Dirty Video Mixing With The Raspberry Pi Zero

Don’t get too excited now, we aren’t talking about that kind of dirty video. There’s plenty of other places on the Internet you can go to find that sort of thing. No, this video mixer is “dirty” because it combines two composite video streams into one garbled up mess that’s best viewed on an old CRT TV. Why, you may ask? Because rock and roll, that’s why.

Created by [Luke Blackford] as a visual for his band’s performances, the “Dirty Pi” is an exceptionally simple way to create some wild imagery with two Raspberry Pi Zeros. It might not be the most practical of devices, but if you want so throw some creepy looking video up on screens all over the house (say for an upcoming Halloween party), this is a fantastic way to do it on the cheap.

The idea is simple: connect the oft-forgotten composite video outputs of two Pi Zeros to a potentiometer, which then leads to the display. Play different videos on the Pis with the media player of your choice, and twiddle the potentiometer to create ghosting and interference. If you want to get that true 1980’s retro feel, put the whole thing into an old VHS cassette like [Luke] did, and you’re ready to rock.

Those who’ve been around the block a few times might recognize this trick as a variation of the [Karl Klomp] Dirty Video Mixer, and [Luke] tells us he likes this project because he was able to pull it off without writing any code or even doing any complex wiring, though he does imagine a future version where he adds some remote control functionality.

If you like your video mixers with more smarts and less dirt, we’ve covered a very slick build using the LM1881 in the past.

Continue reading “Dirty Video Mixing With The Raspberry Pi Zero”

The Magic Flute Of Rat Mind Control Aims To Mix Magic And Science

Well this is unusual. Behold the Magic Flute of Rat Mind Control, and as a project it is all about altering the response to the instrument, rather than being about hacking the musical instrument itself. It’s [Kurt White]’s entry to the Musical Instrument Challenge portion of The Hackaday Prize, and it’s as intriguing as it is different.

The Raspberry-Pi controlled, IoT Skinner box for rats, named Nicodemus.

[Kurt] has created a portable, internet-connected, automated food dispenser with a live streaming video feed and the ability to play recorded sounds. That device (named Nicodemus) is used as a Skinner Box to train rats — anywhere rats may be found — using operant conditioning to make them expect food when they hear a few bars of Black Sabbath’s Iron Man played on a small recorder (which is a type of flute.)

In short, the flute would allow one to summon hordes of rats as if by magic, because they have been trained by Nicodemus to associate Iron Man with food.

Many of the system’s elements are informed by the results of research into sound preference in rats, as well as their ability to discriminate between different melodies, so long as the right frequencies are present. The summoning part is all about science, but what about how to protect oneself from the hordes of hungry rodents who arrive with sharp teeth and high expectations of being fed? According to [Kurt], that’s where the magic comes in. He seems very certain that a ritual to convert a wooden recorder into a magic flute is all the protection one would need.

Embedded below is something I’m comfortable calling the strangest use case video we’ve ever seen. Well, we think it’s a dramatized use case. Perhaps it’s more correctly a mood piece or motivational assist. Outsider Art? You decide.

Continue reading “The Magic Flute Of Rat Mind Control Aims To Mix Magic And Science”

GE Record Player and TV 1600x900

VinylVideo Is Literally Video On Vinyl

It’s often said that the music etched into a vinyl record takes on a transcendent quality that you simply can’t find in a digital recording, but does that still apply when you add motion picture? The collaboration of [Sengmüller and Diamant] sure think so, because they are offering a new experience for the turntable with the introduction of their VinylVideo pre-amplifier. No tape reels here, this project shows the extend of what is possible through analog video.

Vinyl Video Amp

While all record players capable of playing back 7 in. 45 RPM are compatible with the system, the VinylVideo records themselves specially cut in order to generate the video signal. Each of the custom records has room for a 4-minute music video on the A-side, and the single on the B-side. Videos play back in black & white, sub-standard definition with mono audio, and run around 12 frames per second. The pre-amp takes in the analog signal from regular audio cables via RCA jacks or 3.5mm headphone jack, and then a Raspberry Pi model A+ handles the analog-to-digital conversion. Video out options include HDMI and composite video via a 3.5mm TRSS jack.

The current VinylVideo pre-amp is actually a refinement of the original project from the mid ’90s where it was a part of folk art exhibits. The legacy website (circa 1999) is still live, so you can give it a visit. However, for the most authentic experience you may want to fire-up a virtual machine with Netscape Navigator and Real Player installed.

For a more in-depth look at the VinylVideo in action there is a great video below from [Techmoan]:

Continue reading “VinylVideo Is Literally Video On Vinyl”

Trebucheting Tennis Balls At 124 MPH

A trebuchet is one of the older machines of war. It’s basically a sling on a frame, with a weight that you can lift up high and which pulls the sling arm over on release. Making one opens up the doors to backyard mayhem, but optimizing one opens up the wonders of physics.

[Tom Stanton] covers just about everything you need to know about trebuchet building in his four-part video series. Indeed, he sums it up in video two: you’ve got some potential energy in the weight, and you want to transfer as much of that as possible to the ball. This implies that the optimal path for the weight would be straight down, but then there’s the axle in the way.  The rest, as they say, is mechanical engineering.

Video three was the most interesting for us. [Tom] already had some strange arm design that intends to get the weight partially around the axle, but he’s still getting low efficiencies, so he builds a trebuchet on wheels — the classic solution. Along the way, he takes a ton of measurements with Physlets Tracker, which does video analysis to extract physical measurements. That tip alone is worth the price of admission, but when the ball tops out at 124 mph, you gotta cheer.

In video four, [Tom] plays around with the weight of the projectile and discovers that he’s putting spin on his tennis ball, making it curve in flight. Who knew?

Anyway, all four videos are embedded below. You can probably skip video one if you already know what a trebuchet is, or aren’t interested in [Tom] learning that paying extra money for a good CNC mill bit is worth it. Video two and three are must-watch trebucheting.

We’re a sad to report that we couldn’t find any good trebuchet links on Hackaday to dish up. You’re going to have to settle for a decade-old catapult post or this sweet beer-pong-playing robotic arm. You can help. Submit your trebuchet tips.

Thanks [DC] for this one!

Continue reading “Trebucheting Tennis Balls At 124 MPH”

The Photo Lab That Flew To The Moon

When planning a trip by car these days, it’s pretty much standard practice to spin up an image of your destination in Google Maps and get an idea of what you’re in for when you get there. What kind of parking do they have? Are the streets narrow or twisty? Will I be able to drive right up, or will I be walking a bit when I get there? It’s good to know what’s waiting for you, especially if you’re headed someplace you’ve never been before.

NASA was very much of this mind in the 1960s, except the trip they were planning for was 238,000 miles each way and would involve parking two humans on the surface of another world that we had only seen through telescopes. As good as Earth-based astronomy may be, nothing beats an up close and personal look, and so NASA decided to send a series of satellites to our nearest neighbor to look for the best places to land the Apollo missions. And while most of the feats NASA pulled off in the heyday of the Space Race were surprising, the Lunar Orbiter missions were especially so because of how they chose to acquire the images: using a film camera and a flying photo lab.

Continue reading “The Photo Lab That Flew To The Moon”

Need A Tiny CRT? Karaoke Might Just Help

[Brett] is working on a video installation, and for the past few months, has been trying to get his hands on tiny CRTs any way he can. After initially coming up short, he happened across a karaoke machine from 2005, and got down to work.

Karaoke machines of this vintage are typically fairly low-rent affairs, built cheaply on simple PCBs. [Brett] found that the unit in question was easy to disassemble, having various modules on separate PCBs joined together with ribbon cables and headers. However, such machines rarely have video inputs, as they’re really only designed to display low-res graphics from CD-G format discs.

While investigating the machine, initial research online proved fruitless. In the end, a close look at the board revealed just what [Brett] was looking for – a pin labeled video in! After throwing in a Raspberry Pi Zero and soldering up the composite output to the karaoke machine’s input pin, the screen sprung to life first time! This initial success was followed by installing a Raspberry Pi 3 for more grunt, combined with a Screenly install – and a TRS adapter the likes of which we’ve never seen before. This allows video to be easily pushed to the device remotely over WiFi. [Brett] promises us there is more to come.

Karaoke is a sparse topic in the Hackaday archives, but we’ve seen a couple builds, like this vocal processor. If you’ve got the hacks, though? You know where to send ’em.

Philo Farnsworth, RCA, And The Battle For Television

The parenthood of any invention of consequence is almost never cut and dried. The natural tendency to want a simple story that’s easy to tell — Edison invented the light bulb, Bell invented the telephone — often belies the more complex tale: that most inventions have uncertain origins, and their back stories are often far more interesting as a result.

Inventing is a rough business. It is said that a patent is just a license to get sued, and it’s true that the determination of priority of invention often falls to the courts. Such battles often pit the little guy against a corporate behemoth, the latter with buckets of money to spend in making the former’s life miserable for months or years. The odds are rarely in the favor of the little guy, but in few cases was the deck so stacked against someone as it was for a young man barely out of high school, Philo Farnsworth, when he went up against one of the largest companies in the United States to settle a simple but critical question: who invented television?

Continue reading “Philo Farnsworth, RCA, And The Battle For Television”