Unreleased Amiga Hardware Plays MP3s

May 25, 2025 by Bryan Cockfield 33 Comments

The MP3 file type has been around for so long, and is supported by essentially all modern media software and hardware, that it might be surprising to some to learn that it’s actually a proprietary format. Developed in the late 80s and early 90s, it rose to prominence during the Napster/Limewire era of the early 00s and became the de facto standard for digital music, but not all computers in these eras could play this filetype. This includes the Amigas of the early 90s, with one rare exception: this unreleased successor to the A3000 with a DSP chip, which now also has the software to play back these digital tunes.

The AA3000, developed as a prototype by Commodore, was never released to the general public. Unlike the original A3000 this one would have included a digital signal processing chip from AT&T called the DSP3210 which would have greatly enhanced its audio capabilities. A few prototype boards did make it out into the hands of the public, and the retrocomputing scene has used them to develop replicas of these rare machines. [Wrangler] used one to then develop the software needed for the MPEG layer 2 and 3 decoder using this extra hardware, since the original Amiga 3000 was not powerful enough on its own to play these files back.

If you want to follow along with the community still developing for this platform there’s a form post with some more detail for this specific build (although you may need to translate from German). [Wrangler] additionally points out that there are some limitations with this implementation as well, so you likely won’t get Winamp-level performance with this system, but for the Amiga fans out there it’s an excellent expansion of this computer’s capabilities nonetheless.

Thanks to [Andy] for the tip!

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An Effects Pedal For Keyboards (and Mice)

August 21, 2023 by Bryan Cockfield 4 Comments

Effects pedals for musical instruments like electric guitars can really expand a musician’s range with the instrument. Adding things like distortion, echo, and reverb at the push of a button can really transform the sound of a guitar and add depth to a performance. But [Guy] wondered why these effects should be limited to analog signals such as those from musical instruments, and set about to apply a number of effects to the use of computer keyboards and mice with this HID effects pedal.

The mouse is perhaps the closer of the two to an analog device, so the translations from the effects pedal are somewhat intuitive. Reverb causes movements in the mouse to take a little bit of extra time before coming to a stop, which gives it the effect of “coasting”. Distortion can add randomness to the overall mouse movements, but it can also be turned down and even reversed, acting instead as a noise filter and smoothing out mouse movements. There’s also a looper, which can replay mouse movements indefinitely and a crossover, which allows the mouse to act as a keyboard.

For the keyboard, included effects are a tremolo, which modulates between upper- and lower-case at certain intervals; echo, which repeats keypresses; and a pitch-shift which outputs a “higher” character in the alphabet above whichever one has been pressed. Like the mouse, there’s also a crossover mode which allows the keyboard to be used as a mouse.

The device looks and feels like an effects pedal for a guitar would, with a RP2040 inside to intercept HID information, do the signal processing, and then output the result to the computer. And, while [Guy] admits this was a fun project with not many practical uses, there are a couple handy ones including potentially the distortion effect to smooth out mouse inputs for those with neuromuscular disorders or the mouse looper to act as a mouse jiggler for those with micromanaging employers. It’s also reprogrammable, and as we’ve seen since time immemorial having a programmable foot keyboard can be extremely handy for certain workflows.

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A Quick Look At The Hilbert Transform

July 9, 2023 by Al Williams 30 Comments

While the Fourier transform gets all the attention, there are other transforms that engineers and mathematicians use to transform signals from one form to another. Sometimes you use a transform to make a signal more amenable to analysis. Other times, you do it because you want to manipulate it, and the transform is easier to change than the original signal. [Electroagenda] explains the Hilbert transform, which is often used to generate single-sideband signals.

The math behind the transformation is pretty hairy. However, if you understand the Fourier transformer, you can multiply the Fourier transform by -i sgn(ω), but that isn’t really going to help you much in a practical sense. If you don’t want to bog down in the math, skip immediately to section two of the post. That’s where it focuses more on the practical effect of the transform. You can think of the transform as a function that produces a 90 degree phase shift with a constant gain. For negative frequencies, the rotation is 90 degrees and for positive frequencies, the shift is negative.

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A Feature-Rich Amplifier Module For 3-Way Speaker Builds

March 20, 2023 by Lewin Day 22 Comments

There’s something rewarding about building your own DIY audio hardware. Knowing you put it together yourself gives you faith in the construction, and psychosomatically makes the music sound all that much sweeter. If you’re into that kind of thing, you might like to give [Eric Sorensen’s] Denmark amplifier module a look.

The amplifier is intended to be used in a 3-way system, running a subwoofer, woofer, and tweeter. It uses a 1000 W ICEpower module to run the subwoofer, with a pair of 500W ICEpower modules to run the woofer and tweeter respectively. Meanwhile, a MiniDSP 2x4HD is used to accept optical audio input. It also offers digital signal processing and serves as a crossover to split the signal across the three speakers. An STM32F401 is used to run the show, controlling all the various modules and the necessary status LEDs. It’s a feature-rich build, too, with overtemperature monitoring, fan control, and clipping warnings built in.

The whole setup is built on to a sturdy aluminium backplate. The CNC-machined panel has simple tactile buttons for control. There’s also a nifty use of clear PETG 3D printer filament as a light pipe for LEDs. It’s effective, and it looks great. The whole module is designed to slide into the bottom of a 3-way speaker housing like a drawer.

Overall, if you’re building a big set of 3-way speakers, you might find the Denmark amplifier module is perfect for your needs. Alternatively, you could experiment with a different kind of speaker entirely. Video after the break.

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Ploopy Builds Open Source RP2040-Powered Headphones And You Can Too!

February 15, 2023 by Dave Rowntree 16 Comments

We’ve seen many DIY headphones projects on these fair pages over the years, but not many that are quite as DIY as the Ploopy Headphones. What makes this project interesting is the sheer depth of the construction, with every single part being made from what we might call base materials. Materials such as 3D printer filament, foam and felt, and the usual metallic vitamins.

The electronics are fairly straightforward, with an RP2040 functioning as the USB audio interface and equalizer function. Audio samples are emitted as I²S into a PCM3050 24-bit stereo codec which generates a pair of differential output audio signals. These are then converted from differential to single-ended signals and passed on to the coil drivers. The coil drivers consist of no fewer than eight-paralleled opamps per channel. All of this is powered by the USB-C connection to the host computer. Whilst a kit of parts is available for this, you can make your own if you wish, as the full source (Altium designer needed for tweaks) is available on the Ploopy headphone GitHub.

Many DIY headphone builds would likely be using off-the-shelf speaker units, with large parts of the ear cups being taken from spare parts kits for commercial offerings. But not the Ploopy. The drivers are constructed from flex PCB coils with a standard TRRS jack on each side. Magnets for these coils to react against are held in a 3D-printed frame that is attached to the outer cover. The coils are aligned with a special jig and bonded to the ‘driver foam’ with some 3M VHB tape.

The ear cups are constructed with some 3D printed rings, foam pieces, and simple woven material. The resonator plates push into the inner side of the cup, and the assembly simply screws to the driver assembly. The incredibly detailed assembly wiki makes it look easy, but we reckon there are a few tricky steps in there to trip the unwary. The headband again consists of printed spring sections, some woven material, and foam with a few metallic vitamins thrown in. That makes it sounds simple, but it isn’t.

On the whole the build looks fantastic, but what does it sound like? The Ploopy team has tested them against a pair of Sennheiser HDRXX giving a broadly comparable response, but we’re no audio experts, and the proof, as always, is in the wearing. This project seems to be the ultimate in audio tweakability, with the punchy RP2040 capable of running six audio filters at the full 48 KHz, 16-bit audio, though, the PCM3050 is capable of more.

Want to build some headphones, but need a Bluetooth interface? We got you covered. Can 3D printed headphones ever compare to the big names? We’ll see.

An Open Hardware Eurorack Compatible Audio FPGA Front End

February 13, 2023 by Dave Rowntree 4 Comments

[Sebastian Holzapfel] has designed an audio frontend (eurorack-pmod) for FPGA-based audio applications, which is designed to fit into a standard Eurorack enclosure. The project, released under CERN Open-Hardware License V2, is designed in KiCAD using the AK4619VN four-channel audio codec by Asahi Kasei microdevices. (And guess what folks, there’s plenty of those in stock!) Continue reading “An Open Hardware Eurorack Compatible Audio FPGA Front End” →

Count Leading Zeros For Efficient Logarithms

February 7, 2023 by Chris Lott 14 Comments

[Ihsan Kehribar] points out a clever trick you can use to quickly and efficiently compute the logarithm of a 32-bit integer. The technique relies on the CLZ instruction which counts the number of leading zeros in a machine word and is available in many modern processors. Typical algorithms used to compute logarithms are not quick and have a variable execution time depending on the input value. The technique [Ihsan] is using is both fast and has a constant run time.

The above equation summarized the math behind the algorithm. We get the first term easily using the CLZ instruction. Using the remainder and a pre-computed lookup table, it is possible to get the second term to various degrees of accuracy, depending on how big you make the table and whether or not you take the performance hit of interpolation or not — those of a certain age will no likely groan at the memory of doing interpolation by hand from logarithm tables in high school math class. [Ihsan] has posted an MIT-licensed implementation of this technique in his GitHub repository, which includes both the C-language algorithm and Python tools to generate the lookup table and evaluate the errors.

Why would you do this? Our first thought was real-time streaming DSP operations, where you want fast and deterministic calculations, and [Ihsan]’s specifically calls out embedded audio processing as one class of such applications. And he should know, after all, since he developed a MIDI capable polyphonic FM synthesizer on a Cortex M0 that we covered way back in 2015.