Obsessively Explaining The Visual Effects In Flight Of The Navigator

May 26, 2021 by Zach Zeman 8 Comments

[Captain Disillusion] has earned a reputation on YouTube for debunking hoaxes and spreading a healthy sense of skepticism while having some of the highest production value on the platform and pretending to be some kind of inter-dimensional superhero. You’ve likely seen him give a careful explanation of how some viral video was faked alongside a generous dose of sarcastic humor and his own impressive visual effects. VFXcool is a series on his channel that takes deep dives into movies that are historically significant in the effects industry. For this installment, [Captain Disillusion]’s “intern”, [Alan], takes over to breakdown how filmmakers brought a futuristic spaceship to life in 1986’s Flight of the Navigator.

Making a movie requires hacks upon hacks, and that goes double in the era when the technology and techniques we now take for granted were being developed even as they were being put to film. The range of topics covered here is extreme: from full-scale props to models; from robotic motion control rigs to stop motion animation; from early computer graphics to the convoluted optical compositing that was necessary before digital workflows were possible. The tools themselves may be outdated, but understanding the history and the processes allows for a deeper insight into how we accomplish these kinds of effects today. And, really, it’s just so… cool.

[Captain Disillusion]’s previous VFXcool is all about the Back to the Future trilogy, and it’s a little shorter with more information on motion control rigs. We also love seeing how people make DIY effects in their own homes. LEGO actually seems like a pretty popular option for putting together whole scenes in amateur filmmaking.

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RAM Fiddling Turns VGA Converter Into Video Synth

May 25, 2021 by Tom Nardi 2 Comments

If you’re interested in circuit bent video but not sure where to start, the excellent guide [LoFi Future] has come up with for modifying the cheap and readily available GBS-8100 VGA to composite converter would be a great first step. While we wouldn’t call it an easy modification, the circuit documentation and demonstration video below go a long way to making it as accessible as possible to new players.

While other video converters have all-in-one chipsets that are much harder to work with, [LoFi Future] explains that the separate EM636165TS DRAM chip on the GBS-8100 provides an ideal spot to tap in and wreak some technicolor havoc. By mapping out the pins and studying how the video output is corrupted by grounding them out or connecting them to each other, he’s been able to come up with fairly repeatable “recipes” for different effects.

In the most basic form, once you’ve soldered the pins of the DRAM chip up to the plug board interface, you’d technically be done. But [LoFi Future] takes it a step further and pairs the GBS-8100 with a separate composite to VGA converter. This provides some additional effects in the form of feedback loops and hue adjustment, but more practically, allows the device to handle composite on both the input and output. It’s a lot of hardware to cram into the enclosure, but thanks to little touches like the printed panel graphics, the final product does looks very professional.

Aside from the occasional modified NES Zapper, most of the circuit bent hardware we see is of the audio variety. But with projects like this one and the MIDI controlled SNES we covered last year as inspiration, we might see a balancing of the scales. Continue reading “RAM Fiddling Turns VGA Converter Into Video Synth” →

Retro ISA Card Means Old, Slow Computers No Longer Need Old, Heavy Monitors

May 18, 2021 by Donald Papp 66 Comments

One thing about vintage computers is that they depend greatly on whether or not one can plug a compatible monitor into them. That’s what’s behind [Tube Time]’s Graphics Gremlin, a modern-design retro ISA video card that uses an FPGA to act just like a vintage MDA or CGA video card on the input end, but provides a VGA port for more modern display output options. (Actually, there is also an RGBI connector and a composite video out, but the VGA is probably the most broadly useful.)

Handy silkscreen labels make everything crystal clear. Click to enlarge.

Why bother making a new device to emulate an old ISA video card when actual vintage video cards are still plentiful? Because availability of the old cards isn’t the bottleneck. The trouble is that MDA or CGA monitors just aren’t as easy to come across as they once were, and irreplaceable vintage monitors that do still exist risk getting smashed during shipping. Luckily, VGA monitors (or at least converters that accept VGA input) are far more plentiful.

The board’s design files and assembly notes are all on the project’s GitHub repository along with plenty of thoughtful detail about both assembly and troubleshooting, and the Verilog code has its own document. The Graphics Gremlin is still under development, but you can also watch for the latest on [Tube Time]’s Twitter feed.

Thanks to [NoxiousPluK] for the tip!

Disgusting Apple II Monitors Live Again

May 17, 2021 by Chris Lott 33 Comments

[The 8-Bit Guy] recently went to check out a stash of old Apple II Color monitors which had been sitting outside in a trash pile for 20 years, and decided to bring one home to restore. As you can see from the lead photo, they were dirty — really dirty. Surprisingly, the team of volunteers who discovered these monitors had fired them up, and every one of them works to some extent or another.

Check out the video below as he cleans up this filthy monitor and starts troubleshooting. You’ll chuckle aloud when he turns the circuit board over to desolder a mysterious diode, and when he flips the board back over, the diode has disappeared (it actually disintegrated into dust on his lab bench). For the curious, one commenter on YouTube found that it was a glass passivated and encapsulated fast recovery diode called a V19. There’s going to be a part 2, and we have every confidence that [The 8-Bit Guy] will succeed and soon add a shiny, like-new monitor to his collection.

If you’re a collector of old monitors, this demonstrates that they can survive quite a bit of abuse and exposure. We’re not sure that rummaging through your local landfill is the best idea, but if you run into an old monitor that has been exposed to the elements, don’t be so quick to dismiss it as a lost cause. Do you have any gems that you’ve restored from the trash? Let us know in the comments.

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VGA Graphics Card In 74xx Logic

April 30, 2021 by Chris Lott 17 Comments

Feeling nostalgic we presume, [Glen Kleinschmidt] set out to build a 640x480x64 VGA controller card from discrete logic chips. If we ignore the 512Kx8 Cypress SRAM video memory, he succeeds, too — and on a very readable, single page A3 schematic. The goal is to interface some of his older 8-bit machines, like the TRS-80 Model 1 and the BBC Micro, but for now he’s running a demo using a 20+ year old PIC16F877 micro.

[Glen] provides all the schematics, Gerbers, and C source code on his website should you be inclined to reproduce one for yourself. He has three versions in the works, with various capabilities (there’s a table on his website). As an alternative, one could always use an FPGA or a custom-built chip such as the SSD1963 to generate video for these micros, but sometimes the urge to go retro is too great to resist. We get the feeling that for [Glen], this is a project unto itself, and being able to interface it to his 8-bit computers is just a convenient excuse.

This isn’t [Glen]’s first retro project, either. Check out his analog computer “bouncing ball” project we covered back in 2017. Have you struggled with the build vs. buy decision, and how do you decide?

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History Of Closed Captions: The Analog Era

April 14, 2021 by Chris Lott 46 Comments

Closed captioning on television and subtitles on DVD, Blu-ray, and streaming media are taken for granted today. But it wasn’t always so. In fact, it was quite a struggle for captioning to become commonplace. Back in the early 2000s, I unexpectedly found myself involved in a variety of closed captioning projects, both designing hardware and consulting with engineering teams at various consumer electronics manufacturers. I may have been the last engineer working with analog captioning as everyone else moved on to digital.

But before digging in, there is a lot of confusing and imprecise language floating around on this topic. Let’s establish some definitions. I often use the word captioning which encompasses both closed captions and subtitles:

Closed Captions: Transmitted in a non-visible manner as textual data. Usually they can be enabled or disabled by the user. In the NTSC system, it’s often referred to as Line 21, since it was transmitted on video line number 21 in the Vertical Blanking Interval (VBI).

Subtitles: Rendered in a graphical format and overlaid onto the video / film. Usually they cannot be turned off. Also called open or hard captions.

The text contained in captions generally falls into one of three categories. Pure dialogue (nothing more) is often the style of captioning you see in subtitles on a DVD or Blu-ray. Ordinary captioning includes the dialogue, but with the addition of occasional cues for music or a non-visible event (a doorbell ringing, for example). Finally, “Subtitles for the Deaf or Hard-of-hearing” (SDH) is a more verbose style that adds even more descriptive information about the program, including the speaker’s name, off-camera events, etc.

Roughly speaking, closed captions are targeting the deaf and hard of hearing audience. Subtitles are targeting an audience who can hear the program but want to view the dialogue for some reason, like understanding a foreign movie or learning a new language.

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Eyecam Is Watching You In Between Blinks

April 12, 2021 by Kristina Panos 15 Comments

We will be the first to admit that it’s often hard to be productive while working from home, especially if no one’s ever really looking over your shoulder. Well, here is one creepy way to feel as though someone is keeping an eye on you, if that’s what gets you to straighten up and fly right. The Eyecam research project by [Marc Teyssier] et. al. is a realistic, motorized eyeball that includes a camera and hangs out on top of your computer monitor. It aims to spark conversation about the sensors that are all around us already in various cold and clinical forms. It’s an open source project with a paper and a repo and a how-to video in the works.

The eyebrow-raising design pulls no punches in the uncanny department: the eye behaves as you’d expect (if you could have expected this) — it blinks, looks around, and can even waggle its brow. The eyeball, brow, and eyelids are actuated by a total of six servos that are controlled by an Arduino Nano.

Inside the eyeball is a Raspberry Pi camera connected to a Raspi Zero for the web cam portion of this intriguing horror show. Keep an eye out after the break for the Eyecam infomercial.

Creepy or fascinating, it succeeds in making people think about the vast amount of sensors around us now, and what the future of them could look like. Would mimicking eye contact be an improvement over the standard black and gray oblong eye? Perhaps a pair of eyes would be less unsettling, we’re not really sure. But we are left to wonder what’s next, a microphone that looks like an ear? Probably. Will it have hair sprouting from it? Perhaps.

Yeah, it’s true; two eyes are more on the mesmerizing side, but still creepy, especially when they follow you around the room and can shoot frickin’ laser beams.

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