Restoring The Soul Of A 1940s Radio

Although we do often see projects that take antiques and replace some or all of their components with modern equipment, we can also sympathize with the view that (when possible and practical) certain antique electronics should be restored rather than gutted. [David] has this inclination for his 1948 GE radio, but there are a few issues with it that prevented a complete, period-correct restoration.

The main (pun intended) issue at the start of this project was safety. The original radio had a chassis that was just as likely as not to become energized, with the only protection being the plastic housing. [David] set up an isolation transformer with a modern polarized power cable to help solve this issue, and then got to work replacing ancient capacitors. With a few other minor issues squared away this is all it took to get the radio working to receive AM radio, and he also was able to make a small modification to allow the radio to accept audio via a 3.5mm jack as well.

However, [David] also has the view that a period-correct AM transmission should accompany this radio as well and set about with the second bit of this project. It’s an adaptation of a project called FieldStation42 originally meant to replicate the experience of cable TV, but [Shane], the project’s creator, helped [David] get it set up for audio as well. A notable feature of this system is that when the user tunes away from one station, it isn’t simply paused, but instead allowed to continue playing as if real time is passing in the simulated radio world.

Although there are a few modern conveniences here for safety and for period-correct immersion, we think this project really hits the nail on the head for preserving everything possible while not rolling the dice with 40s-era safety standards. There’s also a GitHub page with some more info that [David] hopes to add to in the near future. This restoration of a radio only one year newer has a similar feel, and there are also guides for a more broad category of radio restorations as well.

Continue reading “Restoring The Soul Of A 1940s Radio”

refurbished baby blue vice next to its refurbisher

Vice Of Old Brought To The Modern Age

People say they don’t make em’ like they used to, and while this isn’t always the case, it’s certainly true that old vices rarely die with time. This doesn’t mean they can’t use a refresh. [Marius Hornberger] recently backed that up when he decided to restore an old vice that had seen better days.

custom bearing and rod
Customized axial bearing assembly

When refreshing old tools, you’ll almost always start the same: cleaning up all the layers of grease and ruined paint. The stories that each layer could tell will never be known, but new ones will be made with the care put into it by [Marius]. Bearings for the tightening mechanism had become worn down past saving, requiring new replacements. However, simply swapping them with carbon copies would be no fun.

[Marius] decided to completely rethink the clamping mechanism, allowing for much smoother use. To do this was simple, just machine down new axial bearings, design and print a bearing cage, machine the main rod itself, and finally make a casing. It’s simple really, but he wasn’t done and decided to create a custom torque rod to hammer in his vicing abilities. Importantly, the final finish was done by spraying paint and applying new grease.

Old tools can often be given new life, and we are far from strangers to this concept at Hackaday. Make sure to check out some antique rotary tools from companies before Dremel!

Continue reading “Vice Of Old Brought To The Modern Age”

Retrocomputing: Simulacrum Or The Real Deal?

The holidays are rapidly approaching, and you probably already have a topic or two to argue with your family about. But what about with your hacker friends? We came upon an old favorite the other day: whether it “counts” as retrocomputing if you’re running a simulated version of the system or if it “needs” to run on old iron.

This lovely C64esque laptop sparked the controversy. It’s an absolute looker, with a custom keyboard and a retro-reimagining-period-correct flaptop design, but the beauty is only skin deep: the guts are a Raspberry Pi 5 running VICE. An emulator! Horrors!

We’ll admit to being entirely torn. There’s something about the old computers that’s very nice to lay hands on, and we just don’t get the same feels from an emulator running on our desktop. But a physical reproduction like with many of the modern C64 recreations, or [Oscar Vermeulen]’s PiDP-8/I really floats our boat in a way that an in-the-browser emulation experience simply doesn’t.

Another example was the Voja 4, the Supercon 2022 badge based on a CPU that never existed. It’s not literally retro, because [Voja Antonics] designed it during the COVID quarantines, so there’s no “old iron” at all. Worse, it’s emulated; the whole thing exists as a virtual machine inside the onboard PIC.

But we’d argue that this badge brought more people something very much like the authentic PDP-8 experience, or whatever. We saw people teaching themselves to do something functional in an imaginary 4-bit machine language over a weekend, and we know folks who’ve kept at it in the intervening years. Part of the appeal was that it reflected nearly everything about the machine state in myriad blinking lights. Or rather, it reflected the VM running on the PIC, because remember, it’s all just a trick.

So we’ll fittingly close this newsletter with a holiday message of peace to the two retrocomputing camps: Maybe you’re both right. Maybe the physical device and its human interfaces do matter – emulation sucks – but maybe it’s not entirely relevant what’s on the inside of the box if the outside is convincing enough. After all, if we hadn’t done [Kevin Noki] dirty by showing the insides of his C64 laptop, maybe nobody would ever have known.

USB Video Capture Devices: Wow! They’re All Bad!!

[VWestlife] purchased all kinds of USB video capture devices — many of them from the early 2000s — and put them through their paces in trying to digitize VHS classics like Instant Fireplace and Buying an Auxiliary Sailboat. The results were actually quite varied, but almost universally bad. They all worked, but they also brought unpleasant artifacts and side effects when it came to the final results. Sure, the analog source isn’t always the highest quality, but could it really be this hard to digitize a VHS tape?

Continue reading “USB Video Capture Devices: Wow! They’re All Bad!!”

The Database Powering America’s Hospitals May Not Be What You Expect

Ever heard of MUMPS? Both programming language and database, it was developed in the 1960s for the Massachusetts General Hospital. The goal was to streamline the increasingly enormous timesink that information and records management had become, a problem that was certain to grow unless something was done. Far from being some historical footnote, MUMPS (Massachusetts General Hospital Utility Multi-Programming System) grew to be used by a wide variety of healthcare facilities and still runs today. If you’ve never heard of it, you’re in luck because [Asianometry] has a documentary video that’ll tell you everything.

MUMPS had rough beginnings but ultimately found widespread support and use that continues to this day. As a programming language, MUMPS (also known simply as “M”) has the unusual feature of very tight integration with the database end of things. That makes sense in light of the fact that it was created to streamline the gathering, processing, and updating of medical data in a busy, multi-user healthcare environment that churned along twenty-four hours per day.

It may show its age (the term “archaic” — among others — gets used when it’s brought up) but it is extremely good at what it does and has a proven track record in the health care industry. This, combined with the fact that efforts to move to newer electronic record systems always seem to find the job harder than expected, have helped keep it relevant. Have you ever used MUMPS? Let us know in the comments!

And hey, if vintage programming languages just aren’t unusual enough for you, we have some truly strange ones for you to check out.

Continue reading “The Database Powering America’s Hospitals May Not Be What You Expect”

DIY Test Gear From 1981

We can’t get enough of [Bettina Neumryn’s] videos. If you haven’t seen her, she takes old electronics magazines, finds interesting projects, and builds them. If you remember these old projects, it is nostalgic, and if you don’t remember them, you can learn a lot about basic electronics and construction techniques. This installment (see below) is an Elektor digital voltmeter and frequency counter from late 1981.

As was common in those days, you could find the PCB layouts in the magazine. In this case, there were two boards. The schematic shows that a counter and display driver chip — a 74C928 — does most of the heavy lifting for the display and the counter.

Continue reading “DIY Test Gear From 1981”

A Deep Dive Into The Coolness That Was CRT Projectors

CRT monitors: there’s nothing quite like ’em. But did you know that video projectors used to use CRTs? A trio of monochrome CRTs, in fact: one for each color; red, green, and blue. By their powers combined, these monsters were capable of fantastic resolution and image quality. Despite being nowhere near as bright as modern projectors, after being properly set up, [Technology Connections] says it’s still one of the best projected images he has seen outside of a movie theatre.

After a twenty-minute startup to reach thermal equilibrium, one can settle down with a chunky service manual for a ponderous calibration process involving an enormous remote control. The reward is a fantastic (albeit brightness-limited) picture.

Still, these projectors had drawbacks. They were limited in brightness, of course. But they were also complex, labor-intensive beasts to set up and calibrate. On the other hand, at least they were heavy.

[Technology Connections] gives us a good look at the Sony VPH-D50HT Mark II CRT Projector in its tri-lobed, liquid-cooled glory. This model is a relic by today’s standards, but natively supports 1080i via component video input and even preserves image quality and resolution by reshaping the image in each CRT to perform things like keystone correction, thus compensating for projection angle right at the source. Being an analog device, there is no hint of screen door effect or any other digital artifact. The picture is just there, limited only by the specks of phosphor on the face of each tube.

Converging and calibrating three separate projectors really was a nontrivial undertaking. There are some similarities to the big screen rear-projection TVs of the 90s and early 2000s (which were then displaced by plasma and flat-panel LCD displays). Unlike enclosed rear-projection TVs, the screen for projectors was not fixed, which meant all that calibration needed to be done on-site. A walkthrough of what that process was like — done with the help of many test patterns and a remote control that is as monstrous as it is confusing — starts at 15:35 in the video below.

Like rear-projection TVs, these projectors were displaced by newer technologies that were lighter, brighter, and easier to use. Still, just like other CRT displays, there was nothing quite like them. And if you find esoteric projector technologies intriguing, we have a feeling you will love the Eidophor.

Continue reading “A Deep Dive Into The Coolness That Was CRT Projectors”