Almost every product on the market has been through the hands of an industrial designer at some point in its development. From the phone in your pocket to the car in your driveway or the vacuum in your closet, the way things look and work is the result of a careful design process. Taking a look inside that process, like with this wireless phone charger concept, is fascinating and can yield really valuable design insights.
We’ve featured lots of [Eric Strebel]’s work before, mainly for the great fabrication tips and tricks he offers, like how to get a fine painted finish or the many uses of Bondo. But this time around, he walks us through a condensed version of his design process for a wireless phone charger and stand. His client had specific requirements, like being able to have the phone held up in landscape or portrait mode, so he started with pen and paper and sketched some ideas. A swiveling cylinder seemed to fit the bill, and after a quick mockup in PVC pipe, he started work on a full-size prototype in urethane foam. There are some great fabrication tips in the video below, mainly centered on dealing with not owning a lathe.
The thing for us with all of [Eric]’s videos, but especially this one, is seeing the design process laid out, from beginning to (almost) the end. He sure makes industrial design look like a cool gig, one that would appeal to the Jacks- and Jills-of-all-trades who hang out around here.
There’s an old saying that goes “If you can’t beat ’em, join ’em”, but around these parts a better version might be “If you can’t buy ’em, make ’em”. A rather large portion of the projects that have graced these pages have been the product of a hacker or maker not being able to find a commercial product to fit their needs. Or at the very least, not being able to find one that fit their budget.
GitHub user [harout] was in the market for some rubber stamps to help children learn the Armenian alphabet, but couldn’t track down a commercially available set. With a 3D printer and some OpenSCAD code, [harout] was able to turn this commercial shortcoming into a DIY success story.
Rather than having to manually render each stamp, he was able to come up with a simple Bash script that calls OpenSCAD with the “-D” option. When this option is passed to OpenSCAD, it allows you to override a particular variable in the .scad file. A single OpenSCAD file is therefore able to create a stamp of any letter passed to it on the command line. The Bash script uses this option to change the variable holding the letter, renders the STL to a unique file name, and then moves on to the next letter and repeats the process.
This procedural generation of STLs is a fantastic use of OpenSCAD, and is certainly not limited to simple children’s stamps. With some improvements to the code, the script could take any given string and font and spit out a ready to print mold.
With a full set of letter molds generated, they could then be printed out and sealed with a spray acrylic lacquer. A mold release was applied to each sealed mold, and finally they were filled with approximately 200ml of Simpact urethane rubber from Smooth-On. Once the rubber cures, he popped them out of the molds and glued them onto wooden blocks. The end result looks just as good as anything you’d get from an arts and crafts store.
Mini Sumo seems like one of those hobbies that starts out innocently enough, and ends up with a special room in the house dedicated to it. One day you’re excitedly opening up your first Basic Stamp kit, and the next you’re milling out mini molds on a mini lathe to make mini extra sticky tires.
[Dave] started out trying to find a part from the local big box store that was just a little bigger than the wheel he wanted to rubberize. He set the wheel inside a plumbing cap and poured the urethane in. It worked, but it required a lot of time with a sharp knife to carve away the excess rubber.
In the meantime he acquired a Sherline Mini Mill and Lathe. With the new tools available to him, he made a new mold out of a bit of purple UHMW and some acrylic. This one produced much nicer results. Using a syringe he squeezed resin into the mold through a hole in the acrylic. Much less cleanup was needed.
I’m writing a series of articles on resin casting as an extension to my experiences with the instructions found in the wonderful Guerrilla Guide. However, mistakes were made. Having run out of my usual mold release I went to a back-up jar that was lying around from a casting project long, long ago in a workshop far, far away.
I’m refining a technique of making a mold the quick and dirty way. Everything was going well, the sprues looked good and the master released from the silicone. It was time to do the second half of the mold. As usual I applied a generous amount of mold release. Since it was the first time this mold was to be used I went ahead and did all the proper steps. Rubbing off the dried release and applying a few more coats just to be sure.
I was completely unaware that I was applying mold release designed for urethane molds only. In other words I thoroughly covered my silicone mold in silicone bonding agents. I remained unaware until trying to separate the halves of the mold and found them thoroughly joined. After going through the stages of grief I finally figured out where it all went wrong.
Oh well. I’m ordering some of my regular pick, Stoner A324, and that should do the trick. There’s also Mann- Ease Release 200. While having probably the best name a release agent can have, it doesn’t work as well and needs approximately 100 years to dry. After this setback I’d rather just, grudgingly, learn my lesson and order the correct thing.
So now that we know the right way to fix this is to order the right product, is there a hack to get around it? Does anyone have a homebrew trick for release agent that can be used in a pinch? Leave your comments below.