Superdeep Borehole Samples Create Non-boring Music

October 19, 2018 by Bryan Cockfield 14 Comments

In the 1970s, the Soviet Union decided to dig a hole for science. Not just any hole, the Kola Superdeep Borehole reached a depth of over 12 kilometers, the deepest at the time and the second deepest today by just a few meters. Since this was one of the few holes dug this deep that wasn’t being drilled for oil, the project was eventually abandoned. [Dmitry] was able to find some core samples from the project though, and he headed up to the ruins of the scientific site with his latest project which produces musical sounds from the core samples.

The musical instrument uses punched tape, found at the borehole site, as a sort of “seed” for generating the sounds. Around the outside of the device are five miniature drilling rigs, each holding a piece of a core sample from the hole. The instrument uses the punched tape in order to control the drilling rigs, and the sound that is created is processed by the instrument and amplified, which creates some interesting and rather spooky sounds. The whole thing is controlled by an Arduino Mega.

Not only does the project make interesting sounds from a historically and scientifically significant research station and its findings, but the project has a unique and clean design that really fits its environment at the abandoned facility. The other interesting thing about this project is that, if you want to make the trek, anyone can go explore the building and see the hole for themselves. If you’re wondering about the tools that could be used to make a hole like this, take a look at this boring project.

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Sonic Robots Don’t Play Instruments, They Are The Instruments

October 17, 2018 by Donald Papp 7 Comments

[Moritz Simon Geist]’s experiences as both a classically trained musician and a robotics engineer is clearly what makes his Techno Music Robots project so stunningly executed. The robotic electronic music he has created involves no traditional instruments of any kind. Instead, the robots themselves are the instruments, and every sound comes from some kind of physical element.

A motor might smack a bit of metal, a hard drive arm might tap out a rhythm, and odder sounds come from stranger devices. If it’s technological and can make a sound, [Moritz Simon Geist] has probably carefully explored whether it can be turned into one of his Sonic Robots. The video embedded below is an excellent example of his results, which is electronic music without a synthesizer in sight.

We’ve seen robot bands before, and they’re always the product of some amazing work. The Toa Mata Lego Band are small Lego units and Compressorhead play full-sized instruments on stage, but robots that are the instruments is a different direction that still keeps the same physical element to the music.

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Modular Violin Takes A Bow

October 16, 2018 by Bryan Cockfield 10 Comments

They say the only difference between a violin and a fiddle is the way you play it. If that’s so, this modular violin will need a new name, since it can be broken apart and changed in ways that make it sound completely different, all within a few minutes.

The fiddle is the work of [David Perry] and has 3D printed body, neck, pegbox, and bridge. While it might seem useful on the surface as a way to get less expensive instruments out in the world where virtually anyone has access to them, the real interesting qualities are shown when [David] starts playing all of the different versions he’s created. The sound changes in noticeable ways depending on the style of print, type of plastic used, and many other qualities.

Of course you will need a bow, strings, pegs, and a fingerboard, but the rest is all available if you have a 3D printer around. If you’re already a skilled violinist this could be a very affordable way to experiment with new sounds. It’s not the first time we’ve seen 3D printed violins, but it is the first time we’ve seen them designed specifically to alter the way they sound rather than their physical characteristics. If you want to make your own, all of the .stl files are available on the project’s site.

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Listen To A Song Made From Custom Nintendo LABO Waveform Cards

October 14, 2018 by Donald Papp 2 Comments

[Hunter Irving] has been busy with the Nintendo LABO’s piano for the Nintendo Switch. In particular he’s been very busy creating his own custom waveform cards, which greatly expands the capabilities of the hackable cardboard contraption. If this sounds familiar, it’s because we covered his original method of creating 3D printed waveform cards that are compatible with the piano, but he’s taken his work further since then. Not only has he created new and more complex cards by sampling instruments from Super Nintendo games, he’s even experimented with cards based on vowel sounds in an effort to see just how far things can go. By layering the right vowel sounds just so, he was able to make the (barely identifiable) phrases I-LIKE-YOU, YOU-LIKE-ME, and LET’S-A-GO.

Those three phrases make up the (vaguely recognizable) lyrics of a song he composed using his custom waveform cards for the Nintendo LABO’s piano, appropriately titled I Like You. The song is at the 6:26 mark in the video embedded below, but the whole video is worth a watch to catch up on [Hunter]’s work. The song is also hosted on soundcloud.

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120 Second Shower Cap

September 10, 2018 by Brian McEvoy 24 Comments

Do you have a couple of minutes? Literally and precisely, two minutes. That’s how long these ten songs play. So what? A short song is not new, but these ten songs are part of a campaign to encourage residents of Cape Town, South Africa to cap their showers at one-hundred-twenty seconds. Some of us do not have to worry about droughts or water bills, but most of us are concerned about one or both of those, and this ingenious campaign alerted people to the problem, gave them the means to time themselves, and made it pleasant, not oppressive. The songs are freely available, and one might even pique your listening tastes from the biggest stars in South Africa.

So, where is the hack? Some of us have experimented with egg timers on the towel rack, timers on the showerhead, servos on the faucet knobs, or occupancy sensors, but those are strong-arm techniques or only for measuring, not regulating water use. These songs attack the most viable vector, the showerer. Or is it showeree? Telling people there is a drought is one thing, but giving them the ability to regulate themselves in such a way that they comply is a hacker’s approach. The songs on the site do not autoplay so there will be no hanging out under the water spray to find the best song. Which is your favorite?

Ask Hackaday Answered: The Tale Of The Top-Octave Generator

August 22, 2018 by Elliot Williams 57 Comments

We got a question from [DC Darsen], who apparently has a broken electronic organ from the mid-70s that needs a new top-octave generator. A top-octave generator is essentially an IC with twelve or thirteen logic counters or dividers on-board that produces an octave’s worth of notes for the cheesy organ in question, and then a string of divide-by-two logic counters divide these down to cover the rest of the keyboard. With the sound board making every pitch all the time, the keyboard is just a simple set of switches that let the sound through or not. Easy-peasy, as long as you have a working TOG.

I bravely, and/or naïvely, said that I could whip one up on an AVR-based Arduino, tried, and failed. The timing requirements were just too tight for the obvious approach, so I turned it over to the Hackaday community because I had this nagging feeling that surely someone could rise to the challenge.

The community delivered! Or, particularly, [Ag Primatic]. With a clever approach to the problem, some assembly language programming, and an optional Arduino crystalectomy, [AP]’s solution is rock-solid and glitch-free, and you could build one right now if you wanted to. We expect a proliferation of cheesy synth sounds will result. This is some tight code. Hat tip!

Squeezing Cycles Out of a Microcontroller

Let’s take a look at [AP]’s code. The approach that [AP] used is tremendously useful whenever you have a microcontroller that has to do many things at once, on a rigid schedule, and there’s not enough CPU time between the smallest time increments to do much. Maybe you’d like to control twelve servo motors with no glitching? Or drive many LEDs with binary code modulation instead of primitive pulse-width modulation? Then you’re going to want to read on.

There are two additional tricks that [AP] uses: one to fake cycles with a non-integer number of counts, and one to make the AVR’s ISR timing absolutely jitter-free. Finally, [Ag] ended up writing everything in AVR assembly language to make the timing work out, but was nice enough to also include a C listing. So if you’d like to get your feet wet with assembly, this is a good start.

In short, if you’re doing anything with hard timing requirements on limited microcontroller resources, especially an AVR, read on!

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OTTO: A Pi Based Open Source Music Production Box

August 10, 2018 by Adam Fabio 10 Comments

Want an open source portable synth workstation that won’t break the bank? Check out OTTO. [Topisani] started OTTO as a clone of the well-known Teenage Engineering OP-1. However, soon [Topisani] decided to branch away from simply cloning the OP-1 — instead, they’re taking a lot of inspiration from it in terms of form factor, but the UI will eventually be quite different.

On the hardware side, the heart of the OTTO is a Raspberry Pi 3. The all-important audio interface is a Fe-Pi Audio Z V2, though a USB interface can be used. The 48 switches and four rotary encoders are wrangled by a pair of Arduino pro micros which pass the data on to the Pi. Data is related to the user through a 320×200 LCD.

The software is being written from scratch in C++17. If you’re not a hardcore C++ developer, don’t worry. The synth engines, audio effects, and other DSP software is written in Faust, which is a bit easier to learn.

OTTO is actively being developed, with synth engines already running, a prototype in progress, and fleshed out guidelines for programming the UI. If you’re into creating music, this one is worth checking out, as is Zynthian, another Raspberry Pi based synth.