midi

377 Articles

A STM32 Tonewheel Organ Without A Single Tonewheel

December 5, 2019 by 7 Comments

The one thing you might be surprised not to find in [Laurent]’s beautiful tonewheel organ build is any tonewheels at all.

Tonewheels were an early way to produce electronic organ sounds: by spinning a toothed wheel at different frequencies and transcending the signal one way or another it was possible to synthesize quite an array of sounds. We like to imagine that they’re all still there in [Laruent]’s organ, albeit very tiny, but the truth is that they’re being synthesized entirely on an STM32 micro controller.

The build itself is beautiful and extremely professional looking. We were unaware that it was possible to buy keybeds for a custom synthesizer, but a model from FATAR sits at the center of the show. There’s a MIDI encoder board and a Nucleo development board inside, tied together with a custom PCB. The UI is an momentary encoder wheel and a display from Mikroelektronika.

You can see and hear this beautiful instrument in the video after the break.

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Sara Adkins Is Jamming Out With Machines

December 4, 2019 by 1 Comment

Asking machines to make music by themselves is kind of a strange notion. They’re machines, after all. They don’t feel happy or hurt, and as far as we know, they don’t long for the affections of other machines. Humans like to think of music as being a strictly human thing, a passionate undertaking so nuanced and emotion-based that a machine could never begin to understand the feeling that goes into the process of making music, or even the simple enjoyment of it.

The idea of humans and machines having a jam session together is even stranger. But oddly enough, the principles of the jam session may be exactly what machines need to begin to understand musical expression. As Sara Adkins explains in her enlightening 2019 Hackaday Superconference talk, Creating with the Machine, humans and machines have a lot to learn from each other.

To a human musician, a machine’s speed and accuracy are enviable. So is its ability to make instant transitions between notes and chords. Humans are slow to learn these transitions and have to practice going back and forth repeatedly to build muscle memory. If the machine were capable, it would likely envy the human in terms of passionate performance and musical expression.

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World’s Smallest MIDI Synth, Now Even Better

October 28, 2019 by 6 Comments

We’re pretty sure there’s no internationally recognized arbiter of records like “World’s smallest full-featured polyphonic stereo MIDI synthesizer that fits in a DIN shell”. If there isn’t, there sure should be, and we’re pretty sure [mitxela]’s Flash-Synth would hold that particular record.

This is one of those lessons that some people just can’t leave a challenge alone. First [mitxela] built a MIDI synthesizer into a DIN connector, then a couple of months later he made a somewhat more streamlined version. While both were feats of engineering derring-do, neither was entirely satisfactory. With only square wave synthesis and a limit of eight voices, plus some unpleasant audio issues and a total lack of manufacturability, the next challenge was clear.

We won’t pretend to follow all the audio arcana, of which the video below and the build log have plenty, but the technical achievement is obvious enough. The Flash-Synth has an STM32, a tantalum SMD filter capacitor that dwarfs it, and a few support components on a flexible PCB that folds back on itself twice. This bit of circuit origami is connected to a 5-pin DIN plug and stuffed into the connector’s shell, which in turn mates to a custom-machined metal housing. A stereo audio jack lives at the other end of the assembly, and the whole synth is powered parasitically off the MIDI port.

The first half of the video below is mostly a demo that proves the synth sounds great and can do just about anything; skip to the 22-minute mark for the gory build details. Suffice it to say that [mitxela]’s past experience with ludicrous scale soldering served him well here.

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Turntable Spins Color And Sound Together

October 27, 2019 by 5 Comments

If you can’t grow your own synesthesia, buying electronics to do it for you is fine. Such is the case with the CHROMATIC by [Xavier Gazon], an artist who turns all kinds of electronics into circuit-bent musical art pieces. His project turns an old Philips Music 5120 turntable into a colorful MIDI sequencer, inspired by older 20th century instruments such as the Optophonic Piano and the Luminaphone.

The CHROMATIC uses colored pucks placed on a converted turntable to perform a looping sequence of chords in a given musical scale, generating MIDI data as output. Where its inspirations used primitive optics as their medium, this project employs a Teensy microcontroller and two modern optical sensors to do the work. One of these is a simple infrared sensor which tracks a white spot on the edge of the turntable, generating a MIDI clock signal to keep everything quantized and in sync. The other is a color sensor mounted on the tone arm, which can tell what color it sees and the height of the arm from the turntable.

While the instrument is still in beta testing phase details on how notes are generated aren’t yet given, though the general idea is that they are dictated by the color the tone arm sees and its position above the platter. Moving the tone arm changes which pucks it tracks, and the speed of the turntable can also be adjusted, changing how the melody sounds.​

The CHROMATIC is a very interesting project, but it’s not the first optical-based turntable hack we’ve seen here. We’ve also seen a much weirder use for a color sensor, too. Check out the video of this one in action after the break.

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DIY MIDI Looper Controller Looks Fantastic!

October 13, 2019 by 4 Comments

Due to pedalboard size, complicated guitar pedals sometimes reduce the number of buttons to the bare minimum. Many of these pedals are capable of being controlled with an external MIDI controller, however, and necessity being the mother of invention and all, this is a great opportunity to build something and learn some new skills at the same time. In need of a MIDI controller, Reddit user [Earthwin] built an Arduino powered one to control his Boss DD500 Looper pedal and the result is great looking.

Five 16×2 LCD screens, one for each button, show the functionality that that button currently has. They are attached (through some neat wiring) to a custom-built PCB which holds the Arduino that controls everything. The screens are mounted to an acrylic backplate which holds the screens in place while the laser-cut acrylic covers are mounted to the same plate through the chassis. The chassis is a standard Hammond aluminum box that was sanded down, primed and then filler was used to make the corners nice and smooth. Flat-top LEDs and custom 3D printed washers finish off the project.

[Earthwin] admits that this build might be overkill for the looper that he’s using, but he had fun building the controller and learning to use an Arduino. He’s already well on his way to building another, using the lessons learned in this build. If you want to build your own MIDI controller, this article should help you out. And then you’re ready to build your controller into a guitar if you want to.

[Via Reddit]

Upgrading A MIDI Controller With An FPGA

September 29, 2019 by 16 Comments

While the “M” in MIDI stands for “musical”, it’s possible to use this standard for other things as well. [s-ol] has been working on a VJ setup (mixing video instead of music) using various potentiometer-based hardware and MIDI to interface everything together. After becoming frustrated with drift in the potentiometers, he set out to outfit the entire rig with custom-built encoders.

[s-ol] designed the rotary-encoder based boards around an FPGA. It monitors the encoder for changes, controls eight RGB LEDs per knob, and even does capacitive touch sensing on the aluminum knob itself. The FPGA communicates via SPI with an Arduino master controller which communicates to a PC using a serial interface. This is [s-ol]’s first time diving into an FPGA project and it looks like he hit it out of the park!.

Even if you’re not mixing video or music, these encoders might be useful to any project where a standard analog potentiometer isn’t accurate or precise enough, or if you just need something that can dial into a specific value quickly. Potentiometers fall short in many different ways, but if you don’t want to replace them you might modify potentiometers to suit your purposes.

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Because Conventional Laser Harps Aren’t Dangerous Enough

September 10, 2019 by 7 Comments

In the late 1980s, the French musician [Jean-Michel Jarre] famously toured with a laser harp. The word among teenage fans was that he had to wear special gloves to stop his hands getting burned, because 1980s teens were both impressionable and didn’t know much about lasers. In fact we’re told by a member of our community who was part of his road crew that the glove was a matter of reflectivity, so laser harps remain relatively harmless and French harpists retain their fingers. To add a bit of spice to the laser harp experience, [James Cochrane] hooked up a laser rangefinder to a Tesla coil to make an instrument with a bit more crackling energy in its performance than the [Jarre] model.

It starts with a laser tape measure modified to serve as an Arduino rangefinder, coupled to custom MIDI code to make a laser harp MIDI controller. The Tesla coil in question happens also to be a MIDI instrument, so the one can control the other with ease. The addition of an earthed chain mail glove allows it to be played in close proximity to the coil, and he rewards us with a rendition of the Star Trek theme. Tesla fun and games behind us, he then gives us a demonstration with a more conventional MIDI instrument.

We’ve had innumerable Tesla coil projects here over the years, if you’re hungry for more we suggest starting with this unusual planar PCB coil design. Meanwhile you can see the laser harp coil in the video below the break.

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