The VU Meter And How It Got That Way

Given its appearance in one form or another in all but the cheapest audio gear produced in the last 70 years or so, you’d be forgiven for thinking that the ubiquitous VU meter is just one of those electronic add-ons that’s more a result of marketing than engineering. After all, the seemingly arbitrary scale and the vague “volume units” label makes it seem like something a manufacturer would slap on a device just to make it look good. And while that no doubt happens, it turns out that the concept of a VU meter and its execution has some serious engineering behind that belies the really simple question it seeks to answer: How loud is this audio signal?

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