Dymo Rides Again With This Dot-Matrix Label Embosser

For a five-year-old future Hackaday scribe, there could be no greater day than that on which a Dymo label maker appeared in the house. With its spinny daisy-wheel to choose a character and its squeezy handle to emboss the letter into the plastic tape, there would follow a period of going nuts kerchunking out misspelled labels and slapping them on everything. Plus the things look like space guns, so there would have been a lot of pew-pewing too.

This Dymo dot-matrix label maker bears no resemblance to our long-lost label blaster, but it’s pretty cool in its own right. The product of collaborators [Felix Fisgus] and [Timo Johannes] and undertaken as a project for their digital media program, the only thing the labeler has in common with the Dymos of old is the tape. Where the manual labelers press the characters into the tape with a punch and die, their project uses a dot-matrix approach. Messages are composed on an old PS/2 keyboard through an Arduino and a 16×2 LCD display, and punched onto the tape a dot at a time. The punch is a large darning needle riding on the remains of an old CD drive and driven by a solenoid. When it comes time to cut the label, servo driven scissors do the job. It’s a noisy, crazy, Rube Goldberg affair, and we love it. Check it out in action in the video below.

We applaud [Felix] and [Timo] for carrying the torch of embossed label making. It’s a shame that we’ve turned to soulless thermal printers to handle most of our labeling needs; then again, we’ve seen some pretty neat hacks for those too.

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The Solution To DJs Playing Their MacBooks

The greatest invention relating to music in the 20th century was multi-track recording, for which we have Les Paul to thank. The second greatest? Non-linear editing and Pro Tools. For some bizarre reason, we have Ricky Martin to thank for that because Livin’ La Vida Loca was the first #1 single to be recorded and mixed entirely in Pro Tools.

The third greatest invention in recording since Edison is the plugin. If you’ve already got a computer sitting in front of you, you’ve got every instrument ever made. All you need is a plugin. [Jan] was working on his live setup recently, and didn’t want to look like a DJ playing the MacBook. Instead, he built a box that combines those powerful plugins into a single, easy to use box that sits right on top of his keyboard.

Inside this box is a modern Windows machine with a PCI Express audio interface. The display is not a touchscreen, because [Jan] originally thought a touchscreen wouldn’t be good for a live performance. He’s reconsidering that now. Other than that, you’re looking in effect at a microATX motherboard and a 10″ LCD in a box, but that’s where this build gets interesting.

The mechanical design of this build is of paramount importance, so [Jan] is using two mod wheels on the side, a bunch of silicone buttons on the bottom, and a few rotary encoders. These are MIDI controls, able to change whatever variables are available in the custom VSTs. That in itself is a pretty interesting build, with circuit bent MIDI controllers and off-the-shelf buttons.

The completed build attaches right to the Nord Stage master keyboard, and eight VST instrument channels are right at [Jan]’s fingertips. You can check out a video of this build in action below.

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Tiny Telescope For Simple Radio Astronomy

We are used to imagining radio telescopes as immense pieces of scientific apparatus, such as the Arecibo Observatory in Puerto Rico, or the Lovell telescope in the UK. It’s a surprise then that they can be constructed on a far more modest sale using off-the-shelf components, and it’s a path that [Gonçalo Nespral] has taken with his tiny radio telescope using a satellite dish. It’s on an azimuth-elevation mount using an Ikea lazy susan and a lead screw, and it has a satellite TV LNB at the hot end with a satellite finder as its detector.

So far he’s managed only to image the wall of his apartment, but that clearly shows the presence of the metal supporting structure within it. Taking it outdoors has however not been such a success. If we wanted to hazard a guess as to why this is the case, we’d wish to look at the bandwidth of that satellite finder. It’s designed to spot a signal from a TV broadcast bird over the whole band, and thus will have a bandwidth in the hundreds of MHz and a sensitivity that could at best be described as a bit deaf. We hope he’ll try a different path such as an RTL-SDR in the future, and we look forward to his results.

This isn’t the first simple radio telescope we’ve seen here, aside from at least one other LNB-based one we’ve also shown you a WiFi device.

Disney Builds Autonomous Graffiti Drone

Ever seen a bit of graffiti in a strange location and wondered how the graffiti artist got up there? It might have been a drone rather than an athletic teen. Disney research has just published an interesting research paper that describes the PaintCopter: an autonomous drone fitted with a can of spray paint on a pan-tilt arm. It’s more than just sticking a paint can on a stick, though: they built a system that can scan a 3D surface then calculate how to paint a design on it, and then do it autonomously. The idea is that they want to use this to paint difficult-to-reach bits of theme parks, or to add seasonal decorations without sending someone up a ladder.

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Atlas Is Back With Some New Moves

Atlas is back, and this time he’s got some sweet parkour moves to show off. Every few months, Boston Dynamics gives us a tantalizing glimpse into their robotics development labs. They must be doing something right, as these videos never fail both to amaze and scare us. This time Atlas, Boston Dynamics humanoid bipedal robot, is doing a bit of light parkour — jumping over a log and from box to box. The Atlas we’re seeing here is the evolution of the same robot we saw at the DARPA Robotics Challenge back in 2013.

The video caption mentions that Atlas is using machine vision to analyze the position of markers on the obstacles. It can then plot the most efficient path over the obstructions. The onboard control system then takes over and uses Atlas’ limbs and torso for balance and momentum as the robot jumps up and over everything in its path.

It’s interesting to see how smoothly Atlas jumps the offset staircase, leaping left to right from step to step. The jumping is extremely smooth and fluid — it seems almost human.  You can even see Atlas’ let foot just barely clear the box on the second jump. We have to wonder how many times Atlas fell while the software was being perfected.

One thing is for sure, logs and boxes may slow down zombies, but they won’t help anymore when the robot uprising starts.

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Save A Linotype Machine For Future Generations

The journalist’s art is now one of the computer keyboard and the internet connection, but there was a time when it involved sleepless nights over a manual typewriter followed by time spent reviewing paper proofs freshly inked from hot lead type. Newspapers in the golden age of print media once had entire floors of machinery turning text into custom metal type on the fly, mechanical masterpieces in the medium of hot lead of which Linotype were the most famous manufacturer.

Computerised desktop publishing might have banished the Linotype from the newsroom in the 1970s or 1980s, but a few have survived. One of the last working Linotypes in Europe can be found in a small print workshop in Vienna, and since its owner is about to retire there is a move to save it for posterity through a crowdfunding campaign. This will not simply place it in a museum as a dusty exhibit similar to the decommissioned Monotype your scribe once walked past every day in the foyer of the publishing company she then worked for, instead it will ensure that the machine continues to be used on a daily basis producing those hot metal slugs of type.

Fronting the project is [Florian Kaps], whose pedigree in the world of resurrecting analogue technologies was established by his role in saving the Polaroid film plant in Enschede, Netherlands. There are a variety of rewards featuring Linotype print, and at the time of writing the project is 46% funded with about four weeks remaining. If you are curious about the Linotype machine and its operation, we’ve previously brought you an account of the last day of hot metal printing at the New York Times.

Drone + Ground Penetrating Radar = Mine Detector?

Most civilized nations ban the use of landmines because they kill indiscriminately, and for years after they are planted. However, they are still used in many places around the world, and people are still left trying to find better ways to find and remove them. This group is looking at an interesting new approach: using ground-penetrating radar from a drone [PDF link]. The idea is that you send out a radio signal, which penetrates into the ground and bounces off any objects in there. By analyzing the reflected signal, so the theory goes, you can see objects underground. Of course, it gets a bit more complicated than that (especially when signals get reflected by the surface and other objects), but it’s a well-established technique even though this is the first time we’ve seen it mounted on a drone. It’s a great idea: the drone allows you to have the transmitting and receiving antennas separated with both mounted on pole extensions, meaning that the radio platform can move. Combined with a pre-planned flight, and we’re looking at a system that can fly over an area, scan what is under the ground, and store the data for analysis.

[Via RTL-SDR]

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