The Arduino Foundation: What’s Up?

June 19, 2017 by Elliot Williams 65 Comments

The Arduino Wars officially ended last October, and the new Arduino-manufacturing company was registered in January 2017. At the time, we were promised an Arduino Foundation that would care for the open-source IDE and code infrastructure in an open and community-serving manner, but we don’t have one yet. Is it conspiracy? Or foul play? Our advice: don’t fret. These things take time.

But on the other hand, the Arduino community wants to know what’s going on, and there’s apparently some real confusion out there about the state of play in Arduino-land, so we interviewed the principals, Massimo Banzi and Federico Musto, and asked them for a progress report.

The short version is that there are still two “Arduinos”: Arduino AG, a for-profit corporation, and the soon-to-be Arduino Foundation, a non-profit in charge of guiding and funding software and IDE development. The former was incorporated in January 2017, and the latter is still in progress but looks likely to incorporate before the summer is over.

Banzi, who is a shareholder of Arduino AG, is going to be the president of the Foundation, and Musto, AG’s CEO, is going to be on the executive board and both principals told us similar visions of incredible transparency and community-driven development. Banzi is, in fact, looking to get a draft version of the Foundation’s charter early, for comment by the community, before it gets chiseled in stone.

It’s far too early to tell just how independent the Foundation is going to be, or should be, of the company that sells the boards under the same name. Setting up the Foundation correctly is extremely important for the future of Arduino, and Banzi said to us in an interview that he wouldn’t take on the job of president unless it is done right. What the Arduino community doesn’t need right now is a Foundation fork. Instead, they need our help, encouragement, and participation once the Foundation is established. Things look like they’re on track.

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Intel Discontinues Joule, Galileo, And Edison Product Lines

June 19, 2017 by Jenny List 195 Comments

Sometimes the end of a product’s production run is surrounded by publicity, a mix of a party atmosphere celebrating its impact either good or bad, and perhaps a tinge of regret at its passing. Think of the last rear-engined Volkswagens rolling off their South American production lines for an example.

Then again, there are the products that die with a whimper, their passing marked only by a barely visible press release in an obscure corner of the Internet. Such as this week’s discontinuances from Intel, in a series of PDFs lodged on a document management server announcing the end of their Galileo (PDF), Joule (PDF), and Edison (PDF) lines. The documents in turn set out a timetable for each of the boards, for now they are still available but the last will have shipped by the end of 2017.

It’s important to remember that this does not mark the end of the semiconductor giant’s forray into the world of IoT development boards, there is no announcement of the demise of their Curie chip, as found in the Arduino 101. But it does mark an ignominious end to their efforts over the past few years in bringing the full power of their x86 platforms to this particular market, the Curie is an extremely limited device in comparison to those being discontinued.

Will the departure of these products affect our community, other than those who have already invested in them? It’s true to say that they haven’t made the impression Intel might have hoped, over the years only a sprinkling of projects featuring them have come our way compared to the flood featuring an Arduino or a Raspberry Pi. They do seem to have found a niche though where there is a necessity for raw computing power rather than a simple microcontroller, so perhaps some of the legion of similarly powerful ARM boards will plug that gap.

So where did Intel get it wrong, how did what were on the face of it such promising products fizzle out in such a disappointing manner? Was the software support not up to scratch, were they too difficult to code for, or were they simply not competitively priced in a world of dirt-cheap boards from China? As always, the comments are open.

Header image: Mwilde2 [CC BY-SA 4.0].

Fail Of The Week: Museum Buttons

June 16, 2017 by Bob Baddeley 107 Comments

Museum exhibits are difficult to make, and they’re always breaking down; especially the interactive ones. This is a combination of budget, building a one-off, and the incredibly harsh abuse they take from children.

My first exhibit is an interactive laser show that turns waveforms from music into laser patterns, and different types of music have very different patterns. I knew from talking to the museum staff that industrial buttons were a necessity, but it turns out that industrial buttons are made under the assumption that tiny creatures won’t be constantly mashing, twisting, and (ew ew ew) licking the buttons. After a while, the buttons (and poor knob) were trashed.

Buttons at toddler level are in a vulnerable position.

The second exhibit is also interactive, but in this case it’s just a simple button that turns on a thing for a while, then shuts it off. You can read more about the Periodic Table of Motion on the project page. Here I thought; let’s use capacitive touch, put the sensor behind two layers of acrylic for protection, and then there won’t be any moving parts to break. I built a bunch of units, tested it for weeks, then installed it. Instant failure despite my diligence.

Something is different about the installation from my test environment. It might be the second layer of acrylic contributing. Maybe it’s the power supply and a strange ground issue. Maybe the room’s fluorescent lights are creating an electromagnetic field that is interrupting the sensor, or the carpet is causing static buildup that is somehow causing the midichlorians to reverse polarity and discharge through the base plate of prefabulated aluminite. In some of the cells, the button doesn’t work. In other cells it is extremely sensitive. In one column of the table (columns share a common piece of acrylic among 5 cells), a single touch will trigger all 5.

The circuit is an ATtiny with a 2.2M resistor between two pins, one of which connects via a short wire to a soldered connection to a piece of copper tape on the underside of an acrylic piece. The ATtiny is using the capsense library, which has features for automatic recalibration. Because of the way it is installed, I can’t reprogram them to adjust their sensitivity while inside the enclosure, so tweaking them post-install is not an option. I thought I could isolate the problem and use an existing capacitive touch sensor breakout of the AT42QT1010 hooked up to just power, but it had the exact same issue, meaning it’s either the power supply, the enclosure, or the room.

Side-by-side tests of copper tape+Arduino and AT42QT1010 had similar problems.

There are three paths I can go down now:

Find the problem and solve it
Switch to a photoresistor
Petition Hackaday for a better solution

Finding the problem and solving it will be a long and difficult path, especially since the museum environment is somehow and inexplicably different from the test environment. The photoresistor option has promise; when the user puts their hand over the paper button the light level changes. Some early testing indicates that it is easy to detect instantaneous change, and a trailing average and adjusting threshold make it robust enough for changing lighting conditions throughout the day. Further, it’s a simple change to the code, and the existing circuit board will accommodate the adjustment.

As for the third option…

What have you done for child-compatible touch interfaces that are robust enough to handle uncertain environments and harsh abuse? What buttons, knobs, and other interactive elements have you used?

Megabots, Colliders, Rockets, Tunnels Underground, And Other Big Dumb Ideas Will Save Us

June 16, 2017 by Gerrit Coetzee 147 Comments

Humanity is a planetwide force. We have the power to change our weather. We have the power to change the shape of the land. We have the power to selectively wipe a species from this earth if we choose. We’ve had this power for a while and we’re still coming to terms with it. Many of us even deny it.

With such power, what do we do? We have very few projects which are in line with our ability. Somewhere in the past few years, I feel like most of us have lost our audacity. We’ve culturally come to appreciate the safe bet too much. We pull the dreamers and doers down. We want to solve the small problems first, and see if we have time for the big problems later. We don’t dream big enough, and there is zero reason for this hesitation. We could leverage our planetwide power for planetwide improvements. Nothing is truly stopping us. No law, no government, nothing.

To put it simply, as far as technology goes, everything is still low-hanging fruit. We’ve barely done anything. Even some of our greatest accomplishments can happen randomly in nature. We’ve not left our planet in any numbers or for any length of time. Our cities are disorganized messes. In every single field today, the unexplored territory is orders larger than the explored. Yet despite this vast territory, there are very few explorers. People want to optimize the minutia of life. A slightly faster processor for a slightly smaller phone. It’s okay.

Yet that same small optimization applied to a larger effort could have vast positive impact. Those same microprocessors could catalog our planet or drive probes into space. The very same efforts we spend on micro upgrades could be leveraged if we just look at the bigger picture then get out of our own way. All that is lacking is ambition. Money, time, skill, industry, and people are all there, waiting. We have the need for and have the resources to support ten thousand Elon Musks, not just the one.

Big projects make us bigger than our cellphones and Facebook. When you see a rocket launch into the sky, suddenly, “the world” becomes, simply, “a world.” Order of magnitude improvements reduce the order of our perception of previously complex problems. They should be our highest goal. Whatever field you’re in, you should be trying to be ten times better than the top competitor.

However, there are some societal changes that have to occur before we can.

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Cardboard And Paper Gun Shows Off Clever Construction

June 14, 2017 by Donald Papp 22 Comments

This project by [blackfish] shows off a cardboard lookalike of an MP5 that loads from a working magazine, has a functional charging handle, and flings paper projectiles with at least enough accuracy to plink some red party cups. It was made entirely from corrugated cardboard, paper, rubber bands, and toothpicks.

In the video (embedded below) you can see some clever construction techniques. For example, using a cyanoacrylate adhesive to saturate areas of wood, cardboard, or paper to give them added strength and rigidity. The video is well-edited and worth a watch to see the whole process; [blackfish] even uses a peeled piece of cardboard — exposing the corrugated part — as a set of detents (6:56) to retain the magazine.

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Designing Your Project To Scale: Crossing The Chasm

June 14, 2017 by Bob Baddeley 21 Comments

Hackaday is all about the neat hacks and the repurposing of old components into new projects, but many people then try to take those projects and turn them into businesses. We’ve seen lots of people offer their stuff as kits and sell them on Tindie, with the rare few going on to develop a consumer electronic product at scale.

The Hackaday Prize 2017 Best Product highlights this journey. “Scale” itself is a vague term, but essentially it means to be able to produce enough to meet market demand. We hope that market demand is roughly 7 billion units, purchasing yearly, but the reality is that it is somewhere between 1 and a few hundred thousand, with very big differences in manufacturing at each order of magnitude. So how do you start with a proof of concept and design your product from the very beginning to be optimized to scale to meet whatever demand you can handle?

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The Red Special: Brian May’s Handmade Guitar

June 13, 2017 by Adam Fabio 58 Comments

Guitarists are a special breed, and many of them have a close connection with the instruments they play. It might be a specific brand of guitar, or a certain setup required to achieve the sound they’re looking for. No one has a closer bond with an instrument than Brian May to his Red Special. The guitar he toured with and played through his career with Queen and beyond had very humble beginnings. It was built from scratch by Brian and his father Harold May.

A young Brian May playing the brand new Red Special. Note the disk magnets of the original handmade pickups

It was the early 1960’s and a young teenaged Brian May wanted an electric guitar. The problem was that the relatively new instruments were still quite expensive — into the hundreds of dollars. Well beyond the means of the modest family’s budget. All was not lost though. Brian’s father Harold was an electrical engineer and a hacker of sorts. He built the family’s radio, TV, and even furniture around the house. Harold proposed the two build a new electric guitar from scratch as a father-son project. This was the beginning of a two-year odyssey that resulted in the creation of one of the world’s most famous musical instruments.

Brian was already an accomplished guitarist, learning first on his dad’s George Formby Banjo-ukulele, and graduating to an Egmond acoustic guitar. Brian’s first forays into electric guitars came from experimenting with that Egmond. If you look close, you can even see the influence it had on the final design of the Red Special.

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