Ever since Jimi Hendrix brought guitar distortion to the forefront of rock and roll, pedals to control the distortion have been a standard piece of equipment for almost every guitarist. Now, there are individual analog pedals for each effect or even digital pedals that have banks of effects programmed in. Distortion is just one of many effects, and if you’ve built your own set of pedals for each of these, you might end up with something like [Brian]: a modular guitar pedal rack.
Taking inspiration from modular synthesizers, [Brian] built a rack out of wood to house the pedal modules. The rack uses 16U rack rails as a standard, with 3U Eurorack brackets. It looks like there’s space for 16 custom-built effects pedals to fit into the rack, and [Brian] can switch them out at will with a foot switch. Everything is tied together with MIDI and is programmed in Helix. The end result looks very polished, and helped [Brian] eliminate his rat’s nest of cables that was lying around before he built his effects rack.
MIDI is an extremely useful protocol for musicians and, despite being around since the ’80s, doesn’t show any signs of slowing down. If you want to get into it yourself, there are all kinds of ways that you can explore the studio space, even if you play an instrument that doesn’t typically use MIDI.
If you are a musician and you are also a Hackaday reader, there’s a good chance you’ll own at least one MIDI instrument. A synthesizer of some description, maybe a keyboard, or perhaps a drum machine. A pipe organ? Probably not.
If you answer to the name of [Wendell Kapustiak] though, you’d say yes to that question. He’s built himself a beautiful pipe organ from scratch, with hand-tuned wooden pipes, and for a modern touch he’s made it MIDI controlled. An Arduino Due sends its commands to a set of solenoid drivers, the solenoids then control the air flow from his wind chest through a set of plastic tubes to his organ pipes. Air supply comes from a shop vac in a sound-insulated box, with a pressure regulating chamber. The result is not perfect, he believes that the pipes are too close together and this somehow makes them difficult to tune, but to an outsider’s eye it’s a pretty impressive instrument.
[Wendell] is both a skilled and prolific maker, and his blog is rather a good read. The organ project is spread over a few years, so to get the full picture it is best to read his previous posts on the subject as well as the one first linked. He recounts his early experiments as well as giving us details of the electronics and the pipes. He’s put up a video showing the completed instrument which you can see below the break, and another more recently showing a recent one-LED-per-note modification.
Continue reading “A Pipe Organ For The MIDI Generation”
MIDI is a great tool for virtually any musician. Unless you’re a keyboard player, though, it might be hard to use it live. [Evan] recently came up with a great solution for all of the wistful guitar players out there who have been dreaming of having a MIDI interface as useful as their pianist brethren, though. He created a touchless MIDI controller that interfaces directly with a guitar.
Continue reading “Touchless MIDI: The Secret’s In the Mitten”
Comedian Mitch Hedberg had a theory about Pringles potato chips. His theory is the company formed to make tennis balls. But instead of a truckload of rubber, someone accidentally sent them potatoes, so they made the best of it. Certainly the Pringles can is an iconic brand all by itself. The cans also have a lot of hacker history, since they are commonly used for WiFi cantennas (even though it might not be the best choice of cans). People also use them to build pinhole cameras, macro lenses, and a variety of cannon-like devices.
[Ian H] uses the short Pringles cans to build a drum kit. Clearly, the little cans aren’t going to make very much sound on their own, but with a piezo speaker element used in reverse, the cans become touch sensors that feed an Arduino and drive a MIDI device. You can see a video of the result, below.
Continue reading “Drum on a Chip–Not That Kind of Chip”
Do any of you stay awake at night agonizing over how the keytar could get even cooler? The 80s are over, so we know none of us do. Yet here we are, [James Cochrane] has gone out and turned a HP ScanJet Keytar for no apparent reason other than he thought it’d be cool. Don’t bring the 80’s back [James], the world is still recovering from the last time.
Kidding aside (except for the part of not bringing the 80s back), the keytar build is simple, but pretty cool. [James] took an Arduino, a MIDI interface, and a stepper motor driver and integrated it into some of the scanner’s original features. The travel that used to run the optics back and forth now produce the sound; the case of the scanner provides the resonance. He uses a sensor to detect when he’s at the end of the scanner’s travel and it instantly reverses to avoid collision.
A off-the-shelf MIDI keyboard acts as the input for the instrument. As you can hear in the video after the break; it’s not the worst sounding instrument in this age of digital music. As a bonus, he has an additional tutorial on making any stepper motor a MIDI device at the end of the video.
If you don’t have an HP ScanJet lying around, but you are up to your ears in surplus Commodore 64s, we’ve got another build you should check out.
[Folkert van Heusden] sent us in his diabolical MIDI device. Ardio is a MIDI synthesizer of sorts, playing up to sixteen channels of square waves, each on its separate Arduino output pin, and mixed down to stereo with a bunch of resistors. It only plays square waves, and they don’t seem to be entirely in tune, but it makes a heck of a racket and makes use of an interesting architecture.
Ardio is made up of three separate el cheapo Arduino Minis, because…why not?! One Arduino handles the incoming MIDI data and sends note requests out to the other modules over I2C. The voice modules receive commands — play this frequency on that pin — and take care of the sound generation.
None of the chips are heavily loaded, and everything seems to run smoothly, despite the amount of data that’s coming in. As evidence, go download [Folkert]’s rendition of Abba’s classic “Chiquitita” in delicious sixteen-voice “harmony”. It’s a fun exercise in using what’s cheap and easy to get something done.
Sequencers allow you to compose a melody just by drawing the notes onto a 2D grid, virtually turning anyone with a moderate feel for pitch and rhythm into an electronic music producer. For [Yuvi Gerstein’s] large-scale grid MIDI sequencer GRIDI makes music making even more accessible.
Instead of buttons, GRIDI uses balls to set the notes. Once they’re placed in one of the dents in the large board, they will play a note the next time the cursor bar passes by. 256 RGB LEDs in the 16 x 16 ball grid array illuminate the balls in a certain color depending on the instrument assigned to them: Drum sounds are blue, bass is orange and melodies are purple.
Underneath the 2.80 x 1.65 meters (9.2 x 4.5 foot) CNC machined, sanded and color coated surface of the GRIDI, an Arduino Uno controls all the WS2812 LEDs and reads back the switches that are used to detect the balls. A host computer running Max/MSP synthesizes the ensemble. The result is the impressive, interactive, musical art installation you’re about to see in the following video. What better tune to try out first than that of Billie Jean whose lighted sidewalk made such an impression on the original music video.
Continue reading “Orbs Light to Billie Jean on this Huge Sequencer”