Musical Hacks

1470 Articles

DIY Music Controllers For Raging With Machines

December 9, 2019 by 13 Comments

[Tristan Shone], aka Author & Punisher, found a way to make industrial music even heavier. This former mechanical engineer from Boston crafted his one-man band in the university fab labs of Southern California while pursing an art degree. He started machining robust custom MIDI controllers that allow him to get physical while performing, instead of hunching over tiny buttons and trying to finesse microscopic touch pad-style pitch sliders.

Starting about ninety seconds into the video after the break, [Tristan] explains his set up and walks through each of his handmade controllers, all of which are built on Arduinos and Raspberry Pis.

Our favorite is probably Grid Iron, because it looks like the most fun. Grid Iron is a rhythm controller that works by running back and forth and side-to-side over a grid of machined textures that act like speed bumps. A spring-loaded stylus picks up the textures, and an encoder translates them to sound. Eight buttons along the 3D-printed pistol grip let [Tristan] make changes on the fly.

Tired of twiddling tiny knobs, [Tristan] made Big Knobs, a set of three solid aluminum knobs that look to be 3-4″ in diameter. These are assigned jobs like delay and filter, and their weight combined with ball bearings allows them to spin almost indefinitely while [Tristan] injects other sounds into the mix.

[Tristan] has made a few custom microphones to make the most of his voice. One is a trachea mic made from four piezos strapped to his throat that picks up every possible vocal utterance and other guttural sounds quite nicely. The other is an 8-pack of mics built into a curved metal box. He can assign a different effect to each one and do things like turn a breathy scream into the sounds of swelling cymbals.

There are more machines not covered in the video, and you can read about those on [Tristan]’s site. In a bonus video after the break, [Tristan] discusses a trio of pneumatically-driven mask controllers he made.

Don’t have a machine shop at your disposal? Dig out that fidget spinner and get moving on your own MIDI controller.

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Guitar Effect Built From An Old Record Player

December 9, 2019 by 4 Comments

With little more than a gutted record player, a light bulb, and the legendary 555 timer IC, [Jacob Ellzey] has constructed this very slick optical tremolo effect for his guitar. By modulating the volume of the input signal, the device creates the wavering effect demonstrated in the video after the break.

The key is a vinyl record with large tabs cut out of it. As the record spins, these voids alternately block and unblock a small incandescent bulb. A common GL5537 photoresistor, mounted on the arm that originally held the player’s needle, picks up the varying light levels and passes that on to the electronics underneath the deck. An important note here is that different spacing and sizing of the cutouts will change the sound produced by the effect. [Jacob] has already produced a few different designs and plans on experimenting with more now that the electronics are completed.

Under the hood there’s a voltage divider and low gain amplifier connected to the photoresistor, and also a 555 timer circuit that’s driving the incandescent bulb. Once he was done fiddling with them, the circuit was moved to a neat little protoboard. A pair of potentiometers mounted through the side of the record player allow for adjusting the depth of the effect itself, as well as the output volume. Naturally, there’s also an external foot pedal that allows keying the effect on and off without taking your hands from the guitar.

As is usually the case, everything was going well on this project until the final moments, when [Jacob] found that the circuit and bulb were both browning out when powered from the same transformer. As a quick fix, he gutted a Keurig and used its transformer to drive the light bulb by itself. With independent power supplies, he was ready to rock.

Of course this isn’t the first time we’ve seen a piece of consumer electronics modified into a guitar effect, but if you’re looking for something a bit more built for purpose, there’s plenty of high-tech options to keep you busy.

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Sara Adkins Is Jamming Out With Machines

December 4, 2019 by 1 Comment

Asking machines to make music by themselves is kind of a strange notion. They’re machines, after all. They don’t feel happy or hurt, and as far as we know, they don’t long for the affections of other machines. Humans like to think of music as being a strictly human thing, a passionate undertaking so nuanced and emotion-based that a machine could never begin to understand the feeling that goes into the process of making music, or even the simple enjoyment of it.

The idea of humans and machines having a jam session together is even stranger. But oddly enough, the principles of the jam session may be exactly what machines need to begin to understand musical expression. As Sara Adkins explains in her enlightening 2019 Hackaday Superconference talk, Creating with the Machine, humans and machines have a lot to learn from each other.

To a human musician, a machine’s speed and accuracy are enviable. So is its ability to make instant transitions between notes and chords. Humans are slow to learn these transitions and have to practice going back and forth repeatedly to build muscle memory. If the machine were capable, it would likely envy the human in terms of passionate performance and musical expression.

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Dub Siren Synth Does It The Old School Way

November 29, 2019 by 18 Comments

There’s little that can compare to the sheer obnoxious thrill of mashing the DJ siren when its your turn behind the decks. We’ve certainly been guilty of abusing the privilege at local house parties, and unsurprisingly have not been invited back. If we ever get another shot, though, we’d be glad to have [lonesoulsurfer]’s dub siren at the ready.

This is a build for the old-school purists. There’s no microcontrollers or digital hardware here. The synth relies on two 555 timer ICs as the oscillators and an LM741 op-amp. These parts harken right back to the dawn of the integrated circuit era, and still do a great job in this application. There’s also a cheap reverb/echo module added in to fatten up the sound. It’s all laced up in an old CB radio enclosure, with the classic woodgrain applique doing much to add to the aesthetic.

It’s a build that’s simple enough for the electronics beginner, and would make a great tactile, analog addition to any DJ’s rig. If you need some wubwubs to go with your woowoos, then consider building a Ball of Dub, too.

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Echo And Reverb In A Pretty Little Box

November 22, 2019 by 4 Comments

These days, if there’s a chip worth using, there will be a cheap pre-built module on eBay to make using it even easier. It’s a great time saver, and projects that used to take a couple of weekends can now be completed in a rainy afternoon. [lonesoulsurfer] knows how it is, and took advantage of this very approach to build this tidy echo & reverb effects box.

The build starts with a PT2399 echo/delay line module sourced of eBay, a part that we’ve learned much about thanks to the hard work of others. A resistor is cut off the board, enabling echo as well as reverb functionality. It’s laced up in a box with a couple of pots and a switch to control the effect, and hooked up with 6.5mm audio jacks to enable it to be easily used with guitars, synths, or karaoke machines.

It’s a fun build, and one that could serve as as a useful component in a larger setup. Adding a 3PDT switch could make it more useful as a guitar pedal, or it could be integrated into a Eurorack module, too. We’d particularly love to see the results possible from stuffing five of the modules in a single box and routing them into each other in new and exciting ways. If you pull that off, drop us a line.

Thea Flowers – Creating A Sega-Inspired Hardware Synthesizer From The Ground Up

November 22, 2019 by 5 Comments

For those who grew up with video games, the legendary sounds of consoles past are an instant nostalgia hit. [Thea Flowers] first got her hands on a gamepad playing Sonic the Hedgehog, so the sounds of the Sega Genesis hold a special place in her heart. Decades later, this inspired the creation of Genesynth, a hardware synth inspired by the classic console. The journey of developing this hardware formed the basis of [Thea]’s enlightening Supercon talk.

[Thea’s] first begins by exploring why the Genesis sound is so unique. The Sega console slotted neatly into a time period where the company sought to do something more than simple subtractive synthesis, but before it was possible to use full-waveform audio at an affordable price point. In collaboration with Yamaha, the YM2612 FM synthesis chip was built, a cost-reduced sound engine similar to that in the famous DX7 synthesizer of the 1980s. This gave the Genesis abilities far beyond the basic bleeps and bloops of other consoles at the time, and [Thea] decided it simply had to be built into a dedicated hardware synth.

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Music Box Paper-Punching Machine Settles The Score

November 15, 2019 by 11 Comments

As soon as [pashiran] laid eyes on his first hand-cranked music box, he knew he was in love. Then, he started punching the holes for his first ditty. As the repetitive stress of punching heated up his arm, his love cooled a bit. Annealed by the ups and downs of this experience, he decided to design a machine that can punch the holes automatically.

Soon, [pashiran] found his people — a community of music boxers that transform MIDI files to DXF format, which creates coordinates for CAD software. In [pashiran]’s music puncher, an Arduino MEGA takes a DXF file and bubble-sorts the jumble of x-coordinates. The MEGA conducts a trio of two stepper motors and DC motor. One stepper pushes the paper through on the x-axis, and the other moves the puncher head back and forth across the paper scroll as the y-axis. The DC motor moves the punch up and down.

Now, paired with [Martin] of [Wintergatan]’s method for chaining music box paper together, [pashiran] can write a prog-rock-length opus without fear of repetitive stress injury. And since he’s published the STL and INO files, now you can, too. Watch it punch and play 250 notes worth of “See My Vest” “Be Our Guest” after the break.

There’s more than one way to avoid manually punching all those holes. When [Wintergatan] was wrestling this problem, he inspired the hacker community to create a MIDI-to-laser-cut-stencil solution.

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