A bird-shaped yellow PCB with legs wound out of wire, perched on its creator's arm. The bird has a lot of through-hole components on it, as well as an assortment of different-colored LEDs.

Printed Circuit Bird Family Calls For Us To Consider Analog

On our favourite low-attention-span content site, [Kelly Heaton] has recently started sharing a series of “Printed Circuit Birds”. These are PCBs shaped like birds, looking like birds and chirping like birds – and they are fully analog! The sound is produced by a network of oscillators feeding into each other, and, once tuned, is hardly distinguishable from the bird songs you might hear outside your window. Care and love was put into making this bird life-like – it perches on Kelly’s arm with legs woven out of single-strand wire and talons made out of THT resistors, in the exact same way you would expect a regular bird to sit on your arm – that is, if you ever get lucky enough. It’s not just one bird – there’s a family of circuit animals, including a goose, a crow and even a cricket.

Why did these animals came to life – metaphorically, but also, literally? There must be more to a non-ordinary project like this, and we asked Kelly about it. These birds are part of her project to explore models of consciousness in ways that we typically don’t employ. Our habit is to approach complex problems in digital domains, but we tend to miss out on elegance and simplicity that analog circuits are capable of. After all, even our conventional understanding of a neural network is a matrix of analog coefficients that we then tune, a primitive imitation of how we assume human brains to work – and it’s this “analog” approach that has lately moved us ever so closer to reproducing “intelligence” in a computer.

Kelly’s work takes a concept that would have many of us get the digital toolkit, and makes it wonderfully life-like using a small bouquet of simple parts. It’s a challenge to our beliefs and approaches, compelling in its grace, urging us to consider and respect analog circuits more when it comes to modelling consciousness and behaviours. If it’s this simple to model sounds and behaviour of a biological organism, a task that’d have us writing DSP and math code to replicate on a microcontroller – what else are we missing from our models?

Kelly has more PCBs to arrive soon in preparation for her NYC exhibit in February, and will surely be posting updates on her Twitter page! We’ve covered her work before, and if you haven’t seen it yet, her Supercon 2019 talk on Electronic Naturalism would be a great place to start! Such projects tend to inspire fellow hackers to build other non-conventional projects, and this chirping pendant follows closely in Kelly’s footsteps! The direction of this venture reminds us a lot of BEAM robotics, which we’ve recently reminisced upon as something that’s impacted generations of hackers to look at electronics we create through an entirely different lens.

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The Eerie Sounds Of Ioalieia: An ESP32/Valve/Analog Hybrid Circuit Sculpture

We’ve not had a circuit sculpture piece for a while, so here’s “ioalieia” a lovely hybrid digital-analog sound sculpture by [Eirik Brandal] to dig into.

Tidy straight lines. Nice job!

The host of the show is the ESP32 module, which generates audio frequency square waves, which are fed into a MCP4251 digital potentiometer. From there, it is fed into a AS3320 Voltage controlled filter (VCF), from Latvia-based ALFA (which is new to us, despite them being manufacturing electronics for sixty years!) This is an interesting device that has a four independently configurable filter elements with voltage controlled inputs for frequency control and resonance. The output from the VCF is then fed into a 6n2p (Soviet equivalent to the 12ax7) twin-triode vacuum tube, which is specifically aimed at audio applications.

The suitably distorted filtered square waves then pass into a Princeton Tech Corp PT2399 echo processor chip, which being digitally constructed, uses the expected ADC/RAM/DAC signal chain to implement an audio echo effect. As with the VCF, the echo depth can be modulated via the digipot, under the ESP32’s command. For a bit of added bling, the vacuum tube output feeds back into the ESP32, to be consumed by the internal ADC and turned into a light show via some PWM controlled LEDs. Lovely.

The final audio output from the echo chip is then fed into a speaker via a pair of LM380 amplifiers giving a power of about 5 W. It sounds pretty good if you ask us, and software configurable via Wi-Fi, giving this sculpture plenty of tweakabilty.

Of course circuit sculpture come in all shapes and sizes, and it wouldn’t do to not mention at least one sculpture clock project, and while we’re on it, here’s last year’s Remoticon circuit sculpture workshop.

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Illuminating Origami Is Just Around The Corner

Pop-up greeting cards are about to get a whole lot more interesting. Researchers at Seoul National University in Korea have created glowing 3D objects with a series of prototypes that fold thin QLED (Quantum Dot LED) sheets like origami. They used a CO2 laser to etch “fold lines” in the QLED so the sheets could be formed into 3D shapes. The bends are actually rounded, but at 5μm they appear to be sharp corners and the panels continue to illuminate across the fold lines for at least 500 folds. Some glow in solid colors, while others use smaller addressable areas to create animated matrix displays of patterns and letterforms. See the short video after the break, read the Physics World article or to see all the prototypes and dig into details of the full research paper in Nature (freed from the paywall by SharedIt).

We’re not sure how soon this technique can be duplicated in our home labs, but we can’t wait to fold up our own 3D lights and matrices. Until then, check out some glowing origami you can make right now from [Charlyn Gonda] at Remoticon 2020 and earlier that year and this amazing origami lamp.

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Artist operating artistic visualizer with MIDI keyboard

Synth And Visualizer Combo Has Retrocomputing Vibe

[Love Hultén]’s latest piece of interactive art is the SYNTH#BOI, a super-clean build with something of the semi-cyberdeck, semi-vintage computing vibe to it. The device is a combination synthesizer and visualizer, with a 15-inch display, MIDI keyboard, and based on an Intel NUC i5 small form factor PC.

There are not many details about the internal workings of the device, but the high quality of the build is very evident. Photos show a fantastic-looking enclosure with clean lines and sharp finish; it’s a reminder that careful measuring and attention to detail can be the difference between something that looks like a hack job, and something that looks like a finished product.

Watch the SYNTH#BOI in action in the video, embedded below. And if the name [Love Hultén] seems familiar, it’s probably because we featured his VOC-25 “Pink Denture Synth”, a concept instrument with a decidedly memorable design of its own.

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Hidden Shaft And Gears Make This Hollow Clock Go

[shiura]’s Hollow Clock 3 is a fantastic 3D printed take on a clock movement that uses a hidden mechanism to pull off its unusual operation. The Hollow Clock has no face, just an open space with an hour and minute hand that move as expected. Only the longer minute hand has any apparent connection to the rest of the clock body, with the rest appearing to hang in the air.

Hidden shaft and gearing.

This is how it works: the longer minute hand is connected to the white ring, and it is in fact this ring that rotates, taking the attached minute hand with it. But how does the hour hand remain stationary while the rest turns? A concealed shaft and gear assembly takes care of that. For every full rotation of the minute hand (actually the white ring), the hour hand is only permitted a relative advancement of 1/12th of a rotation. It’s a clever system, and you can see the insides in the photo here.

Unlike clock projects that showcase their inner workings, the Hollow Clock works hard to conceal them. If you decide to make your own, [shiura] warns to expect to do a bit of tweaking to fine-tune the amount of friction between moving parts so that operation is smooth, and provides useful guidelines for doing so. Take a few minutes to watch the clock in action in the video, embedded below.

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Painted Over But Not Forgotten: Restoring Lost Paintings With Radiation And Mathematics

An intrinsic property of paintings, that makes them both wonderful and very annoying, is the fact that they are physical objects. Sometimes they survive across the ages as amazing artifacts of their era, but they are also susceptible to being lost and even destroyed. Sometimes this destruction is deliberate, such as when a painting is painted over.

Artists reuse canvas all the time — painting over what was already there. Sometimes they might be coerced by a client into altering a painting, or removing entire elements from a scene. Fortunately, nowadays we have many techniques, involving x-rays and infrared radiation, that can analyze paintings to determine not only the composition of what we can see with the naked eye, but also that what lies underneath.

In some cases, we can then reconstruct what was previously hidden, returning to physical reality paintings and sketches which haven’t seen the light of day for sometimes centuries. Continue reading “Painted Over But Not Forgotten: Restoring Lost Paintings With Radiation And Mathematics”

A circuit sculpture based on an indicator tube

“Buggy” Circuit Sculpture Based On A Tuning Indicator Tube

If you’ve ever used an old tube radio, you might be familiar with that mysterious little green display that helps you to tune exactly to a station. That display is called a tuning indicator, or magic eye tube; in essence it’s a minimalistic cathode ray tube that can sweep its electron beam along only one axis. It thereby outputs a kind of bar graph that varies with the input voltage.

With few modern uses other than being pretty, it only makes sense that these tubes find their way into works of art: [Patrice] used one to make an insect-like piece of circuit sculpture. The tube he used is an EM34, which is one of the most common indicator tubes around and has a circular, iris-like display area. This becomes a large eye, peering forward from the bug’s body. The legs are made from 1.5 mm thick brass wire, while a DC/DC converter generates the 210 Volts DC needed to operate the tube.

An interesting “touch” is the addition of two antennae that are hooked up in such a way that the tube’s image changes when you push them; this interactivity makes the bug come alive a little bit. Speaking of touch, we think it would be prudent to put some insulation around the 210 V wires; even though the bug is battery-powered, touching the high voltage and ground wires simultaneously would deliver a nasty shock.

Nevertheless, the bare-wire retro design looks beautiful and would make a great ornament for any electronics-lover’s office. We’ve seen magic eye tubes being used for various purposes: you can turn them into a spectrum analyzer, measure capacitors with them, or simply use them as a bar-graph display. Continue reading ““Buggy” Circuit Sculpture Based On A Tuning Indicator Tube”