Miniaturized, Working Replica Of Vintage Leslie Speaker

September 3, 2026 by Bryan Cockfield 13 Comments

Few pieces of vintage audio gear from the turn of the century (the previous one) inspire the kind of devotion that a Leslie speaker does. Sure, there are plenty of pieces that are rarer or more valuable, but the Leslie speaker has such a big following because of its uniqueness of physically moving sound around a room. Two rotating devices in the speaker physically direct the sound around the cabinet with musician-controlled speed, and this sound remains extremely difficult to reproduce faithfully without the moving components. But originals are enormous and meant for organs, so [Eric] built a 40% replica with a few modern touches for his guitar.

The build starts with a CAD model, where [Eric] works towards making the most accurate enclosure for his speaker as possible. The CAD model heads out to a CNC machine which can care most of the details into the wood, and he eventually is able to finish it, although it took a few tries with stains and paintbrushes of various types. For the speakers themselves, he’s using modern versions including modern brushless motors to drive the rotating elements. Like the original speaker, the high range of sound is sent through a rotating set of horns, of which one is only a counterweight, and the low range is directed out of the bottom of the cabinet through a large rotating drum. Both rotating elements here are 3D printed, and with everything put together and wired up [Eric] has a much more portable, faithful recreation of the original Leslie speaker.

There are some upgrades in the wiring too, which makes it work better with a guitar rather than for an organ. It’s also much lighter, and was a hit when he took it to let a few other guitarists to play as well. It’s not the first time we’ve seen the Leslie’s movement recreated for guitar, but it is the most alike to the classic 1930s-era speaker we’ve seen so far.

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Voltmeter-Based Floating Point Calculator Does It In Style

July 13, 2026 by Donald Papp 16 Comments

[lcamtuf] is not just a calculator superfan, but also a skilled builder. That much is evident in the fabulous design of Calcumator 2000, an electromechanical calculator that uses voltmeter readouts as digits (plus one at the bottom to represent decimal place). There are plenty of high-quality build images, so give it a look!

Meters like the one on the right (numbered 0 to 9) act as digit displays. The meter on the left indicates decimal position.

Calcumator 2000 is a bit of a love letter to a time when display technology hadn’t quite yet produced anything suitable for calculator use. This resulted in calculator designs that are generally unrecognizable compared to the 7-segment display based devices we see today. The Calcumator 2000, in all its electromechanical glory, would have fit right in that era.

The Calcumator 2000 has all the usual buttons one would expect from a simple calculator and drives a total of seven readouts, one of which acts as the decimal point. The idea of using voltmeters as digit displays came from [lcamtuf]’s voltmeter clock, an earlier work with a similar attention to detail in its design and assembly.

We want to take a moment to admire how clean the blue panel is. [lcamtuf] made it by painting one side of an acrylic panel, cutting the letters and design out on a CNC mill, then filling with white paint. The depth of the cuts gives the white elements a nifty multi-layer effect that really complements the design.

Want to see it work? Oh yes, you do. Check out the video, embedded just below.

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Alan Turing’s Remarkable, Nearly-Forgotten Voice Encryption Device

June 26, 2026 by Donald Papp 15 Comments

[Popular Mechanics] has an interesting article about Alan Turing’s nearly-forgotten speech encryption device. Codenamed Delilah, it was in many ways an early form of digital encryption. It was secretly developed alongside his most famous wartime achievement of breaking the encryption used by the Nazis’ Enigma machine; itself a remarkable device we’ve covered in detail in the past.

Delilah was developed at a separate location, and Turing worked with a young electrical engineer by the name of Donald Bayley who not only helped Turing implement design concepts and theory as practical circuitry, but took copious notes of their work and discussions. His documents went up for auction in 2023, a few years after his death, and they reveal a first-hand account of their work.

SIGSALY (the name is not an acronym, by the way) was a working voice encryption system whose main drawbacks were its massive size, weight, and power requirements. [image: Wikipedia]

Back then, a vocal encryption system did exist. Bell Labs had developed SIGSALY, a seriously top-secret system that provided encrypted voice communications at the highest levels. But one of SIGSALY’s biggest drawbacks was that it was absolutely monstrous.

Delilah did the same job, but was portable and battery-powered. Delilah was three small boxes weighing around 39 kg, and it’s hard to overstate just how remarkable of a feat of miniaturization this was. However, by the time Delilah was wrapped up, the war was over and the project wound down without ever being produced or deployed in any meaningful way.

Encrypted communications is standard stuff today, but back then there was simply no need for a vocal encryption system in peacetime. The reason we know what we do today is thanks mainly to the effort Bayley put into documenting things. It’s yet another achievement by a man for whom life was far from being either easy or fair; Turing was prosecuted by his own government for “homosexual acts” and ultimately took his own life in the years following the war.

It again demonstrates that if the people involved don’t write things down while they know it, that knowledge can simply disappear. Sometimes people make the effort and the rest of us benefit, like with the Delilah project and also with the history of liquid rocket propellants — a dry-sounding topic that we assure you is anything but.

Peek Into IBM’s System/360 With Vintage Training Film

May 25, 2026 by Donald Papp 9 Comments

Computing goes hand-in-hand with how to structure and access data, and this internal training film from IBM regarding file organization and data processing with System/360 is from a time when such decisions were crucial to system architecture.

Some trends never change, like storage costs over time.

The presenter talks about the transition from magnetic tape-based storage (in which data is stored and must be read sequentially) to DASD (direct access storage devices) which have more in common with modern mass storage media. The ability to access and process data at will instead of sequentially represented a tremendous opportunity to change how organizations handled data. System/360 redefined mainframe computing, introducing not just the concept of compatibility and interoperability of programs and data between systems, but also popularized the 8-bit byte.

It’s not a particularly long presentation and it doesn’t go into deep technical detail — it was primarily aimed at sales people — but it does offer an interesting peek into a time period in computing history that most of us have little or no direct experience with. Nevertheless some things never change, like a trend of plummeting storage prices (listed as cost per million characters) over time.

Check it out in the video embedded below, and if you’d like to know more about IBM’s System/360 we have you covered.

Thanks [Stephen Walters] for the tip.

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Play A .WAV Instead Of Typing Line After Line Into Vintage Microcomputer

March 28, 2026 by Donald Papp 27 Comments

[Casey Bralla] got his hands on a Rockwell AIM 65 microcomputer, a fantastic example of vintage computing from the late 70s. It sports a full QWERTY keyboard, and a twenty character wide display complemented by a small thermal printer. The keyboard is remarkably comfortable, but doing software development on a one-line, twenty-character display is just not anyone’s idea of a good time. [Casey] made his own tools to let him write programs on his main PC, and transfer them easily to the AIM 65 instead.

A one-line, twenty-character wide display was a fantastic feature, but certainly lacking for development work.

Moving data wasn’t as straightforward in 1978 as it is today. While the Rockwell AIM 65 is a great machine, it has no disk drive and no filesystem. Programs can be written in assembler or BASIC (which had ROM support) but getting them into running memory where they could execute is not as simple as it is on modern machines. One can type a program in by hand, but no one wants to do that twice.

Fortunately the AIM 65 had a tape interface (two, actually) and could read and store data in an audio-encoded format. Rather than typing a program by hand, one could play an audio tape instead.

This is the angle [Casey]’s tools take, in the form of two Python programs: one for encoding into audio, and one for decoding. He can write a program on his main desktop, and encode it into a .wav file. To load the program, he sets up the AIM 65 then hits play on that same .wav file, sending the audio to the AIM 65 and essentially automating the process of typing it in. We’ve seen people emulate vintage tape drive hardware, but the approach of simply encoding text to and from .wav files is much more fitting in this case.

The audio encoding format Rockwell used for the AIM is very well-documented but no tools existed that [Casey] could find, so he made his own with the help of Anthropic’s Claude AI. The results were great, as Claude was able to read the documentation and, with [Casey]’s direction, generate working encoding and decoding tools that implemented the spec perfectly. It went so swimmingly he even went on to also make a two-pass assembler and source code formatter for the AIM, as well. With them, development is far friendlier.

Watch a demonstration in the video [Casey] made (embedded under the page break) that shows the encoded data being transferred at a screaming 300 baud, before being run on the AIM 65.

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Vintage Canadian Video Hardware Becomes Homebrew Computer

February 14, 2026 by Donald Papp 7 Comments

Are you in the mood for a retrocomputing deep dive into the Scriptovision Super Micro Script? It was a Canadian-made vintage video titler from the 80s, and [Cameron Kaiser] has written up a journey of repair and reverse-engineering for it. But his work is far more than just a refurbish job; [Cameron] transforms the device into something not unlike 8-bit homebrew computers of the era, able to upload and run custom programs with a limited blister keypad for input, and displaying output on a composite video monitor.

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Restoring The Soul Of A 1940s Radio

February 4, 2026 by Bryan Cockfield 13 Comments

Although we do often see projects that take antiques and replace some or all of their components with modern equipment, we can also sympathize with the view that (when possible and practical) certain antique electronics should be restored rather than gutted. [David] has this inclination for his 1948 GE radio, but there are a few issues with it that prevented a complete, period-correct restoration.

The main (pun intended) issue at the start of this project was safety. The original radio had a chassis that was just as likely as not to become energized, with the only protection being the plastic housing. [David] set up an isolation transformer with a modern polarized power cable to help solve this issue, and then got to work replacing ancient capacitors. With a few other minor issues squared away this is all it took to get the radio working to receive AM radio, and he also was able to make a small modification to allow the radio to accept audio via a 3.5mm jack as well.

However, [David] also has the view that a period-correct AM transmission should accompany this radio as well and set about with the second bit of this project. It’s an adaptation of a project called FieldStation42 originally meant to replicate the experience of cable TV, but [Shane], the project’s creator, helped [David] get it set up for audio as well. A notable feature of this system is that when the user tunes away from one station, it isn’t simply paused, but instead allowed to continue playing as if real time is passing in the simulated radio world.

Although there are a few modern conveniences here for safety and for period-correct immersion, we think this project really hits the nail on the head for preserving everything possible while not rolling the dice with 40s-era safety standards. There’s also a GitHub page with some more info that [David] hopes to add to in the near future. This restoration of a radio only one year newer has a similar feel, and there are also guides for a more broad category of radio restorations as well.

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