Converting A Polaroid SX70 Camera To Use 600 Film

These days, it’s possible to buy a number of different Polaroid instant cameras new off the shelf. That’s largely thanks to the retro resurgence that has buoyed interest in everything from vinyl records to analog synthesizers. However, if you’re truly old-school, you might still be rocking a vintage Polaroid SX-70 camera. Thankfully, there’s a way to convert these old rigs to work properly with the more popular modern 600 film.

The interesting thing about the SX-70 camera design is that its shutter speed and aperture setting are essentially linked together as the aperture and shutter assembly are combined into one unit with a variable tear-drop shaped opening. Thus, the timing of the shutter opening and closing and the extent to which it opens are what determines exposure and aperture.

Thankfully, [Jake Bright] has learned a lot about these unique cameras and exactly how this complex system operates. He shares his tips on firstly restoring the camera to factory-grade operation, and then the methods in which they may be converted to work with modern film. Fundamentally, it’s about changing capacitors or resistors to change the shutter/aperture timing. However, do it blindly and you’ll have little success. You first need to understand the camera’s mechanics, pneumatics, and its “Electric Eye” control system before you can get things dialed in just so.

We’ve seldom seen such a great deep dive into a camera outside of full-fat engineering documentation. [Jake] should be commended on his deep understanding and command of these fine instant cameras from yesteryear. May the Polaroid picture never die. Video after the break. Continue reading “Converting A Polaroid SX70 Camera To Use 600 Film”

Motorized Camera Slider Rides On Carbon

While not every camera mount needs to have six degrees of freedom, one or two can be extremely helpful in the photographic world. In order to make time-lapse shots with some motion or shots that incorporate some parallax, a moving camera mount or dolly is needed, and this small one builds upon a pre-existing, although non-motorized, camera slider.

The slider is an inexpensive model from everyone’s favorite online warehouse, with rails that are at least coated in carbon, if not made out of it entirely, to ensure smooth camera motion. To add the motorization to automatically move the camera, a stepper motor with a belt drive is used which is controlled by an Arduino. A few limit switches are added, letting the dolly perform different movement patterns automatically, and a pair of potentiometers for fine and coarse speed control are included as well, letting the camera take both time-lapse and video while using this mount at various controllable speeds.

With everything tucked into a relatively small box at one end of the dolly, the build is both accessible and functional. The code for the microcontroller is also available on the project’s GitHub page for anyone looking to replicate or build upon the project. And, for those looking to add more degrees of freedom to their camera setups, take a look at this DIY pan and tilt mount.

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A WiFi RGB Camera Grip Is Probably Not Ideal For Night Shoots

RGB LEDs can be found on everything from motherboards to sticks of RAM these days. [dslrdiy] wanted to bring this same visual flair to his camera setup, so built what he’s calling the world’s first RGB camera grip.

The build is based on an existing off-the-shelf camera grip. It’s disassembled for the build, with a pair of 18650 lithium batteries installed inside as a power supply. They run a small DC-DC converter, which powers a Raspberry Pi Zero and a WS2812B LED strip which provides the lovely colorful lighting effects. The LEDs light up a translucent spacer installed in the camera grip solely for the purpose of aesthetics.

So far, so straightforward. However, [dslrdiy] also implemented one more useful feature. The Pi Zero is able to scrape photos from the camera, and automatically load them on to a Windows network share. That’s a nice zero-fuss way to get pictures off your camera when you return to your home network.

We’re not sure too many professional photographers will rush after the RGB grip, as it’s often poor practice to introduce strange uncontrolled colorful lights into a scene. However, the wireless tethering feature does seem attractive depending on your usual workflow. Video after the break.

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DIY Pan And Tilt Camera Mount

Pan and tilt mounts have a number of uses that can increase the functionality of various types of cameras. Security cameras can use them to adjust the field of view remotely, astronomers can use them as telescope mounts to accurately track celestial objects, and of course photographers and videographers can use them to add dynamic elements to shots. But getting the slow, smooth, and reliable movement isn’t as simple as slapping some servos on a tripod. So unless you want to break the bank for a commercial mount, this DIY pan and tilt mount might be the way to go.

The mount is built largely out of 3D printed parts and a few fairly common motors, belts, pulleys, and bearings. The movements are controlled using stepper motors, and there are two additional systems built in so that focus and zoom can be controlled through the system as well. The software controlling it all is open-source and  available on GitHub, and controls the mount remotely through a network connection. It’s also designed to use the readily-available ESP32 chip, making it overall fairly adaptable.

The system doesn’t slouch on features, either. It can move from one point to another with various programmable speeds, has a key sequencer for more complex movements, and can accommodate the needs of stop motion animators as well. It’s an impressive build that should be accessible to plenty of photographers with a 3D printer and the right parts, but photography and astronomy aren’t the only reasons to use a pan and tilt mount. Check out this one that brings some sunlight to a shaded room.

Old Film Camera Modified For Different Chemistry

While most photographers have moved on to digital cameras with their numerous benefits, there are a few artists out there still taking pictures with film. While film is among the more well-known analog photographic methods available, there are chemically simpler ways of taking pictures available for those willing to experiment a little bit. Cyanotype photography is one of these methods, and as [JGJMatt] shows, it only takes a few commonly available chemicals, some paper, and a slightly modified box camera to get started.

Cyanotype photography works by adding UV-reactive chemicals to paper and exposing the paper similarly to how film would be exposed. The photographs come out blue wherever the paper wasn’t exposed and white where it was. Before mixing up chemicals and taking photos, though, [JGJMatt] needed to restore an old Kodak Brownie camera, designed to use a now expensive type of film. Once the camera is cleaned up, only a few modifications are needed to adapt it to the cyanotype method, one of which involves placing a magnet on the shutter to keep it open for the longer exposure times needed for this type of photography. There is some development to do on these pictures, but it’s relatively simple to do in comparison to more traditional chemical film development.

For anyone looking for a different way of taking photographs, or even those looking for a method of taking analog pictures without the hassle of developing film or creating a darkroom, cyanotype offers a much easier entry point and plenty of artists creating images with this method don’t use a camera at all. There are plenty of other photographic chemistries to explore as well; one of our favorites uses platinum to create striking black-and-white photos.

Game Boy-Style Camera For Playdate

The Game Boy Camera, while perhaps not the most technologically advanced piece of equipment, left a huge mark on video game and electronics culture. The grayscale photographs are still highly prized, and there are an untold number of projects which interface with original hardware to download authentic Game Boy Camera pictures to modern computers. There are others that look to recreate the feel and style of these images, and the latest comes to us on a Game Boy-like platform as well, the Playdate.

[t0mg] is the creator of this project, utilizing a OV7670 camera module sending data to a Teensy 4.1 which interfaces with the Playdate via USB. The images recorded on the Playdate are 1-bit, slightly different than the 2-bit images the Game Boy Camera was capable of. The case of the camera also physically matches up well with the small console, using magnets to secure it to the device either in normal camera mode, in reverse for selfie mode, and can also support the console in “cover” mode as a way of storing the console to protect the screen. A companion application needs to run on the Playdate to get this all up and running, but with that and a battery plenty of retro-style images are ready to be captured.

All of the source for this project is available on the project’s GitHub page for anyone ready to experience some nostalgia or just experiment with a small camera like this. It’s a clean build that takes advantage of the Playdate’s open-source nature, through which we’ve seen the console turned into a typewriter and inspire other builds like this one-off handheld with a crank-style controller.

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Reverse Engineering Reveals Hidden API In Abandonware Trail Camera

It sometimes seems like there are two kinds of cheap hardware devices: those dependent on proprietary software that is no longer available and those that are equally dependent but haven’t been abandoned just quite yet. But rest assured, abandonment is always on the table, and until then, you get to deal with poorly written apps that often suffer from a crippling lack of essential functionality.

Such was the case for the wireless game camera that [Chris Jones] scored on the cheap, but rather than suffering with the original software, he decided to reverse engineer the camera and turn it into something more useful. The eBay description was promising — Bluetooth LE! WiFi! — but the reality proved less so. To save the batteries, WiFi is off by default and can only be turned on by connecting to the camera via BLE using a janky and crash-prone Android app.

[Chris]’ first step in reverse engineering the camera was to snoop into the BLE by capturing the Bluetooth packets to a file and running them through Wireshark. This revealed a write command with the text “BT_KEY_ON” — very promising. After verifying that this command turned on the camera’s access point, [Chris] got to work capturing WiFi packets using PCAPDroid and analyzing the results, again with Wireshark. Using every function available in the OEM app eventually revealed the full API on the camera, which gives file system control, access to individual images, and even putting the camera into live video mode.

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