Harp Uses Frikin’ Lasers

We aren’t sure if you really need lasers to build [HoPE’s] laser harp. It is little more than some photocells and has an Arduino generate tones based on the signals. Still, you need to excite the photocells somehow, and lasers are cheap enough these days.

Mechanically, the device is a pretty large wooden structure. There are six lasers aligned to six light sensors. Each sensor is read by an analog input pin on an Arduino armed with a music-generation shield. We’ve seen plenty of these in the past, but the simplicity of this one is engaging.

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vektorkollektor-deploy-familyInPark

Vektor Kollektor Inspector

With the world opening up again, [Niklas Roy] and [Kati Hyyppä] have been busy making a public and collaborative project. Meet the Vektor Kollektor, a portable drawing machine experience, complete with a chip-tune soundtrack. It’s great to see public art meet the maker community with zero pretension and a whole lot of fun!

The build started with an HP7475A pen plotter from the 80s, one that was DOA (or was fried during initial testing). [Niklas] and [Kati] kept the mechanism but rebuilt the controls allowing for easy integration with an Arduino Nano and to be powered with a motorcycle battery.

The magic seems to be less in the junk-bin build (which is great) and more in the way this team extended the project. Using a joystick with arcade buttons as an input, they carted Vektor Kollektor to public parks and streets where they invited others to make art. The Kollekted drawings are available on a gallery website in a very cool animated form, freely available for download, on t-shirts, 3D prints, and on coffee mugs because, why not?

Some select drawings are even spray-painted on walls using a large plotter, and we really hope [Niklas Roy] and [Kati Hyyppä] share details on that build soon. Of course this comes hot on the heels of the workshop window cyborg we saw from these two hardware artists.

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Two circuit boards with bright seven segment displays

Retro Stereo SID Synth Looks And Sounds Sensational

Over the years, plenty of work has gone into emulating the Commodore 64 6581 SID chip, but as [SlipperySeal] puts it, nothing beats the real thing. His take on the MIDI SID-based synth not only sounds fantastic, but looks the business.

The 6581 SID arguably blessed the Commodore 64 with some of the best sound capabilities of any home computer in the 8-bit era (make sure to ‘sound off’ in the comments if you disagree). The 6581 was a three-voice analog synth with a dizzying array of settings. This was at a time when most home computers could just about manage a ‘beep’ of varying lengths and frequencies.

When you mix MIDI with the capabilities of the SID, you get something like [SlipperySeal]’s awesome looking synth, known as ‘Monty’. While the road to this point unfortunately resulted in several blown-up SID chips, the sacrifice seems to have paid off.

Realizing the limitations of having ‘just’ three voices, Monty is designed to use two SID chips in parallel, for a total of six voices in pleasing stereo sound. MIDI commands are transferred to the dual SIDs by way of an ATmega1284p microcontroller. The SID is well understood by this point, and [SlipperySeal] goes into great detail explaining the fundamentals of SID programming over on GitHub.

This isn’t the first MIDI synth that is based around the C64 SID chip, but [SlipperySeal] made sure that his stood out from the crowd. The seven-segment display centered on the board makes for a delightfully simple visualizer, an effect that looks even better when running two Monty boards at once, each responding to alternate MIDI channels (check out the video below). Naturally, we’re also fans of projects that include ominous, cryptic keyswitches.

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A musical cyberdeck

Musical Cyberdeck Is Part Synth, Part MIDI Controller, And All Cool

When a new project type starts to get a lot of exposure, it’s typically not long before we see people forking the basic concept and striking out in a new direction. It happened with POV displays, it happened with Nixie clocks, and now, it seems to be happening with cyberdecks. And that’s something we can get behind, especially with cyberdecks built to suit a specialized task, like this musical cyberdeck/synth.

Like many musicians, [Benjamin Caccia] felt like he needed a tool to help while performing with his band “Big Time Kill.” He mainly needed to trigger track playbacks on the fly, but also wanted something to act as a mega-effects pedal and standalone synth. And while most of that could be done with an iPad, it wouldn’t look as cool as a cyberdeck. The build centers around a Raspberry Pi 4 and a 7″ LCD display. Those sit on top of a 25-key USB MIDI keyboard and a small mixer. Alongside the keyboard is a USB keypad, which has custom mappings to allow fast access to buried menu functions in the cyberdeck’s Patchbox OS. Everythign was tied together on a 3D-printed frame; the video below shows it in action, and that it sounds as good as it looks.

We think [Benjamin]’s cyberdeck came out great. Need to see some other specialized cyberdecks? Why not take a look at this battle-ready cyberdeck, one that aims to be distraction-free, or a cyberdeck for patrolling the radioactive wastelands.

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Small synth held in two hands

3D Printed Synth Kit Shares Product Design Insights

We’ve always been delighted with the thoughtful and detailed write-ups that accompany each of [Tommy]’s synth products, and the background of his newest instrument, the Scout, is no exception. The Scout is specifically designed to be beginner-friendly, hackable, and uses 3D printed parts and components as much as possible. But there is much more to effectively using 3D printing as a production method than simply churning out parts. Everything needed to be carefully designed and tested, including the 3D printed battery holder, which we happen to think is a great idea.

3d printed battery holder, showing inserted spring contacts
3D printed battery holder, with spring contacts inserted by hand.

[Tommy] also spends some time explaining how he decided which features and design elements to include and which to leave out, contrasting the Scout with his POLY555 synth. Since the Scout is designed to be affordable and beginner-friendly, too many features can in fact be a drawback. Component costs go up, assembly becomes less straightforward, and more complex parts means additional failure points when 3D printing.

[Tommy] opted to keep the Scout tightly focused, but since it’s entirely open-sourced with a hackable design, adding features is made as easy as can be. [Tommy] designed the PCB in KiCad and used OpenSCAD for everything else. The Scout uses the ATmega328, and can be easily modified using the Arduino IDE.

STL files can be downloaded here and all source files are on the project’s GitHub repository, which also contains detailed assembly and modification guides. Watch it in action in the video, embedded below.

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Automated musical instrument with LED array

ESP32 Is The Brains Behind This Art Installation

The ESP32 has enabled an uncountable number of small electronics projects and even some commercial products, thanks to its small size, low price point, and wireless capabilities. Plenty of remote sensors, lighting setups, and even home automation projects now run on this small faithful chip. But being relegated to an electronics enclosure controlling a small electrical setup isn’t all that these tiny chips can do as [Eirik Brandal] shows us with this unique piece of audio and visual art.

The project is essentially a small, automated synthesizer that has a series of arrays programmed into it that correspond to various musical scales. Any of these can be selected for the instrument to play through. The notes of the scale are shuffled through with some random variations, allowing for a completely automated musical instrument. The musical generation is entirely analog as well, created by some oscillators, amplifiers, and other filtering and effects. The ESP32 also controls a lighting sculpture that illuminates a series of LEDs as the music plays.

The art installation itself creates quite haunting, mesmerizing tunes that are illustrated in the video linked after the break. While it’s not quite to the realm of artificial intelligence since it uses pre-programmed patterns with some randomness mixed in, it does give us hints of some other projects that have used AI in order to compose new music.

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Modern Tape Echo Made Easy

Modern popular music increasingly relies on more and more complicated and intricate equipment and algorithms to generate catchy tunes, but even decades ago this was still the case. The only difference between then and now was that most of the equipment in the past was analog instead of digital. For example, the humble tape echo was originally made by running a loop of magnetic tape over a recording head and then immediately playing it back. Old analog machines from that era are getting harder and harder to find, so [Adam Paul] decided to make his own.

At first, [Adam] planned to use standard cassette tapes in various configurations in order to achieve the desired effect, but this proved to be too cumbersome and he eventually switched his design to using the cassette internals in a custom tape deck. The final design includes a small loop of tape inside of the enclosure with a motor driving a spindle. The tape is passed over a record head, then a read head, and then an erase head in order to achieve the echo sound. All of this is done from inside of the device itself, with 1/4″ jacks provided so that the musician can plug in their instrument of choice just like a standard effects pedal would be configured.

The entire build is designed to be buildable and repairable using readily-available parts as well, which solves the problem of maintaining (or even finding) parts from dedicated tape echo machines from decades ago. We like the sound from the analog device, as well as the fact that it’s still an analog device in a world of otherwise digital substitutes. Much like this magnetic tape-based synthesizer we featured about a year ago.

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